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Józef Brandt

Bolesław Szańkowski (1871/73-1953): Portrait of Józef Brandt, 1910. Oil on canvas, 162 x 112 cm, National Museum in Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 961

Mediathek Sorted

Media library
  • Art review. The Battle of Vienna 1683.

    Oil painting by Joseph Brandt in Munich, in: Deutsche Kunst-Zeitung Die Dioskuren, Year 18, No. 10, Berlin 1873, page 78 (http://digi.ub.uni-heidelberg.de/diglit/dioskuren1873/0091), in German.
  • Fig. 1: Unknown: Portrait of Józef Brandt - Photograph on albumin paper, 9.9 x 6.2 cm
  • Fig. 2: Władysław Szerner (1836-1915): Józef Brandt in his studio - Wood engraving by Jan Styfi (1841-1921), in: Kłosy, 1876, volume XXII, No. 574, page 405.
  • Fig. 3: Władysław Szerner (1836-1915): The studio of Józef Brandt in Munich - Wood engraving by Paweł Boczkowski (1860-1905), in: Tygodnik Illustrowany, 1876, volume II, No. 52, page 416 f. (excerpt)
  • Fig. 4: The studio of Josef v. Brandt - In: Carl Teufel: Ateliers Münchner Künstler, volume 1, Munich 1889, uncounted plate 9.
  • Fig. 5: Carl Teufel (1845-1912): The studio of Josef v. Brandt - Photograph, Glass negative, 18 x 24 cm
  • Fig. 6: The March of the Lisowskis - Oil on canvas, 44.5 x 69 cm
  • Fig. 7: Jews leading Horses to the Market - Oil on wood, 21 x 43.3 cm
  • Fig. 8: Polish Peasants' Horse and Cart - Oil on canvas, 31 x 44 cm
  • Fig. 9: The Battle of Chocim - Oil on canvas, 190 x 337 cm
  • Fig. 10: Grazing Horses - Oil on canvas, 23,2 x 42,6 cm
  • Fig. 11: Return from Vienna - Oil on canvas, 43,5 x 79,5 cm
  • Fig. 12: A Break in a Small Town - Oil on canvas, 71,5 x 107 cm
  • Fig. 13: At the Tavern. A Polish Village with Ulans - Undated. Oil on wood, 13.5 x 18.4 cm
  • Fig. 14: Czarniecki in the Battle of Kolding - Oil on canvas, 95 x 206 cm
  • Fig. 15: Waiting for the Boat - Oil on canvas, 67,5 x 127 cm
  • Fig. 16: Cossack patrol around the campfire - Oil on canvas, 43 x 82 cm
  • Fig. 17: The Battle of Vienna - Oil on canvas, 136 x 318 cm
  • Fig. 18: Booty at the River - Oil on canvas, 69 x 160 cm
  • Fig. 19: Greeting the Steppe - Oil on canvas, 87.5 x 170 cm
  • Fig. 20: A Break in the Steppe - Undated. Oil on canvas, 30.5 x 38 cm
  • Fig. 21: Cossacks - Oil on canvas, 33.4 x 46.6 cm
  • Fig. 22: Horse Breeding in the Steppe - Oil on canvas, 61.5 x 112.5 cm
  • Fig. 23: Polish Horseman with his Horse in front of the Toll House - Water colour and opaque colouring on paper, 24.5 x 32.5 cm
  • Fig. 24: Cossack Guard - Oil on canvas, 25.2 x 33 cm
  • Fig. 25: The Liberation of Prisoners - Oil on canvas, 179 x 445 cm
  • Fig. 26: Alarm - Oil on canvas, 97.5 x 150 cm
  • Fig. 27: Militia at the Ford - Oil on canvas, 74 x 119.5 cm
  • Fig. 28: Catching a Horse - Oil on canvas, 83.5 x 73.5 cm.
