Menu toggle
Porta Polonica
Navigation

Polish poster art in post-war Germany

Jan Lenica, Wozzeck, 1964

Mediathek Sorted

Media library
  • ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones) - One of the approximately 180 posters that could be seen in Munich in 1962
  • ill. 2: Józef Mroszczak, Student żebrak (The begging student) - Also present at the Munich exhibition
  • ill. 3: Henryk Tomaszewski, Henry Moore - One of the most famous examples of Polish poster art
  • ill. 4: Cultural posters in Poland - Ubiquitous - at least that's what Western audiences liked to be led to believe
  • ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966 - Overview
  • ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Darmstadt, ‘Henschel & Ropertz’ trading house, October
  • ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Detailed view 1
  • ill. 8: Henryk Tomaszewski, 22 Lipca (22. July) -
  • ill. 9: Józef Mroszczak - Photograph V. Zamecznik
  • ill. 10: Józef Mroszczak, Don Carlos, 1963  -
  • ill. 11: Roman Cieślewicz - Photographer: W. Zamecznik
  • ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo) - Announcement of a Hitchcock film
  • ill. 13: Jan Lenica - Photographer: W. Zamecznik
  • ill. 14: Jan Lenica, Wozzeck - Announcement of a theatre performance
  • ill. 15: Jan Lenica, Faust - Announcement of a theatre performance
  • ill. 16: Jan Lenica, Othello - Announcement of an opera performance
  • ill. 17: Jan Lenica, Olympic Games Munich 1972  -
  • ill. 18: Monthly Bulletin Poland, edition FRG, no. 12 - Article on poster art
  • ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka - Announcement of a musical theatre/musical performance
  • ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski - Announcement of a theatre performance
  • ill. 21: A postage stamp for the United Nations International Year of Peace - Design Jan Lenica
  • ill. 22: Tomasz Sarnecki, Solidarność - W samo poludnie [High noon], 4 June 1989
  • ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6 - Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
  • ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady] - Announcement of a theatre performance
  • ill. 25: Leszek Hołdanowicz, Pasażerka - Film poster
  • ill. 26: Leszek Hołdanowicz, Bariera - Film poster
  • ill. 27: First International Poster Biennale Warsaw - Photograph in the exhibition
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones) - One of the approximately 180 posters that could be seen in Munich in 1962
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones)
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones) - One of the approximately 180 posters that could be seen in Munich in 1962 © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 68
ill. 2: Józef Mroszczak, Student żebrak (The begging student) - Also present at the Munich exhibition
ill. 2: Józef Mroszczak, Student żebrak (The begging student)
ill. 2: Józef Mroszczak, Student żebrak (The begging student) - Also present at the Munich exhibition © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 142
ill. 3: Henryk Tomaszewski, Henry Moore - One of the most famous examples of Polish poster art
ill. 3: Henryk Tomaszewski, Henry Moore
ill. 3: Henryk Tomaszewski, Henry Moore - One of the most famous examples of Polish poster art © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 125
ill. 4: Cultural posters in Poland - Ubiquitous - at least that
ill. 4: Cultural posters in Poland
ill. 4: Cultural posters in Poland - Ubiquitous - at least that's what Western audiences liked to be led to believe © Pictures taken from: Józef Mroszczak, Polish Poster Art, Vienna and Düsseldorf 1962
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones)
One of the approximately 180 posters that could be seen in Munich in 1962
ill. 2: Józef Mroszczak, Student żebrak (The begging student)
Also present at the Munich exhibition
ill. 3: Henryk Tomaszewski, Henry Moore
One of the most famous examples of Polish poster art
ill. 4: Cultural posters in Poland
Ubiquitous - at least that's what Western audiences liked to be led to believe
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966 - Overview
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966 - Overview
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Darmstadt, ‘Henschel & Ropertz’ trading house, October
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Darmstadt, ‘Henschel & Ropertz’ trading house, October © Herder-Institut, Marburg, photo archive, Orth Collection
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Detailed view 1
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Detailed view 1 © Herder-Institut, Marburg, photo archive, Orth Collection
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July) - null
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July)
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July) - null © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 209
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966
Overview
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’
Darmstadt, ‘Henschel & Ropertz’ trading house, October
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’
Detailed view 1
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July)
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July)
ill. 9: Józef Mroszczak - Photograph V. Zamecznik
ill. 9: Józef Mroszczak
ill. 9: Józef Mroszczak - Photograph V. Zamecznik © Juliusz i Szymon Zamecznik&Fundacja Archeologia Fotografii
ill. 10: Józef Mroszczak, Don Carlos, 1963  - null
ill. 10: Józef Mroszczak, Don Carlos, 1963
ill. 10: Józef Mroszczak, Don Carlos, 1963 - null © Illustration taken from: Krzysztof Dydo (Ed.), 100 lat polskiej sztuki posteru: wystawa plakatów, Kraków 1993, cat. no. 301
