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Dora Diamant. Activist, actress, and Franz Kafka’s last companion

Dora Diamant, probably Düsseldorf, around 1928 Portrait photograph, section marked as a passport image

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  • Fig. 1: Castle ruin and synagogue in Będzin, around 1900 - Photograph, National Library of Warsaw (Biblioteka Narodowa w Warszawie), code no. F.4044/IV A
  • Fig. 2: Hebrew class in Będzin, around 1916 - The Hebrew class for women and girls in Będzin, with their teacher David Maletz, around 1916. Lower row, 1st from right: Dora Dymant
  • Fig. 3: Former Jewish People’s Home, Berlin - Former Jewish People’s Home (1916-1933) Berlin, Dragonerstraße 22, now Max-Beer-Straße 5 (built in 1842)
  • Fig. 4: Franz Kafka, 1923/24 - Franz Kafka, 1923/24. Probably the last photograph taken of the writer, photographer unknown
  • Fig. 5: Miquelstraße 8, Berlin-Steglitz - The first shared home of Dora Diamant and Franz Kafka (left-hand corner building, 3rd floor), destroyed during the war, now Muthesiusstraße 20-22, postcard, around 1910
  • Fig. 6: Former Higher Institute for Jewish Studies, Berlin - Former Higher Institute for Jewish Studies, Berlin, Artilleriestraße 14. Now Leo-Baeck-Haus, Tucholskystraße 9, headquarters of the Central Council of Jews in Germany
  • Fig. 7: Grunewaldstraße 13, Berlin-Steglitz - The second home of Dora Diamant and Franz Kafka, the former Villa Dr. Rethberg, Grunewaldstraße 13, Berlin-Steglitz
  • Fig. 8: Sanatorium Hoffmann, Kierling - The building where Franz Kafka died: the former Sanatorium Hoffmann, Kierling bei Klosterneuburg, Tulln district, Lower Austria
  • Fig. 9: Dora Diamant, around 1924 - Dora Diamant, around 1924. Anonymous photographer
  • Fig. 10: Diamant and A.N. Stencl, 1950 - Dora Diamant and the poet Avrom Nokhem Stencl, England 1950. Anonymous photographer
  • Fig. 11: Dora Diamant, around 1925 - Dora Diamant, around 1925. Anonymous photographer, labelled on the back: “Dora, around 1925”
  • Fig. 12: Düsseldorf Schauspielhaus theatre - Düsseldorf Schauspielhaus theatre, around 1910. Photographer: Julius Söhn, Düsseldorf City Archive, 226_540_001
  • Fig. 13: Dora Diamant, around 1928 - Dora Diamant, around 1928. Portrait or stage photo from her time at the Academy for Dramatic Art, Düsseldorf; anonymous photographer
  • Fig. 14: Lutz Lask, around 1933 - Lutz Lask, around 1933. Anonymous photographer
  • Fig. 15: Dora Diamant and her daughter Marianne, 1936 - Dora Diamant and her daughter Marianne, Berlin 1936, shortly before her departure for the Soviet Union; anonymous photographer
  • Fig. 16: Dora Diamant and her daughter Marianne, 1938 - Dora Diamant and her daughter Marianne, probably Sevastopol 1938, shortly before her escape from the Soviet Union; anonymous photographer
  • Fig. 17: Plaistow Hospital, London - Plaistow Hospital, West Ham, London E 13, the building where Dora Diamant died, postcard, around 1930
  • Fig. 18: Dora Diamant’s grave - Grave of Dora Diamant, United Synagogue Cemetery, Marlow Road, East Ham, London. Memorial stone from 1999
  • Eric Gottgetreu, 1974

    Eric Gottgetreu: They knew Kafka, in: The Jerusalem Post Magazine, 14/6/1974, page 16
  • “D.   The name is Diamant” – A life between East and West (doc. film 2024) - Dora Diamant (1898–1952), actress, activist and Franz Kafka’s last partner. Who was this woman? This film embarks on a search for clues.

