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With humour, detachment and great precision: Wiesław Smętek

Wiesław Smętek, 2022

Mediathek Sorted

Media library
  • Greece, 1983 - Oil on canvas, 42 x 48 cm, in possession of the artist
  • Battle of Bonn - Battle of Bonn 1994 (inspiration: Jan Matejko, Battle of Grunwald), STERN, 1994
  • Kamienie (Stones), 1985 - Linecut, (20/30), 48 x 60, possession of the artist
  • Polish-German neighbourhood - Polish-German neighbourhood, DIALOG, 1998
  • Jajo (Egg), 1984 - Linocut, (25/30), 48 x 55 cm, possession of the artist
  • World War I anniversary - World War I anniversary, DIALOG, 1998
  • Dutsch, 1987-1997 - Oil on canvas, 110 x 80 cm, in possession of the artist
  • Berlin - Berlin, DIALOG,2008
  • Sara, 1991 - Oil on canvas, 115 x 95 cm, in possession of the artist
  • The Weimer Triangle – what next?  - The Weimer Triangle – what next? DIALOG, 2016
  • Panta Rhei (formerly: Rubbish), 1987 - Linecut (9/30), 70 x 110 (+3) cm, possession of the artist (Prize of the City of Winterthur / XYLON 10)
  • The Islamization of Europe - The Islamization of Europe, DIALOG und DIE ZEIT, 2014/2016
  • Titanic-Coca-Cola, 1999 - Pastel on paper, 35 x 25 cm, private collection Hamburg
  • Enlargement of the EU - Enlargement of the EU, DIALOG, 2016
  • Mirka, 1988-2014 - Oil on canvas, 47 x 45 cm, possession of the artist
  • Polish thinking about Europe - Polish thinking about Europe (after Chełmoński) DIALOG, 2016
  • Untitled, 1991-2019 - Oil, pencil on canvas and board, 115 x 95 cm, in possession of the artist
  • Germany in Europe - Germany in Europe (after Casper David Friedrich), DIALOG, 2016
  • Anatomie (Anatomy), 1988-2014 - Oil on canvas, 47 x 45 cm, possession of the artist
  • Angela Merkel – „the mother of the nation” - Angela Merkel – „the mother of the nation”, DIE WELTWOCHE, 2016
  • Tycjan (Tizian), 1991-1997 - Oil on canvas, 74 x 74 cm, in possession of the artist
  • Desintegration of the EU - Desintegration of the EU, DIALOG, 2016
  • Capri-rocks, 1991 - Oil on canvas, 100 x 120 cm, in possession of the artist
  • Strangers in Poland (refugees) - Strangers in Poland (refugees), DIALOG, 2016
  • Mały Rembrandt (Little Rembrandt), 1988-2019 - Oil on hard plate, 46 x 44 cm, possession of the artist
  • Literature - Literature, DIALOG and DIE ZEIT, 2016
  • Danziger Bucht (Bay of Gdansk), 2008 - Oil on canvas, 160 x 200 cm, in possession of the artist
  • Covering up pedophilia in the Church - Covering up pedophilia in the Church, STERN, 2016
  • Garnix (Nothing), 2010 - Oil on canvas, 160 x 200 cm, private collection
  • War and peace - War and peace, DIALOG, 2018
  • Marocco, 2012 - Private collection
  • Radical feminism - Radical feminism (after Helmut Newton), DIALOG, 2022
  • Sonnenhut (Sunhat), 2013 - Oil on canvas, 160 x 200 cm, private collection
  • 50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022 - 50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022, 2022
  • Hund och katt, 2013 - Oil and wall paint on canvas, 160 x 200 cm, private collection
  • German as a Boogeyman - German as a Boogeyman, DIALOG, 2021
  • Danziger Bucht 2 (Bay of Gdansk), 2014 - Oil and wall paint on canvas, 160 x 200 cm, private collection
  • German as a Boogeyman - German as a Boogeyman, DIALOG, 2021
  • Robaki (worms), 2014 - Oil on canvas, 160 x 200 cm, in possession of the artist
  • War – interesting times - War – interesting times, HANDELSBLATT, 2022
  • Gas as a weapon - Gas as a weapon, HANDELSBLATT, 2022
  • Scream – war  - Scream – war (inspiration: Scream by Edvard Munch), 2022
  • Identities of Wrocław - dentities of Wrocław (German: Breslau), DIALOG, 2022
  • Wiesław Smętek, Exhibition in the NIEBO Gallery

    Due to the pandemic only digitally accessible, 2020
  • Paintings-Exhibition - Hamburg-Altona, 2014
  • Wobbling super power - HANDELSBLATT, 2022
  • Stone wall - Stone wall, 2022
  • Wiesław Smętek – Illustrator, Zeichner, Maler - Die Zahl seiner Titelbilder für die führenden deutschen Zeitungen und Zeitschriften geht in die Tausende. Jedes von ihnen zieht mit seiner Idee und der perfekten Ausführung die Aufmerksamkeit auf sich.

