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Polish poster art in post-war Germany

Jan Lenica, Wozzeck, 1964

Mediathek Sorted

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  • ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones) - One of the approximately 180 posters that could be seen in Munich in 1962
  • ill. 2: Józef Mroszczak, Student żebrak (The begging student) - Also present at the Munich exhibition
  • ill. 3: Henryk Tomaszewski, Henry Moore - One of the most famous examples of Polish poster art
  • ill. 4: Cultural posters in Poland - Ubiquitous - at least that's what Western audiences liked to be led to believe
  • ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966 - Overview
  • ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Darmstadt, ‘Henschel & Ropertz’ trading house, October
  • ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Detailed view 1
  • ill. 8: Henryk Tomaszewski, 22 Lipca (22. July) -
  • ill. 9: Józef Mroszczak - Photograph V. Zamecznik
  • ill. 10: Józef Mroszczak, Don Carlos, 1963  -
  • ill. 11: Roman Cieślewicz - Photographer: W. Zamecznik
  • ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo) - Announcement of a Hitchcock film
  • ill. 13: Jan Lenica - Photographer: W. Zamecznik
  • ill. 14: Jan Lenica, Wozzeck - Announcement of a theatre performance
  • ill. 15: Jan Lenica, Faust - Announcement of a theatre performance
  • ill. 16: Jan Lenica, Othello - Announcement of an opera performance
  • ill. 17: Jan Lenica, Olympic Games Munich 1972  -
  • ill. 18: Monthly Bulletin Poland, edition FRG, no. 12 - Article on poster art
  • ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka - Announcement of a musical theatre/musical performance
  • ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski - Announcement of a theatre performance
  • ill. 21: A postage stamp for the United Nations International Year of Peace - Design Jan Lenica
  • ill. 22: Tomasz Sarnecki, Solidarność - W samo poludnie [High noon], 4 June 1989
  • ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6 - Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
  • ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady] - Announcement of a theatre performance
  • ill. 25: Leszek Hołdanowicz, Pasażerka - Film poster
  • ill. 26: Leszek Hołdanowicz, Bariera - Film poster
  • ill. 27: First International Poster Biennale Warsaw - Photograph in the exhibition
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones) - One of the approximately 180 posters that could be seen in Munich in 1962
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones)
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones) - One of the approximately 180 posters that could be seen in Munich in 1962 © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 68
ill. 2: Józef Mroszczak, Student żebrak (The begging student) - Also present at the Munich exhibition
ill. 2: Józef Mroszczak, Student żebrak (The begging student)
ill. 2: Józef Mroszczak, Student żebrak (The begging student) - Also present at the Munich exhibition © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 142
ill. 3: Henryk Tomaszewski, Henry Moore - One of the most famous examples of Polish poster art
ill. 3: Henryk Tomaszewski, Henry Moore
ill. 3: Henryk Tomaszewski, Henry Moore - One of the most famous examples of Polish poster art © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 125
ill. 4: Cultural posters in Poland - Ubiquitous - at least that
ill. 4: Cultural posters in Poland
ill. 4: Cultural posters in Poland - Ubiquitous - at least that's what Western audiences liked to be led to believe © Pictures taken from: Józef Mroszczak, Polish Poster Art, Vienna and Düsseldorf 1962
ill. 1: Wojciech Fangor, Czarna Carmen (Carmen Jones)
One of the approximately 180 posters that could be seen in Munich in 1962
ill. 2: Józef Mroszczak, Student żebrak (The begging student)
Also present at the Munich exhibition
ill. 3: Henryk Tomaszewski, Henry Moore
One of the most famous examples of Polish poster art
ill. 4: Cultural posters in Poland
Ubiquitous - at least that's what Western audiences liked to be led to believe
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966 - Overview
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966 - Overview
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Darmstadt, ‘Henschel & Ropertz’ trading house, October
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Darmstadt, ‘Henschel & Ropertz’ trading house, October © Herder-Institut, Marburg, photo archive, Orth Collection
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Detailed view 1
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’ - Detailed view 1 © Herder-Institut, Marburg, photo archive, Orth Collection
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July) - null
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July)
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July) - null © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 209
ill. 5: Exhibitions of Polish poster art in the FRG 1964-1966
Overview
ill. 6: View of the exhibition ‘Masterpieces of Polish Poster Art’
Darmstadt, ‘Henschel & Ropertz’ trading house, October
ill. 7: View of the exhibition ‘Masterpieces of Polish Poster Art’
Detailed view 1
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July)
ill. 8: Henryk Tomaszewski, 22 Lipca (22. July)
ill. 9: Józef Mroszczak - Photograph V. Zamecznik
ill. 9: Józef Mroszczak
ill. 9: Józef Mroszczak - Photograph V. Zamecznik © Juliusz i Szymon Zamecznik&Fundacja Archeologia Fotografii
ill. 10: Józef Mroszczak, Don Carlos, 1963  - null
ill. 10: Józef Mroszczak, Don Carlos, 1963
ill. 10: Józef Mroszczak, Don Carlos, 1963 - null © Illustration taken from: Krzysztof Dydo (Ed.), 100 lat polskiej sztuki posteru: wystawa plakatów, Kraków 1993, cat. no. 301
ill. 11: Roman Cieślewicz - Photographer: W. Zamecznik
ill. 11: Roman Cieślewicz
