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Stanislaus Kostka in Recklinghausen-Suderwich. The portrayal of a Polish national saint in a stained-glass window in the St.-Johannes-Kirche church

Stanislaus Kostka between Tarcisius and Thomas Aquinas. Stained-glass window in St.-Johannes-Kirche church in Recklinghausen-Suderwich.

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  • Stanislaus Kostka between Tarcisius and Thomas Aquinas - Stained-glass window in St.-Johannes-Kirche church in Recklinghausen-Suderwich
  • On behalf of Barbara, the patron saint of mining, two angels give Stanislaus Holy Communion - Copper engraving by Hieronymus Wierix (1563 – before 1619)
  • The mother of God hands Stanislaus the baby Jesus - Stained-glass window in the chapel of the Finding of the Cross in the former Jesuit College in Dillingen
  • Stanislaus society pennant from Bottrop in the Ruhr region (front) - Photo in: Sylvia Haida, Die Ruhrpolen. Nationale und konfessionelle Identität im Bewusstsein und im Alltag 1871–1918, Bonn 2012
  • Stanislaus society pennant from Bottrop in the Ruhr region (reverse) - Photo in: Sylvia Haida, Die Ruhrpolen. Nationale und konfessionelle Identität im Bewusstsein und im Alltag 1871–1918, Bonn 2012
  • Stanislaus society pennant from Essen-Altenessen in the Ruhr region (front) - Photo in: Sylvia Haida, Die Ruhrpolen. Nationale und konfessionelle Identität im Bewusstsein und im Alltag 1871–1918, Bonn 2012
  • Stanislaus society pennant from Essen-Altenessen in the Ruhr region (reverse) - Photo in: Sylvia Haida, Die Ruhrpolen. Nationale und konfessionelle Identität im Bewusstsein und im Alltag 1871–1918, Bonn 2012
  • Łódź Cathedral, dedicated to the saint Stanislaus Kostka  - 2017
  • Stanislaus Kostka Altar - In the Łódź Cathedral
  • Depiction of the two Stanislaus legends on the Łódź altar - Archcathedral Basilica of St. Stanislaus Kostka, Łódź
  • Stanislaus Kostka Church in Warsaw-Żoliborz  - 2015
  • Jerzy Popiełuszko as a mosaic depiction - Exterior wall of St. Stanislaus Kostka church in Warsaw-Żoliborz
  • Frombork Cathedral  - 2022
  • Altar from around 1640–50 with national Polish saints in the Frombork Cathedral - The large centre painting shows Stanislaus Kostka flanked by two statues: Adalbert (left), Stanislaus of Krakow (right)
  • Stanislaus Kostka receiving Holy Communion - Altarpiece from ca. 1640–50 in the Frombork Cathedral
  • St. Stanislaus Kostka Church in Chicago / USA  - Detail from: https://www.youtube.com/watch?v=vkUmqvRM-0s
  • The mother of God hands Stanislaus the baby Jesus - Painting in the St. Stanislaus Kostka Church in Chicago / USA
  • St. Stanislaus Cathedral in Keetmanshoop / Namibia  - 2018
  • St. Stanislaus Chapel in Polish Hill River / Australia - Top right: View around 1918
  • St. Stanislaus Chapel in Polish Hill River / Australia ( today a museum) - Contemporary view
  • King Ludwig I/II/III coal mine in Recklinghausen-Bruch - Picture postcard from around 1910
  • King Ludwig IV/V coal mine in Recklinghausen-Suderwich - Picture postcard from around 1910
  • King Ludwig IV/V coal mine in Recklinghausen-Suderwich - Picture postcard from around 1970
  • Monument with a pulley from King Ludwig IV/V - Recklinghausen-Suderwich
  • Explanatory plaque on the pulley monument - Recklinghausen-Suderwich
  • Recklinghausen-Suderwich - Picture postcard from around 1900
  • Children from immigrant miners’ families in a colliery settlement street - Recklinghausen-Suderwich (postcard)
  • Village church from pre-industrial times and St.-Johannes-Kirche church from around 1904  - Recklinghausen-Suderwich
  • Neo-Gothic St.-Johannes-Kirche church and village houses in the town centre  - Suderwich, ca 1910
  • Old town centre of Recklinghausen-Suderwich - The foundation walls of the dismantled village church are marked on the pavement
  • St.-Johannes-Kirche church in Recklinghausen-Suderwich - The apse in the foreground serves as St. Joseph’s Chapel
  • Interior view of St.-Johannes-Kirche church in Recklinghausen-Suderwich - 2024
  • St. Joseph carrying the baby Jesus - Rear of a flag of the Brotherhood of the Holy Rosary of Women in Suderwich
  • Central window in the choir of St.-Johannes-Kirche church in Recklinghausen-Suderwich - Crucifixion of Christ
  • Left-hand side window in the choir of St.-Johannes-Kirche church in Recklinghausen-Suderwich - John acclaims Christ as the Son of God after baptising him in the Jordan
  • Right-hand side window in the choir of St.-Johannes-Kirche church: John the Baptist is decapitated - Left in the scene Herodias and Salome
  • Central window in the left side choir of St.-Johannes-Kirche church  - Assumption of Mary
  • Left-hand side window in the left side choir - Presentation of Mary in the temple
  • Right-hand side window in the left side choir - Mary as the Mother of Sorrows
  • Central window in the left side choir - Adam and Eve are driven out of Paradise
  • Right-hand side window in the right side choir - St. Joseph’s carpentry workshop
  • Left-hand side window in the right side choir - Joseph explaining the holy scripture to his family
  • Central window in the right side choir - Transfiguration of St. Joseph as patron saint of the Catholic Church
  • Central window in the right side choir - Pope Pius IX, flanked by a farmer and a miner from Recklinghausen-Suderwich
  • Cecilia, Barbara and Clare - Depiction of three saints in the left-hand window of the main choir
  • Tarcisius, Stanislaus Kostka, Thomas Aquinas  - Depiction of three saints in the right-hand window of the main choir
Stanislaus Kostka zwischen Tarcisius und Thomas von Aquin. Fensterdarstellung in der Kirche St. Johannes in Recklinghausen-Suderwich.
Stanislaus Kostka between Tarcisius and Thomas Aquinas. Stained-glass window in St.-Johannes-Kirche church in Recklinghausen-Suderwich.