    Wiesław Smętek – Illustrator, Zeichner, Maler

    Die Zahl seiner Titelbilder für die führenden deutschen Zeitungen und Zeitschriften geht in die Tausende. Jedes von ihnen zieht mit seiner Idee und der perfekten Ausführung die Aufmerksamkeit auf sich...
  • Wiesław Smętek – Illustrator, Zeichner, Maler - Interviews 2023 - In dem im Frühjahr 2023 aufgenommenen Interview erzählt Wiesław Smętek mit einer bemerkenswerten Direktheit über seine Kindheit in Polen, seine berufliche Tätigkeit für die führende deutsche Magazine und verrät Einiges über seine persönliche Situation als

    Wiesław Smętek – Illustrator, Zeichner, Maler - Interviews 2023

    In dem im Frühjahr 2023 aufgenommenen Interview erzählt Wiesław Smętek mit einer bemerkenswerten Direktheit über seine Kindheit in Polen, seine berufliche Tätigkeit für die führende deutsche Magazine ...
  • Wiesław Smętek, Pigeons + Rockets, 2023 - Gouache on wood, 180 x 130 cm
Greece, 1983 - Oil on canvas, 42 x 48 cm, in possession of the artist
Greece, 1983
Greece, 1983 - Oil on canvas, 42 x 48 cm, in possession of the artist © Wiesław Smętek
Battle of Bonn - Battle of Bonn 1994 (inspiration: Jan Matejko, Battle of Grunwald), STERN, 1994
Battle of Bonn
Battle of Bonn - Battle of Bonn 1994 (inspiration: Jan Matejko, Battle of Grunwald), STERN, 1994 © Wiesław Smętek
Kamienie (Stones), 1985 - Linecut, (20/30), 48 x 60, possession of the artist
Kamienie (Stones), 1985
Kamienie (Stones), 1985 - Linecut, (20/30), 48 x 60, possession of the artist © Wiesław Smętek
Polish-German neighbourhood - Polish-German neighbourhood, DIALOG, 1998
Polish-German neighbourhood
Polish-German neighbourhood - Polish-German neighbourhood, DIALOG, 1998 © Wiesław Smętek
Greece, 1983
Oil on canvas, 42 x 48 cm, in possession of the artist
Battle of Bonn
Battle of Bonn 1994 (inspiration: Jan Matejko, Battle of Grunwald), STERN, 1994
Kamienie (Stones), 1985
Linecut, (20/30), 48 x 60, possession of the artist
Polish-German neighbourhood
Polish-German neighbourhood, DIALOG, 1998
Jajo (Egg), 1984 - Linocut, (25/30), 48 x 55 cm, possession of the artist
Jajo (Egg), 1984
Jajo (Egg), 1984 - Linocut, (25/30), 48 x 55 cm, possession of the artist © Wiesław Smętek
World War I anniversary - World War I anniversary, DIALOG, 1998
World War I anniversary
World War I anniversary - World War I anniversary, DIALOG, 1998 © Wiesław Smętek
Dutsch, 1987-1997 - Oil on canvas, 110 x 80 cm, in possession of the artist
Dutsch, 1987-1997
Dutsch, 1987-1997 - Oil on canvas, 110 x 80 cm, in possession of the artist © Wiesław Smętek
Berlin - Berlin, DIALOG,2008
Berlin
Berlin - Berlin, DIALOG,2008 © Wiesław Smętek
Jajo (Egg), 1984
Linocut, (25/30), 48 x 55 cm, possession of the artist
World War I anniversary
World War I anniversary, DIALOG, 1998
Dutsch, 1987-1997
Oil on canvas, 110 x 80 cm, in possession of the artist
Berlin
Berlin, DIALOG,2008
Sara, 1991 - Oil on canvas, 115 x 95 cm, in possession of the artist
Sara, 1991
Sara, 1991 - Oil on canvas, 115 x 95 cm, in possession of the artist © Wiesław Smętek
The Weimer Triangle – what next?  - The Weimer Triangle – what next? DIALOG, 2016
The Weimer Triangle – what next?
The Weimer Triangle – what next? - The Weimer Triangle – what next? DIALOG, 2016 © Wiesław Smętek
Panta Rhei (formerly: Rubbish), 1987 - Linecut (9/30), 70 x 110 (+3) cm, possession of the artist (Prize of the City of Winterthur / XYLON 10)
Panta Rhei (formerly: Rubbish), 1987
Panta Rhei (formerly: Rubbish), 1987 - Linecut (9/30), 70 x 110 (+3) cm, possession of the artist (Prize of the City of Winterthur / XYLON 10) © Wiesław Smętek
The Islamization of Europe - The Islamization of Europe, DIALOG und DIE ZEIT, 2014/2016
The Islamization of Europe