ill. 11: Roman Cieślewicz - Photographer: W. Zamecznik
ill. 11: Roman Cieślewicz
ill. 11: Roman Cieślewicz - Photographer: W. Zamecznik © Juliusz i Szymon Zamecznik & Fundacja Archeologia Fotografii
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo) - Announcement of a Hitchcock film
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo)
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo) - Announcement of a Hitchcock film © Illustration taken from: Anna Grabowska-Konwent (Ed.), Roman Cieślewicz 1930-1996, Muzeum Narodowe w Poznaniu, Poznań 2006, p. 87, cat. no. 34
ill. 9: Józef Mroszczak
Photograph V. Zamecznik
ill. 10: Józef Mroszczak, Don Carlos, 1963
ill. 10: Józef Mroszczak, Don Carlos, 1963
ill. 11: Roman Cieślewicz
Photographer: W. Zamecznik
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo)
Announcement of a Hitchcock film
ill. 13: Jan Lenica - Photographer: W. Zamecznik
ill. 13: Jan Lenica
ill. 13: Jan Lenica - Photographer: W. Zamecznik © Juliusz i Szymon Zamecznik & Fundacja Archeologia Fotografii
ill. 14: Jan Lenica, Wozzeck - Announcement of a theatre performance
ill. 14: Jan Lenica, Wozzeck
ill. 14: Jan Lenica, Wozzeck - Announcement of a theatre performance © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 177
ill. 15: Jan Lenica, Faust - Announcement of a theatre performance
ill. 15: Jan Lenica, Faust
ill. 15: Jan Lenica, Faust - Announcement of a theatre performance © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 159
ill. 16: Jan Lenica, Othello - Announcement of an opera performance
ill. 16: Jan Lenica, Othello
ill. 16: Jan Lenica, Othello - Announcement of an opera performance © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 183
ill. 13: Jan Lenica
Photographer: W. Zamecznik
ill. 14: Jan Lenica, Wozzeck
Announcement of a theatre performance
ill. 15: Jan Lenica, Faust
Announcement of a theatre performance
ill. 16: Jan Lenica, Othello
Announcement of an opera performance
ill. 17: Jan Lenica, Olympic Games Munich 1972  - null
ill. 17: Jan Lenica, Olympic Games Munich 1972
ill. 17: Jan Lenica, Olympic Games Munich 1972 - null © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 145
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12 - Article on poster art
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12 - Article on poster art
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka - Announcement of a musical theatre/musical performance
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka - Announcement of a musical theatre/musical performance © Illustration taken from: Andrzej Stroka (Ed.), Starowieyski: rok 1699, Kraków 1999, p. 90
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski - Announcement of a theatre performance
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski - Announcement of a theatre performance © Illustration taken from: Krzysztof Dydo (Ed.), 100 lat polskiej sztuki posteru: wystawa plakatów, Kraków 1993, cat. no. 433
ill. 17: Jan Lenica, Olympic Games Munich 1972
ill. 17: Jan Lenica, Olympic Games Munich 1972
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12
Article on poster art
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka
Announcement of a musical theatre/musical performance
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski
Announcement of a theatre performance
ill. 21: A postage stamp for the United Nations International Year of Peace - Design Jan Lenica
ill. 21: A postage stamp for the United Nations International Year of Peace
ill. 21: A postage stamp for the United Nations International Year of Peace - Design Jan Lenica © Martin Mißfeldt
ill. 22: Tomasz Sarnecki, Solidarność - W samo poludnie [High noon], 4 June 1989
ill. 22: Tomasz Sarnecki, Solidarność
ill. 22: Tomasz Sarnecki, Solidarność - W samo poludnie [High noon], 4 June 1989 © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 210
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6 - Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6 - Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady] - Announcement of a theatre performance
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady]
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady] - Announcement of a theatre performance © Illustration taken from: Heinz-Jürgen Kristahn (Ed.), Jan Lenica: Poster and Film Art, Berlin 1981, p. 80, cat. no. 28
ill. 21: A postage stamp for the United Nations International Year of Peace
Design Jan Lenica
ill. 22: Tomasz Sarnecki, Solidarność
W samo poludnie [High noon], 4 June 1989
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6
Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady]
Announcement of a theatre performance
ill. 25: Leszek Hołdanowicz, Pasażerka - Film poster
ill. 25: Leszek Hołdanowicz, Pasażerka
ill. 25: Leszek Hołdanowicz, Pasażerka - Film poster © Illustration taken from: Krzysztof Dydo (Ed.), 100 lat polskiej sztuki posteru: wystawa plakatów, Kraków 1993, cat. no. 302
ill. 26: Leszek Hołdanowicz, Bariera - Film poster
ill. 26: Leszek Hołdanowicz, Bariera
ill. 26: Leszek Hołdanowicz, Bariera - Film poster © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 70
ill. 27: First International Poster Biennale Warsaw - Photograph in the exhibition
ill. 27: First International Poster Biennale Warsaw
ill. 27: First International Poster Biennale Warsaw - Photograph in the exhibition © Abbildungen entnommen aus: Katarzyna Matul, Jak to było możliwe? O powstawaniu Międzynarodowego Biennale Plakatu w Warszawie, Kraków 2015, Abb. 82
ill. 25: Leszek Hołdanowicz, Pasażerka
Film poster
ill. 26: Leszek Hołdanowicz, Bariera
Film poster
ill. 27: First International Poster Biennale Warsaw
Photograph in the exhibition
More
Jan Lenica, Wozzeck, 1964
Jan Lenica, Wozzeck, 1964