  • Fig. 29: Zaporozhian Camp - Oil on canvas, 72,5 x 113 cm
  • Fig. 30: Zaporozhian Cossack - Undated. Oil on canvas, mounted on cardboard, 74.9 x 123.1 cm
  • Fig. 31: March with War Booty. Return from Vienna - Oil on canvas, 72 x 112 cm
  • Fig. 32: Polish Cavalry Parade (Hussars) - Oil on canvas, 86.5 x 62.8 cm
  • Fig. 33: Sketch of Cossacks - Oil on canvas, 61,5 x 48,5 cm
  • Fig. 34: A Cossack waiting for the Boat - Oil on canvas, 26 x 37,5 cm
  • Fig. 35: Setting out for the Hunt - Oil on canvas, 69 x 194,5 cm
  • Fig. 36: Market in Białka - Oil on canvas, 62 x 101 cm
  • Fig. 37: Encounter on the bridge - Oil on canvas, 100 x 200 cm
  • Fig. 38: Polish Farming Cart on a Country Road - Undated. Water colour and opaque colouring on paper, 20.3 x 41.6 cm, Staatliche Museen zu Berlin, Kupferstichkabinett, Inv. No. SZ G. Brandt 3
  • Fig. 39: Before the hunt - Oil on canvas, 88 x 165 cm
  • Fig. 40: ‘The Poles in Munich’ - Józef Brandt bottom right. In: Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, vol. 3, Munich 1887/88, after page 60
  • Fig. 41: Royal Ensign - Oil on canvas, 83 x 63 cm
  • Fig. 42: In Flight - Oil on canvas, 61 x 100.5 cm
  • Fig. 43: Encounter on the causeway - Oil on canvas, 70 x 110 cm
  • Fig. 44: Prayer in the steppe - Oil on canvas, 151 x 303 cm
  • Fig. 45: Sketch for the ‘Armenian Mother of God’ - Oil on canvas, 65 x 120 cm
  • Fig. 46: Cossack Wedding - Oil on canvas, 243 x 156.5 cm
  • Fig. 47: Victorious Return - Oil on canvas, 153 x 97 cm
  • Fig. 48: The capture of a Caucasian chief - Undated. Oil on canvas, 70 x 110.5 cm
  • Fig. 49: Return of the Cossacks - Oil on canvas, 60.5 x 121.5 cm
  • Fig. 50: Departure of Jan III and Marysieńka Sobieski from Wilanów - Oil on canvas, 186 x 343 cm
  • Fig. 51: Marysieńka's departure from Wilanów - Oil on canvas, 200 x 400 cm
  • Fig. 52: Preparatory study for ‘Marysieńka's Departure from Wilanów’ - Oil on wood, 34 x 65.6 cm
  • Fig. 53: Fight for the banner - Oil on canvas, 54.7 x 99.5 cm
  • Fig. 54: The courtyard - Oil on canvas, 80 x 120,5 cm
  • Fig. 55: Horse and Cart trying to escape - Oil on canvas, 60,5 x 100,5 cm
  • Fig. 56: The Hunt - The Hunt, ca. 1900, Oil on canvas, 101 x 62 cm
  • Fig. 57: Cossack on horseback - Water colour with opaque colours on paper, 27 x 39.3 cm
  • Fig. 58: Cossack watchman - Undated. Oil on canvas, 26 x 37,5 cm
  • Fig. 59: The horse trial - Oil on canvas, 57,5 x 38 cm
  • Fig. 60: Tatar riding through a River - Undated. Quill, washed, 23.4 x 29 cm
  • Fig. 61: Stefan Czarniecki on Horseback - Oil on canvas, 55 x 45 cm
  • Fig. 62: Forager - Oil on canvas, 92 x 66 cm
  • Fig. 63: Trumpeter - Oil on canvas, 45.5 x 60.5 cm
  • Fig. 64: Jadwiga Golcz (1866-1936): Portrait of the painter Józef Brandt - Photograph from a glass negative, 14.3 x 10.4 cm
Art review. The Battle of Vienna 1683. - Oil painting by Joseph Brandt in Munich, in: Deutsche Kunst-Zeitung Die Dioskuren, Year 18, No. 10, Berlin 1873, page 78 (http://digi.ub.uni-heidelberg.de/diglit/dioskuren1873/0091), in German.
Art review. The Battle of Vienna 1683.
Art review. The Battle of Vienna 1683. - Oil painting by Joseph Brandt in Munich, in: Deutsche Kunst-Zeitung Die Dioskuren, Year 18, No. 10, Berlin 1873, page 78 (http://digi.ub.uni-heidelberg.de/diglit/dioskuren1873/0091), in German.
Fig. 1: Unknown: Portrait of Józef Brandt - Photograph on albumin paper, 9.9 x 6.2 cm
Fig. 1: Unknown: Portrait of Józef Brandt
Fig. 1: Unknown: Portrait of Józef Brandt - Photograph on albumin paper, 9.9 x 6.2 cm © National Library Warsaw, Inv. No. F646
Fig. 2: Władysław Szerner (1836-1915): Józef Brandt in his studio - Wood engraving by Jan Styfi (1841-1921), in: Kłosy, 1876, volume XXII, No. 574, page 405.