The Islamization of Europe - The Islamization of Europe, DIALOG und DIE ZEIT, 2014/2016 © Wiesław Smętek
Sara, 1991
Oil on canvas, 115 x 95 cm, in possession of the artist
The Weimer Triangle – what next?
The Weimer Triangle – what next? DIALOG, 2016
Panta Rhei (formerly: Rubbish), 1987
Linecut (9/30), 70 x 110 (+3) cm, possession of the artist (Prize of the City of Winterthur / XYLON 10)
The Islamization of Europe
The Islamization of Europe, DIALOG und DIE ZEIT, 2014/2016
Titanic-Coca-Cola, 1999 - Pastel on paper, 35 x 25 cm, private collection Hamburg
Titanic-Coca-Cola, 1999
Titanic-Coca-Cola, 1999 - Pastel on paper, 35 x 25 cm, private collection Hamburg © Wiesław Smętek
Enlargement of the EU - Enlargement of the EU, DIALOG, 2016
Enlargement of the EU
Enlargement of the EU - Enlargement of the EU, DIALOG, 2016 © Wiesław Smętek
Mirka, 1988-2014 - Oil on canvas, 47 x 45 cm, possession of the artist
Mirka, 1988-2014
Mirka, 1988-2014 - Oil on canvas, 47 x 45 cm, possession of the artist © Wiesław Smętek
Polish thinking about Europe - Polish thinking about Europe (after Chełmoński) DIALOG, 2016
Polish thinking about Europe
Polish thinking about Europe - Polish thinking about Europe (after Chełmoński) DIALOG, 2016 © Wiesław Smętek
Titanic-Coca-Cola, 1999
Pastel on paper, 35 x 25 cm, private collection Hamburg
Enlargement of the EU
Enlargement of the EU, DIALOG, 2016
Mirka, 1988-2014
Oil on canvas, 47 x 45 cm, possession of the artist
Polish thinking about Europe
Polish thinking about Europe (after Chełmoński) DIALOG, 2016
Untitled, 1991-2019 - Oil, pencil on canvas and board, 115 x 95 cm, in possession of the artist
Untitled, 1991-2019
Untitled, 1991-2019 - Oil, pencil on canvas and board, 115 x 95 cm, in possession of the artist
Germany in Europe - Germany in Europe (after Casper David Friedrich), DIALOG, 2016
Germany in Europe
Germany in Europe - Germany in Europe (after Casper David Friedrich), DIALOG, 2016 © Wiesław Smętek
Anatomie (Anatomy), 1988-2014 - Oil on canvas, 47 x 45 cm, possession of the artist
Anatomie (Anatomy), 1988-2014
Anatomie (Anatomy), 1988-2014 - Oil on canvas, 47 x 45 cm, possession of the artist © Wiesław Smętek
Angela Merkel – „the mother of the nation” - Angela Merkel – „the mother of the nation”, DIE WELTWOCHE, 2016
Angela Merkel – „the mother of the nation”
Angela Merkel – „the mother of the nation” - Angela Merkel – „the mother of the nation”, DIE WELTWOCHE, 2016 © Wiesław Smętek
Untitled, 1991-2019
Oil, pencil on canvas and board, 115 x 95 cm, in possession of the artist
Germany in Europe
Germany in Europe (after Casper David Friedrich), DIALOG, 2016
Anatomie (Anatomy), 1988-2014
Oil on canvas, 47 x 45 cm, possession of the artist
Angela Merkel – „the mother of the nation”
Angela Merkel – „the mother of the nation”, DIE WELTWOCHE, 2016
Tycjan (Tizian), 1991-1997 - Oil on canvas, 74 x 74 cm, in possession of the artist
Tycjan (Tizian), 1991-1997
Tycjan (Tizian), 1991-1997 - Oil on canvas, 74 x 74 cm, in possession of the artist © Wiesław Smętek
Desintegration of the EU - Desintegration of the EU, DIALOG, 2016
Desintegration of the EU
Desintegration of the EU - Desintegration of the EU, DIALOG, 2016 © Wiesław Smętek
Capri-rocks, 1991 - Oil on canvas, 100 x 120 cm, in possession of the artist
Capri-rocks, 1991
Capri-rocks, 1991 - Oil on canvas, 100 x 120 cm, in possession of the artist © Wiesław Smętek
Strangers in Poland (refugees) - Strangers in Poland (refugees), DIALOG, 2016
Strangers in Poland (refugees)
Strangers in Poland (refugees) - Strangers in Poland (refugees), DIALOG, 2016 © Wiesław Smętek
Tycjan (Tizian), 1991-1997
Oil on canvas, 74 x 74 cm, in possession of the artist
Desintegration of the EU
Desintegration of the EU, DIALOG, 2016
Capri-rocks, 1991
Oil on canvas, 100 x 120 cm, in possession of the artist