ill. 11: Roman Cieślewicz - Photographer: W. Zamecznik © Juliusz i Szymon Zamecznik & Fundacja Archeologia Fotografii
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo) - Announcement of a Hitchcock film
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo)
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo) - Announcement of a Hitchcock film © Illustration taken from: Anna Grabowska-Konwent (Ed.), Roman Cieślewicz 1930-1996, Muzeum Narodowe w Poznaniu, Poznań 2006, p. 87, cat. no. 34
ill. 9: Józef Mroszczak
Photograph V. Zamecznik
ill. 10: Józef Mroszczak, Don Carlos, 1963
ill. 10: Józef Mroszczak, Don Carlos, 1963
ill. 11: Roman Cieślewicz
Photographer: W. Zamecznik
ill. 12: Roman Cieślewicz, Zawrót głowy (Vertigo)
Announcement of a Hitchcock film
ill. 13: Jan Lenica - Photographer: W. Zamecznik
ill. 13: Jan Lenica
ill. 13: Jan Lenica - Photographer: W. Zamecznik © Juliusz i Szymon Zamecznik & Fundacja Archeologia Fotografii
ill. 14: Jan Lenica, Wozzeck - Announcement of a theatre performance
ill. 14: Jan Lenica, Wozzeck
ill. 14: Jan Lenica, Wozzeck - Announcement of a theatre performance © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 177
ill. 15: Jan Lenica, Faust - Announcement of a theatre performance
ill. 15: Jan Lenica, Faust
ill. 15: Jan Lenica, Faust - Announcement of a theatre performance © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 159
ill. 16: Jan Lenica, Othello - Announcement of an opera performance
ill. 16: Jan Lenica, Othello
ill. 16: Jan Lenica, Othello - Announcement of an opera performance © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 183
ill. 13: Jan Lenica
Photographer: W. Zamecznik
ill. 14: Jan Lenica, Wozzeck
Announcement of a theatre performance
ill. 15: Jan Lenica, Faust
Announcement of a theatre performance
ill. 16: Jan Lenica, Othello
Announcement of an opera performance
ill. 17: Jan Lenica, Olympic Games Munich 1972  - null
ill. 17: Jan Lenica, Olympic Games Munich 1972
ill. 17: Jan Lenica, Olympic Games Munich 1972 - null © Illustration taken from: Ewa Czerwiakowska and Tomasz Kujawski (ed.), Jan Lenica. Labirynt, Muzeum Narodowe w Poznaniu, Poznań 2002, p. 145
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12 - Article on poster art
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12 - Article on poster art
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka - Announcement of a musical theatre/musical performance
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka - Announcement of a musical theatre/musical performance © Illustration taken from: Andrzej Stroka (Ed.), Starowieyski: rok 1699, Kraków 1999, p. 90
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski - Announcement of a theatre performance
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski - Announcement of a theatre performance © Illustration taken from: Krzysztof Dydo (Ed.), 100 lat polskiej sztuki posteru: wystawa plakatów, Kraków 1993, cat. no. 433
ill. 17: Jan Lenica, Olympic Games Munich 1972
ill. 17: Jan Lenica, Olympic Games Munich 1972
ill. 18: Monthly Bulletin Poland, edition FRG, no. 12
Article on poster art
ill. 19: Franciszek Starowieyski, Gombrowicz: Operetka
Announcement of a musical theatre/musical performance
ill. 20: Franciszek Starowieyski, J. Słowacki: Samuel Zborowski
Announcement of a theatre performance
ill. 21: A postage stamp for the United Nations International Year of Peace - Design Jan Lenica
ill. 21: A postage stamp for the United Nations International Year of Peace
ill. 21: A postage stamp for the United Nations International Year of Peace - Design Jan Lenica © Martin Mißfeldt
ill. 22: Tomasz Sarnecki, Solidarność - W samo poludnie [High noon], 4 June 1989
ill. 22: Tomasz Sarnecki, Solidarność
ill. 22: Tomasz Sarnecki, Solidarność - W samo poludnie [High noon], 4 June 1989 © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 210
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6 - Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6 - Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady] - Announcement of a theatre performance
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady]
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady] - Announcement of a theatre performance © Illustration taken from: Heinz-Jürgen Kristahn (Ed.), Jan Lenica: Poster and Film Art, Berlin 1981, p. 80, cat. no. 28
ill. 21: A postage stamp for the United Nations International Year of Peace
Design Jan Lenica
ill. 22: Tomasz Sarnecki, Solidarność
W samo poludnie [High noon], 4 June 1989
ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6
Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
ill. 24: Jan Lenica, Wizyta starszej pani [A visit from an elderly lady]
Announcement of a theatre performance
ill. 25: Leszek Hołdanowicz, Pasażerka - Film poster
ill. 25: Leszek Hołdanowicz, Pasażerka
ill. 25: Leszek Hołdanowicz, Pasażerka - Film poster © Illustration taken from: Krzysztof Dydo (Ed.), 100 lat polskiej sztuki posteru: wystawa plakatów, Kraków 1993, cat. no. 302
ill. 26: Leszek Hołdanowicz, Bariera - Film poster
ill. 26: Leszek Hołdanowicz, Bariera
ill. 26: Leszek Hołdanowicz, Bariera - Film poster © Illustration taken from: Maria Kurpik (Ed.), Plakaty w zbiorach Muzeum Plakatu w Wilanowie, Warszawa 2008, p. 70
ill. 27: First International Poster Biennale Warsaw - Photograph in the exhibition
ill. 27: First International Poster Biennale Warsaw
ill. 27: First International Poster Biennale Warsaw - Photograph in the exhibition © Abbildungen entnommen aus: Katarzyna Matul, Jak to było możliwe? O powstawaniu Międzynarodowego Biennale Plakatu w Warszawie, Kraków 2015, Abb. 82
ill. 25: Leszek Hołdanowicz, Pasażerka
Film poster
ill. 26: Leszek Hołdanowicz, Bariera
Film poster
ill. 27: First International Poster Biennale Warsaw
Photograph in the exhibition
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Jan Lenica, Wozzeck, 1964
Jan Lenica, Wozzeck, 1964