4. Political matters

As unanimous as the enthusiasm for Polish poster art was in Germany, the exhibitions were not always politically uncontroversial, certainly not from the point of view of the Bonn authorities and before the Warsaw Treaty of 1970. However, this depended less on the contents of the exhibition and the daily fluctuations in the atmosphere of Polish-West German rapprochement than on the organizers and their political colour.

A literal red rag for the federal authorities was the "German Society for Cultural and Economic Exchange with Poland" that was near to the KPD (Communist Party of Germany). Founded in Düsseldorf in 1950 as a West German offshoot of the East German Helmut-von-Gerlach Society,[24] it continued to develop its considerable activities and did everything in its power through events, exhibitions and its journal Jenseits der Oder (Beyond the Oder) to spread a positive image of Poland in the Federal Republic – much to the displeasure of many organisations, not least those people who had been expelled from Poland.[25] (Fig. 23)

Until the mid-1950s, it was practically the only organization that hosted exhibitions of Polish art in the Federal Republic of Germany, although it was often able to attract the cooperation of a wide variety of cultural institutions, such as in the provision of exhibition spaces. The society also organised the aforementioned touring exhibition of Polish posters in 1950. Whilst from a Polish point of view it was something like an unofficial West German friendship society, it was regarded by the Federal Republic of Germany as a communist camouflage organisation – not only keeping the expellee associations on their toes, but also the Federal Office for the Protection of the Constitution and the Foreign Office, which had "most powerful objections" to the association.[26] Many of their Polish poster exhibitions in Germany had a correspondingly difficult status. In some cases, openings were disturbed by compatriot groups, and exhibitions were banned in advance by the police in order not to endanger law and order.

 

[24] cf. note 5 above. Until 1953 it was also called the Helmut-von-Gerlach-Gesellschaft, but following legal  pressure from Gerlach's heirs it changed its name to the "Deutsche Gesellschaft für Kultur- und Wirtschaftsaustausch mit Polen". For the history and development of the West German society in particular, see Christian Lotz, "Zwischen verordneter und ernsthafter Freundschaft. Die Bemühungen der Helmut-von-Gerlach-Gesellschaft um eine deutsch-polnische Annäherung in der DDR und in der Bundesrepublik (1948-1972)", in: Hans Henning Hahn et al. (eds.), Erinnerungskultur und Versöhnungskitsch, Marburg 2008, pp. 201-217.

[25] The periodical, "Jenseits der Oder" appeared from 1950 to 1957; in 1958 it was replaced by the "Deutsch-polnischen Hefte" which ceased publication in 1964 and was followed by the periodical, "Begegnung mit Polen".

[26] This was the usual formulation. cf, for example, the Politisches Archiv des Auswärtigen Amts Berlin (PAAA), B 95, vol. 861, Ref. 705 (Ostabteilung) and Ref. 605 (Kulturabteilung), 13.9.1960.