    “D. The name is Diamant” – A life between East and West (doc. film 2024)

    Dora Diamant (1898–1952), actress, activist and Franz Kafka’s last partner. Who was this woman? This film embarks on a search for clues.
Fig. 1: Castle ruin and synagogue in Będzin, around 1900 - Photograph, National Library of Warsaw (Biblioteka Narodowa w Warszawie), code no. F.4044/IV A
Fig. 1: Castle ruin and synagogue in Będzin, around 1900
Fig. 1: Castle ruin and synagogue in Będzin, around 1900 - Photograph, National Library of Warsaw (Biblioteka Narodowa w Warszawie), code no. F.4044/IV A © https://polona.pl/
Fig. 2: Hebrew class in Będzin, around 1916 - The Hebrew class for women and girls in Będzin, with their teacher David Maletz, around 1916. Lower row, 1st from right: Dora Dymant
Fig. 2: Hebrew class in Będzin, around 1916
Fig. 2: Hebrew class in Będzin, around 1916 - The Hebrew class for women and girls in Będzin, with their teacher David Maletz, around 1916. Lower row, 1st from right: Dora Dymant © https://archive.org/details/nybc313684/page/n6/mode/2up
Fig. 3: Former Jewish People’s Home, Berlin - Former Jewish People’s Home (1916-1933) Berlin, Dragonerstraße 22, now Max-Beer-Straße 5 (built in 1842)
Fig. 3: Former Jewish People’s Home, Berlin
Fig. 3: Former Jewish People’s Home, Berlin - Former Jewish People’s Home (1916-1933) Berlin, Dragonerstraße 22, now Max-Beer-Straße 5 (built in 1842) © Jörg Zägel, 2010 (GNU license for free documentation)
Fig. 4: Franz Kafka, 1923/24 - Franz Kafka, 1923/24. Probably the last photograph taken of the writer, photographer unknown
Fig. 4: Franz Kafka, 1923/24
Fig. 4: Franz Kafka, 1923/24 - Franz Kafka, 1923/24. Probably the last photograph taken of the writer, photographer unknown © Public Domain
Fig. 1: Castle ruin and synagogue in Będzin, around 1900
Photograph, National Library of Warsaw (Biblioteka Narodowa w Warszawie), code no. F.4044/IV A
Fig. 2: Hebrew class in Będzin, around 1916
The Hebrew class for women and girls in Będzin, with their teacher David Maletz, around 1916. Lower row, 1st from right: Dora Dymant
Fig. 3: Former Jewish People’s Home, Berlin
Former Jewish People’s Home (1916-1933) Berlin, Dragonerstraße 22, now Max-Beer-Straße 5 (built in 1842)
Fig. 4: Franz Kafka, 1923/24
Franz Kafka, 1923/24. Probably the last photograph taken of the writer, photographer unknown
Fig. 5: Miquelstraße 8, Berlin-Steglitz - The first shared home of Dora Diamant and Franz Kafka (left-hand corner building, 3rd floor), destroyed during the war, now Muthesiusstraße 20-22, postcard, around 1910
Fig. 5: Miquelstraße 8, Berlin-Steglitz
Fig. 5: Miquelstraße 8, Berlin-Steglitz - The first shared home of Dora Diamant and Franz Kafka (left-hand corner building, 3rd floor), destroyed during the war, now Muthesiusstraße 20-22, postcard, around 1910 © Private collection
Fig. 6: Former Higher Institute for Jewish Studies, Berlin - Former Higher Institute for Jewish Studies, Berlin, Artilleriestraße 14. Now Leo-Baeck-Haus, Tucholskystraße 9, headquarters of the Central Council of Jews in Germany
Fig. 6: Former Higher Institute for Jewish Studies, Berlin
Fig. 6: Former Higher Institute for Jewish Studies, Berlin - Former Higher Institute for Jewish Studies, Berlin, Artilleriestraße 14. Now Leo-Baeck-Haus, Tucholskystraße 9, headquarters of the Central Council of Jews in Germany © Creative Commons Attribution-Share Alike 3.0 Unported, 2009
Fig. 7: Grunewaldstraße 13, Berlin-Steglitz - The second home of Dora Diamant and Franz Kafka, the former Villa Dr. Rethberg, Grunewaldstraße 13, Berlin-Steglitz
Fig. 7: Grunewaldstraße 13, Berlin-Steglitz