2. Historic: The original "Polish Wave" and beyond

The foundation stone for the triumphant advance of Polish poster art in the Federal Republic of Germany was laid at the beginning of the 1950s. In addition to magazines and individual book publications, exhibitions were by far the most important medium for its popularization. In 1950 an exhibition of Polish posters was shown throughout the Federal Republic of Germany, with stops in Hamburg, Düsseldorf, Frankfurt/M., Nuremberg and Munich.[5] Amongst others, the journal "Gebrauchsgraphik", published a multi-page report complete with illustrations.[6]

A number of exhibitions of Polish graphic art were held in the following years, but the great boom began after the “Polish October” in 1956. The “Polish Spring in Autumn” not only made the country "fly into the hearts of the West", as Die Zeit wrote at the time,[7] but also sparked an unprecedented interest in contemporary Polish art and culture in the Federal Republic of Germany - a phenomenon that became proverbial among contemporaries as the so-called "Polish Wave". In view of the strained relationship between Poland and West Germany and the somewhat negative policies adopted by the West German government towards Poland, a fascination for the " thaw" in Poland with its cultural blossoming and apparent liberalism that were unique in the former Eastern Bloc played just as much a role as political and moral motives. The fact that frostier winds were already blowing once again through Polish cultural policies in the late 1950s, did not detract from the wave of enthusiasm for Poland in the Federal Republic. Until well into the 1960s, event calendars in West Germany were increasingly filled with listings of Polish music, literature, plays, films and art. There were Polish Weeks on the radio, in towns and cities featuring organised Polish "cultural days", and every few weeks there was an opening of an exhibition of Polish contemporary art somewhere in West Germany.

Exhibitions of Polish poster art formed an integral part of the Polish Wave and constituted a major part of all exhibitions of Polish art in the Federal Republic of Germany: Of the more than 100 exhibitions that can be traced back to 1970 in the Federal Republic of Germany, including West Berlin,[8] a good third were poster exhibitions. Many of them were touring exhibitions, which were shown in several cities in the Federal Republic of Germany, so that the number of venues is much higher.

The following overview of exhibitions of Polish poster art, which took place in 1964-66, provides an impression of their extent.[9] (Fig. 5)

 

[5] The promoter was the Düsseldorf Helmut-von-Gerlach-Gesellschaft (1953 renamed as the “Deutsche Gesellschaft für Kultur- und Wirtschaftsaustausch mit Polen”), that was set up in 1950 as the West German pendant to the eponymous East German society. I shall come back below to this politically disputed society. On the said exhibition, see also Jeannine Harder, “Polnische Plakatkunst als Medium transnationaler Kunstkontakte und Kulturpolitik im Ost-West-Konflikt”, in: Themenportal Europäische Geschichte, 2015, www.europa.clio-online.de/essay/id/artikel-3789, p. 2 (consulted on 27.6.2016)

[6] Eberhard Hölscher, “Polnische Plakate”, in: Gebrauchsgraphik 1950, No. 10, pp. 44-49

[7] Gösta von Uexküll, “Wunder in Polen”, Die Zeit, 25.10.1956

[8] According to the author's research to date, which was undertaken within the framework of a current (2017) DFG research project at the Central Institute for Art History in Munich on exhibitions of Polish contemporary art in the Federal Republic of Germany 1956-1970.(On the project, see. http://www.zikg.eu/projekte/projekte-zi/ausstellungen-polnischer-gegenwartskunst-in-der-Bundesrepublik-1956-1970, consulted on 23.03.2017)

[9] The following list is based on different sources, particularly contemporary Polish and German periodicals and newpapers, exhibition catalogues and archive material. It makes no claim to be complete and we must assume that there are other exhibitions that have not be included.