Strangers in Poland (refugees)
Strangers in Poland (refugees), DIALOG, 2016
Mały Rembrandt (Little Rembrandt), 1988-2019 - Oil on hard plate, 46 x 44 cm, possession of the artist
Mały Rembrandt (Little Rembrandt), 1988-2019
Mały Rembrandt (Little Rembrandt), 1988-2019 - Oil on hard plate, 46 x 44 cm, possession of the artist © Wiesław Smętek
Literature - Literature, DIALOG and DIE ZEIT, 2016
Literature
Literature - Literature, DIALOG and DIE ZEIT, 2016 © Wiesław Smętek
Danziger Bucht (Bay of Gdansk), 2008 - Oil on canvas, 160 x 200 cm, in possession of the artist
Danziger Bucht (Bay of Gdansk), 2008
Danziger Bucht (Bay of Gdansk), 2008 - Oil on canvas, 160 x 200 cm, in possession of the artist © Wiesław Smętek
Covering up pedophilia in the Church - Covering up pedophilia in the Church, STERN, 2016
Covering up pedophilia in the Church
Covering up pedophilia in the Church - Covering up pedophilia in the Church, STERN, 2016 © Wiesław Smętek
Mały Rembrandt (Little Rembrandt), 1988-2019
Oil on hard plate, 46 x 44 cm, possession of the artist
Literature
Literature, DIALOG and DIE ZEIT, 2016
Danziger Bucht (Bay of Gdansk), 2008
Oil on canvas, 160 x 200 cm, in possession of the artist
Covering up pedophilia in the Church
Covering up pedophilia in the Church, STERN, 2016
Garnix (Nothing), 2010 - Oil on canvas, 160 x 200 cm, private collection
Garnix (Nothing), 2010
Garnix (Nothing), 2010 - Oil on canvas, 160 x 200 cm, private collection © Wiesław Smętek
War and peace - War and peace, DIALOG, 2018
War and peace
War and peace - War and peace, DIALOG, 2018 © Wiesław Smętek
Marocco, 2012 - Private collection
Marocco, 2012
Marocco, 2012 - Private collection © Wiesław Smętek
Radical feminism - Radical feminism (after Helmut Newton), DIALOG, 2022
Radical feminism
Radical feminism - Radical feminism (after Helmut Newton), DIALOG, 2022 © Wiesław Smętek
Garnix (Nothing), 2010
Oil on canvas, 160 x 200 cm, private collection
War and peace
War and peace, DIALOG, 2018
Marocco, 2012
Private collection
Radical feminism
Radical feminism (after Helmut Newton), DIALOG, 2022
Sonnenhut (Sunhat), 2013 - Oil on canvas, 160 x 200 cm, private collection
Sonnenhut (Sunhat), 2013
Sonnenhut (Sunhat), 2013 - Oil on canvas, 160 x 200 cm, private collection © Wiesław Smętek
50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022 - 50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022, 2022
50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022
50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022 - 50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022, 2022 © Wiesław Smętek
Hund och katt, 2013 - Oil and wall paint on canvas, 160 x 200 cm, private collection
Hund och katt, 2013
Hund och katt, 2013 - Oil and wall paint on canvas, 160 x 200 cm, private collection © Wiesław Smętek
German as a Boogeyman - German as a Boogeyman, DIALOG, 2021
German as a Boogeyman
German as a Boogeyman - German as a Boogeyman, DIALOG, 2021 © Wiesław Smętek
Sonnenhut (Sunhat), 2013
Oil on canvas, 160 x 200 cm, private collection
50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022
50 Years Deutsch-Polnische Gesellschaft Hamburg 1972-2022, 2022
Hund och katt, 2013
Oil and wall paint on canvas, 160 x 200 cm, private collection
German as a Boogeyman
German as a Boogeyman, DIALOG, 2021
Danziger Bucht 2 (Bay of Gdansk), 2014 - Oil and wall paint on canvas, 160 x 200 cm, private collection
Danziger Bucht 2 (Bay of Gdansk), 2014
Danziger Bucht 2 (Bay of Gdansk), 2014 - Oil and wall paint on canvas, 160 x 200 cm, private collection © Wiesław Smętek
German as a Boogeyman - German as a Boogeyman, DIALOG, 2021
German as a Boogeyman
German as a Boogeyman - German as a Boogeyman, DIALOG, 2021 © Wiesław Smętek