Fig. 7: Grunewaldstraße 13, Berlin-Steglitz - The second home of Dora Diamant and Franz Kafka, the former Villa Dr. Rethberg, Grunewaldstraße 13, Berlin-Steglitz © Private collection
Fig. 8: Sanatorium Hoffmann, Kierling - The building where Franz Kafka died: the former Sanatorium Hoffmann, Kierling bei Klosterneuburg, Tulln district, Lower Austria
Fig. 8: Sanatorium Hoffmann, Kierling
Fig. 8: Sanatorium Hoffmann, Kierling - The building where Franz Kafka died: the former Sanatorium Hoffmann, Kierling bei Klosterneuburg, Tulln district, Lower Austria © Clemens Pfeiffer, 2011, Vienna (Creative Commons license)
Fig. 5: Miquelstraße 8, Berlin-Steglitz
The first shared home of Dora Diamant and Franz Kafka (left-hand corner building, 3rd floor), destroyed during the war, now Muthesiusstraße 20-22, postcard, around 1910
Fig. 6: Former Higher Institute for Jewish Studies, Berlin
Former Higher Institute for Jewish Studies, Berlin, Artilleriestraße 14. Now Leo-Baeck-Haus, Tucholskystraße 9, headquarters of the Central Council of Jews in Germany
Fig. 7: Grunewaldstraße 13, Berlin-Steglitz
The second home of Dora Diamant and Franz Kafka, the former Villa Dr. Rethberg, Grunewaldstraße 13, Berlin-Steglitz
Fig. 8: Sanatorium Hoffmann, Kierling
The building where Franz Kafka died: the former Sanatorium Hoffmann, Kierling bei Klosterneuburg, Tulln district, Lower Austria
Fig. 9: Dora Diamant, around 1924 - Dora Diamant, around 1924. Anonymous photographer
Fig. 9: Dora Diamant, around 1924
Fig. 9: Dora Diamant, around 1924 - Dora Diamant, around 1924. Anonymous photographer © Public Domain
Fig. 10: Diamant and A.N. Stencl, 1950 - Dora Diamant and the poet Avrom Nokhem Stencl, England 1950. Anonymous photographer
Fig. 10: Diamant and A.N. Stencl, 1950
Fig. 10: Diamant and A.N. Stencl, 1950 - Dora Diamant and the poet Avrom Nokhem Stencl, England 1950. Anonymous photographer © Lask collection
Fig. 11: Dora Diamant, around 1925 - Dora Diamant, around 1925. Anonymous photographer, labelled on the back: “Dora, around 1925”
Fig. 11: Dora Diamant, around 1925
Fig. 11: Dora Diamant, around 1925 - Dora Diamant, around 1925. Anonymous photographer, labelled on the back: “Dora, around 1925” © Lask collection
Fig. 12: Düsseldorf Schauspielhaus theatre - Düsseldorf Schauspielhaus theatre, around 1910. Photographer: Julius Söhn, Düsseldorf City Archive, 226_540_001
Fig. 12: Düsseldorf Schauspielhaus theatre
Fig. 12: Düsseldorf Schauspielhaus theatre - Düsseldorf Schauspielhaus theatre, around 1910. Photographer: Julius Söhn, Düsseldorf City Archive, 226_540_001 © Portal Rheinische Geschichte, https://www.rheinische-geschichte.lvr.de/
Fig. 9: Dora Diamant, around 1924
Dora Diamant, around 1924. Anonymous photographer
Fig. 10: Diamant and A.N. Stencl, 1950
Dora Diamant and the poet Avrom Nokhem Stencl, England 1950. Anonymous photographer
Fig. 11: Dora Diamant, around 1925
Dora Diamant, around 1925. Anonymous photographer, labelled on the back: “Dora, around 1925”
Fig. 12: Düsseldorf Schauspielhaus theatre
Düsseldorf Schauspielhaus theatre, around 1910. Photographer: Julius Söhn, Düsseldorf City Archive, 226_540_001
Fig. 13: Dora Diamant, around 1928 - Dora Diamant, around 1928. Portrait or stage photo from her time at the Academy for Dramatic Art, Düsseldorf; anonymous photographer
Fig. 13: Dora Diamant, around 1928
Fig. 13: Dora Diamant, around 1928 - Dora Diamant, around 1928. Portrait or stage photo from her time at the Academy for Dramatic Art, Düsseldorf; anonymous photographer © Lask collection
Fig. 14: Lutz Lask, around 1933 - Lutz Lask, around 1933. Anonymous photographer
Fig. 14: Lutz Lask, around 1933
Fig. 14: Lutz Lask, around 1933 - Lutz Lask, around 1933. Anonymous photographer © Lask collection