Fig. 2: Władysław Szerner (1836-1915): Józef Brandt in his studio
Fig. 2: Władysław Szerner (1836-1915): Józef Brandt in his studio - Wood engraving by Jan Styfi (1841-1921), in: Kłosy, 1876, volume XXII, No. 574, page 405. © Wielkopolska Digital Library
Fig. 3: Władysław Szerner (1836-1915): The studio of Józef Brandt in Munich - Wood engraving by Paweł Boczkowski (1860-1905), in: Tygodnik Illustrowany, 1876, volume II, No. 52, page 416 f. (excerpt)
Fig. 3: Władysław Szerner (1836-1915): The studio of Józef Brandt in Munich
Fig. 3: Władysław Szerner (1836-1915): The studio of Józef Brandt in Munich - Wood engraving by Paweł Boczkowski (1860-1905), in: Tygodnik Illustrowany, 1876, volume II, No. 52, page 416 f. (excerpt) © Digital Library of the University of Lodz
Art review. The Battle of Vienna 1683.
Oil painting by Joseph Brandt in Munich, in: Deutsche Kunst-Zeitung Die Dioskuren, Year 18, No. 10, Berlin 1873, page 78 (http://digi.ub.uni-heidelberg.de/diglit/dioskuren1873/0091), in German.
Fig. 1: Unknown: Portrait of Józef Brandt
Photograph on albumin paper, 9.9 x 6.2 cm
Fig. 2: Władysław Szerner (1836-1915): Józef Brandt in his studio
Wood engraving by Jan Styfi (1841-1921), in: Kłosy, 1876, volume XXII, No. 574, page 405.
Fig. 3: Władysław Szerner (1836-1915): The studio of Józef Brandt in Munich
Wood engraving by Paweł Boczkowski (1860-1905), in: Tygodnik Illustrowany, 1876, volume II, No. 52, page 416 f. (excerpt)
Fig. 4: The studio of Josef v. Brandt - In: Carl Teufel: Ateliers Münchner Künstler, volume 1, Munich 1889, uncounted plate 9.
Fig. 4: The studio of Josef v. Brandt
Fig. 4: The studio of Josef v. Brandt - In: Carl Teufel: Ateliers Münchner Künstler, volume 1, Munich 1889, uncounted plate 9. © MDZ of the BSB
Fig. 5: Carl Teufel (1845-1912): The studio of Josef v. Brandt - Photograph, Glass negative, 18 x 24 cm
Fig. 5: Carl Teufel (1845-1912): The studio of Josef v. Brandt
Fig. 5: Carl Teufel (1845-1912): The studio of Josef v. Brandt - Photograph, Glass negative, 18 x 24 cm © Photo archive Foto Marburg, Konvolut: Dr. Benno Filser Verlag
Fig. 6: The March of the Lisowskis - Oil on canvas, 44.5 x 69 cm
Fig. 6: The March of the Lisowskis
Fig. 6: The March of the Lisowskis - Oil on canvas, 44.5 x 69 cm © http://www.agraart.pl
Fig. 7: Jews leading Horses to the Market - Oil on wood, 21 x 43.3 cm
Fig. 7: Jews leading Horses to the Market
Fig. 7: Jews leading Horses to the Market - Oil on wood, 21 x 43.3 cm © Digital National Museum in Warsaw
Fig. 4: The studio of Josef v. Brandt
In: Carl Teufel: Ateliers Münchner Künstler, volume 1, Munich 1889, uncounted plate 9.
Fig. 5: Carl Teufel (1845-1912): The studio of Josef v. Brandt
Photograph, Glass negative, 18 x 24 cm
Fig. 6: The March of the Lisowskis
Oil on canvas, 44.5 x 69 cm
Fig. 7: Jews leading Horses to the Market
Oil on wood, 21 x 43.3 cm
Fig. 8: Polish Peasants
Fig. 8: Polish Peasants' Horse and Cart
Fig. 8: Polish Peasants' Horse and Cart - Oil on canvas, 31 x 44 cm © Lenbachhaus, München
Fig. 9: The Battle of Chocim - Oil on canvas, 190 x 337 cm
Fig. 9: The Battle of Chocim
Fig. 9: The Battle of Chocim - Oil on canvas, 190 x 337 cm © Digital National Museum in Warsaw
Fig. 10: Grazing Horses - Oil on canvas, 23,2 x 42,6 cm
Fig. 10: Grazing Horses
Fig. 10: Grazing Horses - Oil on canvas, 23,2 x 42,6 cm © Braith-Mali-Museum
Fig. 11: Return from Vienna - Oil on canvas, 43,5 x 79,5 cm
Fig. 11: Return from Vienna
Fig. 11: Return from Vienna - Oil on canvas, 43,5 x 79,5 cm © Łódź Art Museum
Fig. 8: Polish Peasants' Horse and Cart
Oil on canvas, 31 x 44 cm
Fig. 9: The Battle of Chocim
Oil on canvas, 190 x 337 cm
Fig. 10: Grazing Horses
Oil on canvas, 23,2 x 42,6 cm
Fig. 11: Return from Vienna
Oil on canvas, 43,5 x 79,5 cm
Fig. 12: A Break in a Small Town - Oil on canvas, 71,5 x 107 cm
Fig. 12: A Break in a Small Town
Fig. 12: A Break in a Small Town - Oil on canvas, 71,5 x 107 cm © http://www.agraart.pl
Fig. 13: At the Tavern. A Polish Village with Ulans - Undated. Oil on wood, 13.5 x 18.4 cm