Ruhr Poles
 

From the final third of the 19th century onwards, the advancing industrialisation of coal mining and steel production led to an enormous demand for labour. From 1890 to 1914 in particular, countless people from near and far moved to the Rhenish-Westphalian mining region between the Ruhr and Lippe rivers. Nearly half a million of them came from the eastern Prussian provinces of Silesia, Posen and West and East Prussia, and had grown up speaking Polish as their native language. Aside from the Protestants from the Masuria region in East Prussia, most of these migrants were Catholics.

The majority of the immigrants headed for the newly developed coalfields in the northern Ruhr region. In 1890, around 5% of the population of the town of Recklinghausen were of Polish nationality; 20 years later, this figure had already grown to 23%. In the surrounding district, the Polish share of the population grew from 5.8% to 15.7% during the same period. In total, more than 53,000 people with Polish as their mother tongue lived in the town and district of Recklinghausen in 1910, constituting more than 10% of the Poles living in the Ruhr region overall.

These “Ruhr Polish” immigrants brought their own religious customs with them to their new homeland. Among the Catholics, this included the national Polish cult surrounding the Madonna of Częstochowa and the veneration of certain saints, such as Hedwig (Jadwiga), Adalbert (Wojciech), Kasimir (Kazimierz), Michael (Michał Archanioł) and Stanislaus (Stanisław) Kostka. Special societies of worship were founded and reverence for the saints was expressed artistically in the form of altarpieces, sculptures or stained-glass windows. However, some of the saints who had traditionally been worshipped in the Ruhr region were also venerated by the Ruhr Poles. In particular, they included St. Joseph, who as a trained carpenter made for a credible patron saint for the labourers, and St. Barbara, patron saint of miners. Many of the Ruhr Polish societies founded during the early years of the 20th century bear the name of either Joseph or Barbara as patron saints.

 

Stanislaus Kostka
 

In the Ruhr region, Stanislaus Kostka [ . ] was one of the most revered Polish national saints. There are records of Catholic societies worshipping Stanislaus in Duisburg-Marxloh, Mülheim-Styrum, Essen, Essen-Altenessen, Essen-Katernberg, Bottrop, Gelsenkirchen-Schalke, Herne, and Dortmund-Eving, as well as for Bruch, Röllinghausen, Hochlar and Suderwich on the fringes of Recklinghausen. Beautifully designed pennants also survive that were created for the societies in Bottrop and Altenessen [ ., ., ., . ].

Church windows dedicated to Stanislaus in Dortmund-Lütgendortmund and Dortmund-Eving were destroyed during air raids during the Second World War. Evidence shows that the window in Eving was funded by a Ruhr Polish society foundation. Today, the stained-glass window in the St.-Johannes-Kirche church in Recklinghausen-Suderwich is the only Stanislaus window to have survived [ . ]. It is probably even the only church window in the entire Ruhr region that depicts a Polish national saint.