Fig. 15: Dora Diamant and her daughter Marianne, 1936 - Dora Diamant and her daughter Marianne, Berlin 1936, shortly before her departure for the Soviet Union; anonymous photographer
Fig. 15: Dora Diamant and her daughter Marianne, 1936
Fig. 15: Dora Diamant and her daughter Marianne, 1936 - Dora Diamant and her daughter Marianne, Berlin 1936, shortly before her departure for the Soviet Union; anonymous photographer © Lask collection
Fig. 16: Dora Diamant and her daughter Marianne, 1938 - Dora Diamant and her daughter Marianne, probably Sevastopol 1938, shortly before her escape from the Soviet Union; anonymous photographer
Fig. 16: Dora Diamant and her daughter Marianne, 1938
Fig. 16: Dora Diamant and her daughter Marianne, 1938 - Dora Diamant and her daughter Marianne, probably Sevastopol 1938, shortly before her escape from the Soviet Union; anonymous photographer © Lask collection
Fig. 13: Dora Diamant, around 1928
Dora Diamant, around 1928. Portrait or stage photo from her time at the Academy for Dramatic Art, Düsseldorf; anonymous photographer
Fig. 14: Lutz Lask, around 1933
Lutz Lask, around 1933. Anonymous photographer
Fig. 15: Dora Diamant and her daughter Marianne, 1936
Dora Diamant and her daughter Marianne, Berlin 1936, shortly before her departure for the Soviet Union; anonymous photographer
Fig. 16: Dora Diamant and her daughter Marianne, 1938
Dora Diamant and her daughter Marianne, probably Sevastopol 1938, shortly before her escape from the Soviet Union; anonymous photographer
Fig. 17: Plaistow Hospital, London - Plaistow Hospital, West Ham, London E 13, the building where Dora Diamant died, postcard, around 1930
Fig. 17: Plaistow Hospital, London
Fig. 17: Plaistow Hospital, London - Plaistow Hospital, West Ham, London E 13, the building where Dora Diamant died, postcard, around 1930 © http://thelondondead.blogspot.com
Fig. 18: Dora Diamant’s grave - Grave of Dora Diamant, United Synagogue Cemetery, Marlow Road, East Ham, London. Memorial stone from 1999
Fig. 18: Dora Diamant’s grave
Fig. 18: Dora Diamant’s grave - Grave of Dora Diamant, United Synagogue Cemetery, Marlow Road, East Ham, London. Memorial stone from 1999 © http://thelondondead.blogspot.com
Eric Gottgetreu, 1974 - Eric Gottgetreu: They knew Kafka, in: The Jerusalem Post Magazine, 14/6/1974, page 16
Eric Gottgetreu, 1974
Eric Gottgetreu, 1974 - Eric Gottgetreu: They knew Kafka, in: The Jerusalem Post Magazine, 14/6/1974, page 16
“D.   The name is Diamant” – A life between East and West (doc. film 2024) - Dora Diamant (1898–1952), actress, activist and Franz Kafka’s last partner. Who was this woman? This film embarks on a search for clues.
“D. The name is Diamant” – A life between East and West (doc. film 2024)
“D. The name is Diamant” – A life between East and West (doc. film 2024)
Fig. 17: Plaistow Hospital, London
Plaistow Hospital, West Ham, London E 13, the building where Dora Diamant died, postcard, around 1930
Fig. 18: Dora Diamant’s grave
Grave of Dora Diamant, United Synagogue Cemetery, Marlow Road, East Ham, London. Memorial stone from 1999
Eric Gottgetreu, 1974
Eric Gottgetreu: They knew Kafka, in: The Jerusalem Post Magazine, 14/6/1974, page 16
“D. The name is Diamant” – A life between East and West (doc. film 2024)
Dora Diamant (1898–1952), actress, activist and Franz Kafka’s last partner. Who was this woman? This film embarks on a search for clues.
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Dora Diamant, probably Düsseldorf, around 1928 Portrait photograph, section marked as a passport image
Dora Diamant, probably Düsseldorf, around 1928 Portrait photograph, section marked as a passport image