Fig. 13: At the Tavern. A Polish Village with Ulans
Fig. 13: At the Tavern. A Polish Village with Ulans - Undated. Oil on wood, 13.5 x 18.4 cm © Braith-Mali-Museum
Fig. 14: Czarniecki in the Battle of Kolding - Oil on canvas, 95 x 206 cm
Fig. 14: Czarniecki in the Battle of Kolding
Fig. 14: Czarniecki in the Battle of Kolding - Oil on canvas, 95 x 206 cm © Digital National Museum in Warsaw
Fig. 15: Waiting for the Boat - Oil on canvas, 67,5 x 127 cm
Fig. 15: Waiting for the Boat
Fig. 15: Waiting for the Boat - Oil on canvas, 67,5 x 127 cm © http://www.agraart.pl
Fig. 12: A Break in a Small Town
Oil on canvas, 71,5 x 107 cm
Fig. 13: At the Tavern. A Polish Village with Ulans
Undated. Oil on wood, 13.5 x 18.4 cm
Fig. 14: Czarniecki in the Battle of Kolding
Oil on canvas, 95 x 206 cm
Fig. 15: Waiting for the Boat
Oil on canvas, 67,5 x 127 cm
Fig. 16: Cossack patrol around the campfire - Oil on canvas, 43 x 82 cm
Fig. 16: Cossack patrol around the campfire
Fig. 16: Cossack patrol around the campfire - Oil on canvas, 43 x 82 cm © http://artyzm.com
Fig. 17: The Battle of Vienna - Oil on canvas, 136 x 318 cm
Fig. 17: The Battle of Vienna
Fig. 17: The Battle of Vienna - Oil on canvas, 136 x 318 cm © Museum of the Polish Army in Warsaw
Fig. 18: Booty at the River - Oil on canvas, 69 x 160 cm
Fig. 18: Booty at the River
Fig. 18: Booty at the River - Oil on canvas, 69 x 160 cm © Dresden State Art Collections, New Masters Gallery
Fig. 19: Greeting the Steppe - Oil on canvas, 87.5 x 170 cm
Fig. 19: Greeting the Steppe
Fig. 19: Greeting the Steppe - Oil on canvas, 87.5 x 170 cm © Public Domain
Fig. 16: Cossack patrol around the campfire
Oil on canvas, 43 x 82 cm
Fig. 17: The Battle of Vienna
Oil on canvas, 136 x 318 cm
Fig. 18: Booty at the River
Oil on canvas, 69 x 160 cm
Fig. 19: Greeting the Steppe
Oil on canvas, 87.5 x 170 cm
Fig. 20: A Break in the Steppe - Undated. Oil on canvas, 30.5 x 38 cm
Fig. 20: A Break in the Steppe
Fig. 20: A Break in the Steppe - Undated. Oil on canvas, 30.5 x 38 cm © Polish Museum Rapperswil
Fig. 21: Cossacks - Oil on canvas, 33.4 x 46.6 cm
Fig. 21: Cossacks
Fig. 21: Cossacks - Oil on canvas, 33.4 x 46.6 cm © Lenbachhaus, Munich
Fig. 22: Horse Breeding in the Steppe - Oil on canvas, 61.5 x 112.5 cm
Fig. 22: Horse Breeding in the Steppe
Fig. 22: Horse Breeding in the Steppe - Oil on canvas, 61.5 x 112.5 cm © Polish Museum in Rapperswil
Fig. 23: Polish Horseman with his Horse in front of the Toll House - Water colour and opaque colouring on paper, 24.5 x 32.5 cm
Fig. 23: Polish Horseman with his Horse in front of the Toll House
Fig. 23: Polish Horseman with his Horse in front of the Toll House - Water colour and opaque colouring on paper, 24.5 x 32.5 cm © National Museums in Berlin, Print Room
Fig. 20: A Break in the Steppe
Undated. Oil on canvas, 30.5 x 38 cm
Fig. 21: Cossacks
Oil on canvas, 33.4 x 46.6 cm
Fig. 22: Horse Breeding in the Steppe
Oil on canvas, 61.5 x 112.5 cm
Fig. 23: Polish Horseman with his Horse in front of the Toll House
Water colour and opaque colouring on paper, 24.5 x 32.5 cm
Fig. 24: Cossack Guard - Oil on canvas, 25.2 x 33 cm
Fig. 24: Cossack Guard
Fig. 24: Cossack Guard - Oil on canvas, 25.2 x 33 cm © Braith-Mali-Museum
Fig. 25: The Liberation of Prisoners - Oil on canvas, 179 x 445 cm
Fig. 25: The Liberation of Prisoners
Fig. 25: The Liberation of Prisoners - Oil on canvas, 179 x 445 cm © Digital National Museum in Warsaw
Fig. 26: Alarm - Oil on canvas, 97.5 x 150 cm
Fig. 26: Alarm
Fig. 26: Alarm - Oil on canvas, 97.5 x 150 cm © Digital National Museum in Warsaw
Fig. 27: Militia at the Ford - Oil on canvas, 74 x 119.5 cm
Fig. 27: Militia at the Ford
Fig. 27: Militia at the Ford - Oil on canvas, 74 x 119.5 cm © http://www.agraart.pl
Fig. 24: Cossack Guard
Oil on canvas, 25.2 x 33 cm
Fig. 25: The Liberation of Prisoners
Oil on canvas, 179 x 445 cm
Fig. 26: Alarm
Oil on canvas, 97.5 x 150 cm
Fig. 27: Militia at the Ford
Oil on canvas, 74 x 119.5 cm
Fig. 28: Catching a Horse - Oil on canvas, 83.5 x 73.5 cm.