Robaki (worms), 2014 - Oil on canvas, 160 x 200 cm, in possession of the artist
Robaki (worms), 2014
Robaki (worms), 2014 - Oil on canvas, 160 x 200 cm, in possession of the artist © Wiesław Smętek
War – interesting times - War – interesting times, HANDELSBLATT, 2022
War – interesting times
War – interesting times - War – interesting times, HANDELSBLATT, 2022 © Wiesław Smętek
Danziger Bucht 2 (Bay of Gdansk), 2014
Oil and wall paint on canvas, 160 x 200 cm, private collection
German as a Boogeyman
German as a Boogeyman, DIALOG, 2021
Robaki (worms), 2014
Oil on canvas, 160 x 200 cm, in possession of the artist
War – interesting times
War – interesting times, HANDELSBLATT, 2022
Gas as a weapon - Gas as a weapon, HANDELSBLATT, 2022
Gas as a weapon
Gas as a weapon - Gas as a weapon, HANDELSBLATT, 2022 © Wiesław Smętek
Scream – war  - Scream – war (inspiration: Scream by Edvard Munch), 2022
Scream – war
Scream – war - Scream – war (inspiration: Scream by Edvard Munch), 2022 © Wiesław Smętek
Identities of Wrocław - dentities of Wrocław (German: Breslau), DIALOG, 2022
Identities of Wrocław
Identities of Wrocław - dentities of Wrocław (German: Breslau), DIALOG, 2022 © Wiesław Smętek
Wiesław Smętek, Exhibition in the NIEBO Gallery - Due to the pandemic only digitally accessible, 2020
Wiesław Smętek, Exhibition in the NIEBO Gallery
Wiesław Smętek, Exhibition in the NIEBO Gallery - Due to the pandemic only digitally accessible, 2020
Gas as a weapon
Gas as a weapon, HANDELSBLATT, 2022
Scream – war
Scream – war (inspiration: Scream by Edvard Munch), 2022
Identities of Wrocław
dentities of Wrocław (German: Breslau), DIALOG, 2022
Wiesław Smętek, Exhibition in the NIEBO Gallery
Due to the pandemic only digitally accessible, 2020
Paintings-Exhibition - Hamburg-Altona, 2014
Paintings-Exhibition
Paintings-Exhibition - Hamburg-Altona, 2014 © Wiesław Smętek
Wobbling super power - HANDELSBLATT, 2022
Wobbling super power
Wobbling super power - HANDELSBLATT, 2022 © Wiesław Smętek
Stone wall - Stone wall, 2022
Stone wall
Stone wall - Stone wall, 2022 © Wiesław Smętek
Wiesław Smętek – Illustrator, Zeichner, Maler - Die Zahl seiner Titelbilder für die führenden deutschen Zeitungen und Zeitschriften geht in die Tausende. Jedes von ihnen zieht mit seiner Idee und der perfekten Ausführung die Aufmerksamkeit auf sich...
Wiesław Smętek – Illustrator, Zeichner, Maler
Wiesław Smętek – Illustrator, Zeichner, Maler
Paintings-Exhibition
Hamburg-Altona, 2014
Wobbling super power
HANDELSBLATT, 2022
Stone wall
Stone wall, 2022
Wiesław Smętek – Illustrator, Zeichner, Maler
Die Zahl seiner Titelbilder für die führenden deutschen Zeitungen und Zeitschriften geht in die Tausende. Jedes von ihnen zieht mit seiner Idee und der perfekten Ausführung die Aufmerksamkeit auf sich...
Wiesław Smętek – Illustrator, Zeichner, Maler - Interviews 2023 - In dem im Frühjahr 2023 aufgenommenen Interview erzählt Wiesław Smętek mit einer bemerkenswerten Direktheit über seine Kindheit in Polen, seine berufliche Tätigkeit für die führende deutsche Magazine ...
Wiesław Smętek – Illustrator, Zeichner, Maler - Interviews 2023
Wiesław Smętek – Illustrator, Zeichner, Maler - Interviews 2023
Wiesław Smętek, Pigeons + Rockets, 2023 - Gouache on wood, 180 x 130 cm
Wiesław Smętek, Pigeons + Rockets, 2023
Wiesław Smętek, Pigeons + Rockets, 2023 - Gouache on wood, 180 x 130 cm © Wiesław Smętek
Wiesław Smętek – Illustrator, Zeichner, Maler - Interviews 2023
In dem im Frühjahr 2023 aufgenommenen Interview erzählt Wiesław Smętek mit einer bemerkenswerten Direktheit über seine Kindheit in Polen, seine berufliche Tätigkeit für die führende deutsche Magazine ...
Wiesław Smętek, Pigeons + Rockets, 2023
Gouache on wood, 180 x 130 cm
More
Wiesław Smętek, 2022
Wiesław Smętek, 2022