“If only there had been a medicine available” – Kafka’s illness and death
 

Kafka’s health continued to deteriorate. This was confirmed by his uncle, the country physician Dr. Siegfried Löwy (1867–1942 suicide prior to deportation), who came to Berlin for a few days and who advised him to have himself admitted to a sanatorium. At the beginning of March, Diamant raised the alarm with Dr  Nelken from the Jüdisches Krankenhaus. Although he did not find Kafka in bed, the patient was in a terrible state. As Nelken remembered later: “If only Streptomycin or another medication against tuberculosis had been available then. All I could do was to prescribe something to alleviate his cough and other symptoms”.[70] Diamant had abandoned her classes at the Higher Institute for Jewish Studies and now dedicated herself fully to caring for Kafka. She earned a small amount of money as a dressmaker. Through his connections, Löwy organised a place for Kafka in a sanatorium in Austria without having to wait. Klopstock travelled to Berlin to offer his support. On 17 March, Kafka travelled to Prague, accompanied by Brod. Diamant remained in Berlin.[71]

Kafka spent three weeks in his parents’ apartment, bedridden and emaciated and weighing just 49 kilograms. He was visited there by Klopstock. There were already signs that the tuberculosis was spreading to his larynx. After Löwy had taken care of Kafka’s admission to the Sanatorium Wienerwald, Diamant travelled to Vienna and visited him on 8 April. “D. is with me, that is very good, she is living in a farmhouse next to the sanatorium”, Kafka wrote to his parents.[72] Just three days later, after being diagnosed with tuberculosis of the larynx, he was moved to Professor Markus Hajek (1861–1941) at the Laryngologische Universitätsklinik in the General Hospital (Allgemeines Krankenhaus) in Vienna, where Kafka was accommodated in a large, multi-bed room filled with dying patients. However, when Felix Weltsch found out about the private lung clinic run by Dr. Hugo Hoffmann in Kierling (Fig. 8 ), 15 kilometres to the north-west of Vienna, which boasted single rooms and private balconies for less money, Kafka and Diamant insisted that he be moved there just eight days later.[73]

Diamant was also able to live there. She took on the correspondence with Kafka’s parents and sisters, who made telephone calls to the sanatorium every day. At the beginning of May, the Viennese lung specialist, Dr. Oskar Beck, whom Diamant had called on for a consultation, diagnosed a non-treatable condition of the lung and larynx, and advised Diamant to transport Kafka back to his family in Prague. In the interim, Klopstock had also moved into the sanatorium to help care for the patient. The letter from Dora’s father in Poland, whom she had not seen for four years, in which he denied his permission for she and Kafka to marry, arrived on 12 May. On the same date, Brod travelled from Prague to Vienna to visit his ill friend for a day. Brod, Diamant and Klopstock agreed that Kafka should remain in Kierling, since a return to Prague would cause him to lose all hope.[74]

On 25 November 1953, the Prague-born publicist Willy Haas wrote an article about “Franz Kafka’s death” on 3 June 1924 in the Berlin newspaper “Der Tagesspiegel” after a nurse, Anna, who had cared for Kafka until the end in the sanatorium in Kierling, had written him a letter. “Kafka took various precautions in the event of his death. We already know about the agreement with Dr. Klopstock that he should bring about a quick end with a syringe if all hope was lost. It appears that Kafka, in an hour of weakness, granted his life companion Dora permission to die with him. None of these arrangements were followed through. However, the loyal Klopstock did adhere to a third, secret agreement that in the final hour, he was to send Dora away on some pretext so that she would not witness the death struggle. Klopstock did so, and asked Dora to take a letter to the post office. However, in the final minutes, Kafka missed Dora. ‘I sent the maid after her’, the nurse writes, ‘since the post office was close by’. Dora came back out of breath, carrying flowers that she had presumably just bought. Kafka appeared to be fully unconscious. Dora held the flowers in front of his face. ‘Franz, look at the beautiful flowers! Smell them!’, she whispered. ‘Then the dying man sat up and smelled the flowers. [...] He had such wonderfully bright eyes, and his smile said so much, and his hands and eyes were so expressive, now that he could no longer speak’”.[75]