Fig. 28: Catching a Horse
Fig. 28: Catching a Horse - Oil on canvas, 83.5 x 73.5 cm. © National Art Gallery Lviv
Fig. 29: Zaporozhian Camp - Oil on canvas, 72,5 x 113 cm
Fig. 29: Zaporozhian Camp
Fig. 29: Zaporozhian Camp - Oil on canvas, 72,5 x 113 cm © Digital National Museum in Warsaw
Fig. 30: Zaporozhian Cossack - Undated. Oil on canvas, mounted on cardboard, 74.9 x 123.1 cm
Fig. 30: Zaporozhian Cossack
Fig. 30: Zaporozhian Cossack - Undated. Oil on canvas, mounted on cardboard, 74.9 x 123.1 cm © Public Domain
Fig. 31: March with War Booty. Return from Vienna - Oil on canvas, 72 x 112 cm
Fig. 31: March with War Booty. Return from Vienna
Fig. 31: March with War Booty. Return from Vienna - Oil on canvas, 72 x 112 cm © Public Domain
Fig. 28: Catching a Horse
Oil on canvas, 83.5 x 73.5 cm.
Fig. 29: Zaporozhian Camp
Oil on canvas, 72,5 x 113 cm
Fig. 30: Zaporozhian Cossack
Undated. Oil on canvas, mounted on cardboard, 74.9 x 123.1 cm
Fig. 31: March with War Booty. Return from Vienna
Oil on canvas, 72 x 112 cm
Fig. 32: Polish Cavalry Parade (Hussars) - Oil on canvas, 86.5 x 62.8 cm
Fig. 32: Polish Cavalry Parade (Hussars)
Fig. 32: Polish Cavalry Parade (Hussars) - Oil on canvas, 86.5 x 62.8 cm © Polish Museum Rapperswil
Fig. 33: Sketch of Cossacks - Oil on canvas, 61,5 x 48,5 cm
Fig. 33: Sketch of Cossacks
Fig. 33: Sketch of Cossacks - Oil on canvas, 61,5 x 48,5 cm © Digital National Museum in Warsaw
Fig. 34: A Cossack waiting for the Boat - Oil on canvas, 26 x 37,5 cm
Fig. 34: A Cossack waiting for the Boat
Fig. 34: A Cossack waiting for the Boat - Oil on canvas, 26 x 37,5 cm © http://www.agraart.pl
Fig. 35: Setting out for the Hunt - Oil on canvas, 69 x 194,5 cm
Fig. 35: Setting out for the Hunt
Fig. 35: Setting out for the Hunt - Oil on canvas, 69 x 194,5 cm © Museum of Fine Arts Leipzig
Fig. 32: Polish Cavalry Parade (Hussars)
Oil on canvas, 86.5 x 62.8 cm
Fig. 33: Sketch of Cossacks
Oil on canvas, 61,5 x 48,5 cm
Fig. 34: A Cossack waiting for the Boat
Oil on canvas, 26 x 37,5 cm
Fig. 35: Setting out for the Hunt
Oil on canvas, 69 x 194,5 cm
Fig. 36: Market in Białka - Oil on canvas, 62 x 101 cm
Fig. 36: Market in Białka
Fig. 36: Market in Białka - Oil on canvas, 62 x 101 cm © Public Domain
Fig. 37: Encounter on the bridge - Oil on canvas, 100 x 200 cm
Fig. 37: Encounter on the bridge
Fig. 37: Encounter on the bridge - Oil on canvas, 100 x 200 cm © National Museum Krakow
Fig. 38: Polish Farming Cart on a Country Road - Undated. Water colour and opaque colouring on paper, 20.3 x 41.6 cm, Staatliche Museen zu Berlin, Kupferstichkabinett, Inv. No. SZ G. Brandt 3
Fig. 38: Polish Farming Cart on a Country Road
Fig. 38: Polish Farming Cart on a Country Road - Undated. Water colour and opaque colouring on paper, 20.3 x 41.6 cm, Staatliche Museen zu Berlin, Kupferstichkabinett, Inv. No. SZ G. Brandt 3 © National Museums in Berlin, Print Room
Fig. 39: Before the hunt - Oil on canvas, 88 x 165 cm
Fig. 39: Before the hunt
Fig. 39: Before the hunt - Oil on canvas, 88 x 165 cm © Public Domain
Fig. 36: Market in Białka
Oil on canvas, 62 x 101 cm
Fig. 37: Encounter on the bridge
Oil on canvas, 100 x 200 cm
Fig. 38: Polish Farming Cart on a Country Road
Undated. Water colour and opaque colouring on paper, 20.3 x 41.6 cm, Staatliche Museen zu Berlin, Kupferstichkabinett, Inv. No. SZ G. Brandt 3
Fig. 39: Before the hunt
Oil on canvas, 88 x 165 cm