Wiesław Smętek was born in Łobżenica, a small town in Pomorze, in 1955. He did his final exams at the high school for art in Bydgoszcz in the graphic art class run by Stanisław Matuszczak. He then studied painting at the Academy of Fine Arts in Gdańsk (Akademia Sztuk Pięknych w Gdańsku) and was awarded his degree in 1981. A decade later, he received an artist’s visa and travelled with his family to Bremerhaven to prepare an exhibition.

After some time, Smętek decided to stay in Germany. The most prominent weekly magazines “Der Stern” and “Der Spiegel” were interested in the Polish artist's work (in 1999, he began a permanent collaboration with “Die Zeit”). He soon found recognition with other publishers as well. In addition to the magazines previously mentioned, others like “Cicero”, “GEO” and “Handelsblatt” soon followed. During the 30 years that he worked in Germany, he created more than 1,000 cover pictures and more than 3,000 illustrations for newspapers and magazines. For “Die Zeit” alone, he created more than 600 illustrations between 2001 and 2014, 230 of which appeared on the cover.

Smętek’s works were the subject of much discussion and often provoked lively reactions. He draws with great aplomb and humour, often using historical motifs, including those from the Polish past and the Polish-German relationships. He “reworks” the works of Polish painters in his own way.

His depiction of the slaughter at Grunwald / Tannenberg, which he created in 1994 for the weekly magazine “Der Stern” to mark the first nationwide Bundestag election after German reunification, continues to make an impression many years later thanks to his choice of motif and sophisticated workmanship (Smętek replaced the Matejko figures from the original oil painting, which was created in 1875–78 and is one of the principal works of art in Poland, with leading contenders from the election campaign).

The bandwidth of the topics tackled by the artist is extremely broad. A keen eye, a talent for associations and, above all, excellent mastery of his craft and speed of execution make it possible for him to successfully realise different topics. He has often been called on to complete a project within just a few hours. Astounded at Wiesław Smętek, Giovanni di Lorenzo, the publisher of the weekly newspaper “Die Zeit”, wrote, “I don’t know anybody who can create something impressive on almost any topic from the areas of politics, the economy, knowledge, culture and society in such a short time.”

Wiesław Smętek has also been working with German-Polish newspapers for years, including the magazine “DIALOG”. He designs book covers as well and has received numerous awards. In 1996, he was awarded the gold medal of the Art Directors Club Germany. An exhibition of his selected works can currently be seen at the Mathematischer Turm at Wrocław University (organised within the framework of the fourth Congress for Polish Researchers of Germany). These works were also included in a virtual exhibition.

There is no doubt that Smętek provokes, makes people think and, in a sense, ultimately but not finally, teaches the recipients of his work...

 

Krzysztof Ruchniewicz, November 2022

 

Wiesław Smętek’s website: https://smetek.de/ 

Instagram: www.instagram.com/w_smetek/