Stanislaus Kostka was born on 28 October 1550 at Rostkowo palace in Masovia, 90 kilometres north of Warsaw. He came from a well-known noble family. In Vienna, Stanislaus attended the Jesuit college from 1564–1567. In 1566, he fell gravely ill and in his febrile state saw mystical visions. Thinking that he would die, he asked the St. Barbara, patron saint of a good death, for immediate assistance. Barbara then sent two angels to give him holy communion [ . ]. In a second vision, the Virgin Mary appeared and placed the baby Jesus into his arms [ . ]. The mother of God demanded that he enter the Jesuit Order. However, his father forbade him from taking such a step, and in fear of going against the wishes of the influential Polish family, the Austrian province of the monastic order refused to accept him into the Society of Jesus.

Stanislaus Kostka then fled Vienna for Bavaria, where he turned to Petrus Canisius, the provincial of the Jesuits in Upper Germany, and a committed standard bearer for the Catholic counter-reformation, for help. Canisius was very well-disposed towards the eager pupil whom he met in the Jesuit college in Dillingen on the Danube. He had him take an examination and sent him on to Rome, where in October 1567, Stanislaus was finally accepted into the Jesuit Order. However, the young novice died just ten months later, evidently from malaria, after suffering a severe attack of fever. His health had evidently been significantly weakened as a result of his exhausting journey on foot from Vienna to Dillingen, and then on to Rome. According to contemporary accounts, he was barefoot and wearing ragged peasant clothes.

During his short life, Stanislaus Kostka impressed those he met with his cheerful demeanour, personal modesty and deep piety. He was buried in the Sant’Andrea al Quirinale church in Rome. Soon afterwards, a religious cult grew up around him. He was beatified in 1605 and canonised in 1726. Stanislaus is the patron saint of young students, novices in the Jesuit Order, and of the severely ill and dying. 

In 1674, after his intercession was said to have led to several victories in important battles, Stanislaus Kostka was proclaimed patron saint of the Polish-Lithuanian crown. He continues to be revered in his native country in particular, where there are several dozen churches dedicated to him. Of these, the most important are the monumental cathedral in Łódź [ ., ., . ] and the Stanislaus Kostka church in the Warsaw suburb of Żoliborz, where during the communist era, the charismatic priest Jerzy Popiełuszko celebrated his “masses for the fatherland” (Msze za Ojczyznę) for two years before being murdered by officers of the Polish state security service in 1984 [ ., . ]. The painting in the centre of a baroque altar in the cathedral in Frombork shows Stanislaus Kostka, together with the statues of two other national Polish saints: Adalbert of Gniezno and another holy Stanislaus, who was bishop of Kraków in the 11th century [ ., ., . ]. According to the legend, in 1410, this Stanislaus appeared in the firmament during the Battle of Tannenberg (Grunwald) and led the Polish-Lithuanian army to victory over the knights of the German Teutonic Order.

During the industrial era, emigrant Polish migrants took the Stanislaus Kostka cult with them. This was particularly the case in the United States, where nearly a million Poles, most of them from the eastern Prussian provinces, arrived between 1880 and 1910. Magnificent Stanislaus Kostka churches still bear witness to this influx of migrants today, such as those in Chicago, Cleveland, Milwaukee, Pittsburgh and New York [ ., . ]. There is also a church dedicated to Stanislaus in Namibia, in Keetmanshoop, which was consecrated in 1904 after the arrival of Polish emigrants from the German Empire, which governed this territory as a “colony” from 1884–1915 [ . ]. Even further away, in River Hill in Australia, immigrants built a Stanislaus Kostka church in 1871 [ ., . ]. It is evident that this Polish national saint still retains his popularity all over the world today. 

Certainly, the veneration of Stanislaus in Recklinghausen-Suderwich by the Ruhr Poles was also due to the fact that when as a Jesuit scholar in 1566 he fell severely ill, he turned to Saint Barbara for help, who is also a popular patron saint in the Rhenish-Westphalian mining region. According to the legend, the martyr Barbara was locked up in a cell in a tower by her father during the persecution of the Christians by the Romans. The miners of the Ruhr region saw parallels between her incarceration and their own working conditions, trapped underground in the dark at the coalface, constantly under the threat of death from a fire damp or coal dust explosion. There is also a parallel with the Stanislaus legend. In Vienna, the terminally ill pupil was isolated from the outside world, and his Protestant landlord refused to allow him to receive a Catholic priest. Saint Barbara then intervened, sending two angels who brought the eucharistic provisions for Stanislaus’ journey to his sickbed.