Fig. 40: ‘The Poles in Munich’ - Józef Brandt bottom right. In: Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, vol. 3, Munich 1887/88, after page 60
Fig. 40: ‘The Poles in Munich’
Fig. 40: ‘The Poles in Munich’ - Józef Brandt bottom right. In: Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, vol. 3, Munich 1887/88, after page 60 © Heidelberg historic literature – digitized: http://digi.ub.uni-heidelberg.de/diglit/kfa1887_1888/0087
Fig. 41: Royal Ensign - Oil on canvas, 83 x 63 cm
Fig. 41: Royal Ensign
Fig. 41: Royal Ensign - Oil on canvas, 83 x 63 cm © http://www.agraart.pl
Fig. 42: In Flight - Oil on canvas, 61 x 100.5 cm
Fig. 42: In Flight
Fig. 42: In Flight - Oil on canvas, 61 x 100.5 cm © http://www.agraart.pl
Fig. 43: Encounter on the causeway - Oil on canvas, 70 x 110 cm
Fig. 43: Encounter on the causeway
Fig. 43: Encounter on the causeway - Oil on canvas, 70 x 110 cm © http://www.agraart.pl
Fig. 40: ‘The Poles in Munich’
Józef Brandt bottom right. In: Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, vol. 3, Munich 1887/88, after page 60
Fig. 41: Royal Ensign
Oil on canvas, 83 x 63 cm
Fig. 42: In Flight
Oil on canvas, 61 x 100.5 cm
Fig. 43: Encounter on the causeway
Oil on canvas, 70 x 110 cm
Fig. 44: Prayer in the steppe - Oil on canvas, 151 x 303 cm
Fig. 44: Prayer in the steppe
Fig. 44: Prayer in the steppe - Oil on canvas, 151 x 303 cm © Digital National Museum in Warsaw
Fig. 45: Sketch for the ‘Armenian Mother of God’ - Oil on canvas, 65 x 120 cm
Fig. 45: Sketch for the ‘Armenian Mother of God’
Fig. 45: Sketch for the ‘Armenian Mother of God’ - Oil on canvas, 65 x 120 cm © Digital National Museum in Warsaw
Fig. 46: Cossack Wedding - Oil on canvas, 243 x 156.5 cm
Fig. 46: Cossack Wedding
Fig. 46: Cossack Wedding - Oil on canvas, 243 x 156.5 cm © Upper Silesian Museum, Bytom
Fig. 47: Victorious Return - Oil on canvas, 153 x 97 cm
Fig. 47: Victorious Return
Fig. 47: Victorious Return - Oil on canvas, 153 x 97 cm © Public Domain
Fig. 44: Prayer in the steppe
Oil on canvas, 151 x 303 cm
Fig. 45: Sketch for the ‘Armenian Mother of God’
Oil on canvas, 65 x 120 cm
Fig. 46: Cossack Wedding
Oil on canvas, 243 x 156.5 cm
Fig. 47: Victorious Return
Oil on canvas, 153 x 97 cm
Fig. 48: The capture of a Caucasian chief - Undated. Oil on canvas, 70 x 110.5 cm
Fig. 48: The capture of a Caucasian chief
Fig. 48: The capture of a Caucasian chief - Undated. Oil on canvas, 70 x 110.5 cm © Public Domain
Fig. 49: Return of the Cossacks - Oil on canvas, 60.5 x 121.5 cm
Fig. 49: Return of the Cossacks
Fig. 49: Return of the Cossacks - Oil on canvas, 60.5 x 121.5 cm © http://www.agraart.pl
Fig. 50: Departure of Jan III and Marysieńka Sobieski from Wilanów - Oil on canvas, 186 x 343 cm
Fig. 50: Departure of Jan III and Marysieńka Sobieski from Wilanów
Fig. 50: Departure of Jan III and Marysieńka Sobieski from Wilanów - Oil on canvas, 186 x 343 cm © Digital National Museum in Warsaw
Fig. 51: Marysieńka
Fig. 51: Marysieńka's departure from Wilanów
Fig. 51: Marysieńka's departure from Wilanów - Oil on canvas, 200 x 400 cm © National Museum Kielce
Fig. 48: The capture of a Caucasian chief
Undated. Oil on canvas, 70 x 110.5 cm
Fig. 49: Return of the Cossacks
Oil on canvas, 60.5 x 121.5 cm
Fig. 50: Departure of Jan III and Marysieńka Sobieski from Wilanów
Oil on canvas, 186 x 343 cm
Fig. 51: Marysieńka's departure from Wilanów
Oil on canvas, 200 x 400 cm
Fig. 52: Preparatory study for ‘Marysieńka
Fig. 52: Preparatory study for ‘Marysieńka's Departure from Wilanów’