At the request of Kafka’s father, Löwy came to Kierling to take care of the body. According to the nurse’s account, he pushed Diamant and Klopstock to one side “in a rather rough manner” and dealt with the formalities with “cool, indifferent professionalism”. However, an order came via telegram from Kafka’s father on 4 June: “Dora decides”; in other words, she should decide what should happen with the body.[76] Kafka’s body was then taken to Prague by train. Obituaries by Brod, Weltsch, and the writer Oskar Baum (1883–1941) appeared in the German-language Prague newspapers, and Milena Jesenská also wrote an obituary on 6 June in the Czech daily newspaper Národní Listy. On 11 June, Kafka was buried in the New Jewish Cemetery in Prague-Žižkov, with his family and closest friends in attendance. The poet and essayist Johannes Urzidil (1896–1970), who was the press attaché at the German Embassy in Prague, recalled in an essay: “I walked in the wake which followed Kafka’s coffin from the ceremonial hall to the open grave; behind his family and his pale companion, who was supported by Max Brod”.[77] He wrote that Dora broke down at the open grave with anguished, piercing screams.[78] 

On the following day, with Diamant present, a memorial ceremony attended by 500 guests was held in the German-language Kleine Bühne theatre in Prague, with speeches and readings from Kafka’s works. During the days and weeks that followed, Diamant remained in Kafka’s parents’ apartment, while Brod began to sort through his literary estate. While doing so, he discovered written instructions from Kafka, addressed to Brod, requesting that “everything written and drawn” that he found in his estate “should be burned completely, without being read”.[79] This would later bring Brod into conflict, not only with his own conscience, but also with Diamant, who later wrote to him that: “Knowledge about Franz should be kept from the whole world. It is none of the world’s concern, because – well, because the world doesn’t understand him.[80]

 

[70] Gottgetreu 1974 (see note 37).

[71] Kathi Diamant 2013 (see Bibliography), page 107–122.

[72] Postcard from Franz Kafka to Hermann Kafka, Ortmann 9/4/1924, https://homepage.univie.ac.at/werner.haas/1924/el24-021.htm (last accessed on 4/8/2023).

[73] Kathi Diamant 2013 (see Bibliography), page 123–135.

[74] Ibid., page 137–157.

[75] Willy Haas: Franz Kafkas Tod, in: “Der Tagesspiegel”, Volume 9, No. 2497 dated 15/11/1953, supplement, page 1; reprinted as Willy Haas: Die letzten Tage, in the collected volume of Hans-Gerd Koch: “Als Kafka mir entgegen kam …” 1995 (see Bibliography), page 193–195.

[76] Telegram from Hermann Kafka, archive of the Kafka Research Centre (Kafka-Forschungsstelle) at Wuppertal University (Bergische Universität/Gesamthochschule Wuppertal); quoted from Kathi Diamant 2013 (see Bibliography), page 161.

[77] Johannes Urzidil: 11 June 1924, in: idem, Da geht Kafka. Essays, Zürich/Stuttgart: Artemis, 1965, page 78.

[78] Kathi Diamant 2013 (see Bibliography), page 159–166.

[79] Max Brod: postscript to the first edition, in: Franz Kafka. Die Romane. Amerika. Der Prozeß. Das Schloß, Frankfurt/Main: S. Fischer, 1965, page 472.

[80] Dora Diamant to Max Brod, Berlin 2/5/1930, in Max Brod: Der Prager Kreis, Stuttgart et al.: Kohlhammer, 1966, page 113.