Fig. 52: Preparatory study for ‘Marysieńka's Departure from Wilanów’ - Oil on wood, 34 x 65.6 cm © Lenbachhaus, Munich
Fig. 53: Fight for the banner - Oil on canvas, 54.7 x 99.5 cm
Fig. 53: Fight for the banner
Fig. 53: Fight for the banner - Oil on canvas, 54.7 x 99.5 cm © http://www.agraart.pl
Fig. 54: The courtyard - Oil on canvas, 80 x 120,5 cm
Fig. 54: The courtyard
Fig. 54: The courtyard - Oil on canvas, 80 x 120,5 cm © Digital National Museum in Warsaw
Fig. 55: Horse and Cart trying to escape - Oil on canvas, 60,5 x 100,5 cm
Fig. 55: Horse and Cart trying to escape
Fig. 55: Horse and Cart trying to escape - Oil on canvas, 60,5 x 100,5 cm © Public Domain
Fig. 52: Preparatory study for ‘Marysieńka's Departure from Wilanów’
Oil on wood, 34 x 65.6 cm
Fig. 53: Fight for the banner
Oil on canvas, 54.7 x 99.5 cm
Fig. 54: The courtyard
Oil on canvas, 80 x 120,5 cm
Fig. 55: Horse and Cart trying to escape
Oil on canvas, 60,5 x 100,5 cm
Fig. 56: The Hunt - The Hunt, ca. 1900, Oil on canvas, 101 x 62 cm
Fig. 56: The Hunt
Fig. 56: The Hunt - The Hunt, ca. 1900, Oil on canvas, 101 x 62 cm © Polish Museum Rapperswil
Fig. 57: Cossack on horseback - Water colour with opaque colours on paper, 27 x 39.3 cm
Fig. 57: Cossack on horseback
Fig. 57: Cossack on horseback - Water colour with opaque colours on paper, 27 x 39.3 cm © Digital National Museum in Warsaw
Fig. 58: Cossack watchman - Undated. Oil on canvas, 26 x 37,5 cm
Fig. 58: Cossack watchman
Fig. 58: Cossack watchman - Undated. Oil on canvas, 26 x 37,5 cm © Public Domain
Fig. 59: The horse trial - Oil on canvas, 57,5 x 38 cm
Fig. 59: The horse trial
Fig. 59: The horse trial - Oil on canvas, 57,5 x 38 cm © http://www.agraart.pl
Fig. 56: The Hunt
The Hunt, ca. 1900, Oil on canvas, 101 x 62 cm
Fig. 57: Cossack on horseback
Water colour with opaque colours on paper, 27 x 39.3 cm
Fig. 58: Cossack watchman
Undated. Oil on canvas, 26 x 37,5 cm
Fig. 59: The horse trial
Oil on canvas, 57,5 x 38 cm
Fig. 60: Tatar riding through a River - Undated. Quill, washed, 23.4 x 29 cm
Fig. 60: Tatar riding through a River
Fig. 60: Tatar riding through a River - Undated. Quill, washed, 23.4 x 29 cm © National Museums in Berlin, Print Room
Fig. 61: Stefan Czarniecki on Horseback - Oil on canvas, 55 x 45 cm
Fig. 61: Stefan Czarniecki on Horseback
Fig. 61: Stefan Czarniecki on Horseback - Oil on canvas, 55 x 45 cm © http://www.agraart.pl
Fig. 62: Forager - Oil on canvas, 92 x 66 cm
Fig. 62: Forager
Fig. 62: Forager - Oil on canvas, 92 x 66 cm © http://www.agraart.pl
Fig. 63: Trumpeter - Oil on canvas, 45.5 x 60.5 cm
Fig. 63: Trumpeter
Fig. 63: Trumpeter - Oil on canvas, 45.5 x 60.5 cm © http://www.agraart.pl
Fig. 60: Tatar riding through a River
Undated. Quill, washed, 23.4 x 29 cm
Fig. 61: Stefan Czarniecki on Horseback
Oil on canvas, 55 x 45 cm
Fig. 62: Forager
Oil on canvas, 92 x 66 cm
Fig. 63: Trumpeter
Oil on canvas, 45.5 x 60.5 cm
Fig. 64: Jadwiga Golcz (1866-1936): Portrait of the painter Józef Brandt - Photograph from a glass negative, 14.3 x 10.4 cm
Fig. 64: Jadwiga Golcz (1866-1936): Portrait of the painter Józef Brandt
Fig. 64: Jadwiga Golcz (1866-1936): Portrait of the painter Józef Brandt - Photograph from a glass negative, 14.3 x 10.4 cm © Digital National Museum in Warsaw
Fig. 64: Jadwiga Golcz (1866-1936): Portrait of the painter Józef Brandt
Photograph from a glass negative, 14.3 x 10.4 cm
More
Bolesław Szańkowski (1871/73-1953): Portrait of Józef Brandt, 1910.
Bolesław Szańkowski (1871/73-1953): Portrait of Józef Brandt, 1910. Oil on canvas, 162 x 112 cm, National Museum in Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 961

Brandt was also widely honoured in the 1880s and 90s. In 1885 the Munich "Polish Colony" celebrated the 25th anniversary of his work as an artist. A committee, including Czachórski and Wierusz-Kowalski, organized the celebrations and prepared a gift of a folder containing drawings and watercolours made by his colleagues. It was reported that Prince Luitpold sent a violet bouquet of gigantic proportions with the numbers designed with flowers " [65] From 1889 onwards, Brandt was a regular exhibitor at the newly established Munich Annual Exhibition, which regarded itself as a competitor to the Paris Salon. On the first of the exhibitions arranged according to nations, Pecht writes: "The Polish contributions are much richer: the majority have admittedly to be attributed to our school, although they all retain their individual character with great energy. Brandt, their leader, offers us a “Departure for the Hunt” in a snow-covered Polish village lane with his usual sparkling animation..."[66]

In the same year, according to the magazine Die Kunst für Alle, a "Joseph v. Brandt album[...] was published by the Photographische Union in Munich. It contained a dozen photographs based on the master's more recent paintings and showing hunting scenes and  Cossack life in his homeland and in the Ukraine. The way he reflects their pictorial allure is incomparable.”[67] At the second Munich Annual Exhibition in 1890, Brandt showed “a group of 17th century Cossacks returning home and singing victory songs. Here he displays his usual mastery in the use of splendid colours that are utterly uncorrupted by modern fashions. Even better, because the painting contains more dramatic tension its defence of Polish ihomesteads is full of sparkling liveliness.”[68] In 1891 Brandt turned down an invitation to succeed the first director, Jan Matejko (1838-1893), as the head of the Academy of Fine Arts in Krakow.[69] In 1893 he received an award for services to the Bavarian Crown[70], and an award from the Spanish “Order of Isabel the Catholic” for services to science and art. In 1898 he was awarded the Order of Maximilian by Prince Regent Luitpold. “This is a major and rare distinction, given to ten artists at the most”, wrote Czachórski in a letter: “Brandt had not expected it and for this reason he was absolutely astonished. The Order of Maximilian gives him open access to all Court balls and at all receptions there is a table reserved for those who have been decorated thus.”[71] In 1900 Brandt was made an honorary member of the Academy of Fine Arts in Prague.

 

[65] Halina Stepień: Die Welt der eigenen Empfindungen, in: Jednodniówka – Eintagszeitung. New edition 2008 (see further reading), page VIII

[66] Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, volume 5, 1889-1890, page 20 f.; Digital version: http://digi.ub.uni-heidelberg.de/diglit/kfa1889_1890/0039

[68] Ibid, page 338; Digital version: http://digi.ub.uni-heidelberg.de/diglit/kfa1889_1890/0436 (all called up on 23.11.2017)

[69] Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, volume 5, 1890-1891, page 76; Digital version: http://digi.ub.uni-heidelberg.de/diglit/kfa1890_1891/0107 (called up on 25.11.2017)

[70] Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, volume 8, 1892-1893, page 137; Digital version: http://digi.ub.uni-heidelberg.de/diglit/kfa1892_1893/0179 (called up on 25.11.2017)

[71] Ptaszyńska 2008 (see note 32), page XIII