Archiwum Stowarzyszenia Rodu Kłopockich im. Janiny Kłopockiej Twórczyni Znaku Rodła
The life of the outstanding artist, Janina Kłopocka, the creator of the graphic emblem of the Union of Poles in Germany, the so-called “Rodło“ sign, is a typical example of the knotty fate of Poles in the 20th century. Her life was an extremely strenuous and ambitious struggle to take up a profession offering her opportunities for creative design. On the one hand she struggled to overcome cultural boundaries, was strongly committed to her fatherland and her people in which she suffered many painful experiences and periods of extreme peril. But Kłopocka’s life also contained moments of disappointment with the political situation in Poland and the restrictions to Polish sovereignty after 1945. Despite serving time in a Stalinist prison she never forsook her country, but was determined to find a way back into her artistic work. Her legacy has somewhat fallen into oblivion but it deserves to be recalled and publicised.
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Janina Kłopocka on a school trip in Berlin
Pupils of the Scherings' Lyceum
Recording in the classroom
"Living pictures" from Polish history
Janina Kłopocka on a school trip in Berlin
Pupils of the Scherings' Lyceum
Recording in the classroom
"Living pictures" from Polish history
As a teenager
As A-level student
As a student
Excursion of the Polish Singing Association "Harmonia" in Berlin
As a teenager
As A-level student
As a student
Excursion of the Polish Singing Association "Harmonia" in Berlin
As a young woman
The Rodło sign, designed by Janina Kłopocka
The Rodło sign stylises the course of the Vistula, the city of Kraków and the "Truths of the Poles"
The Rodło sign on the magazine "Young Pole in Germany"
As a young woman
The Rodło sign, designed by Janina Kłopocka
The Rodło sign stylises the course of the Vistula, the city of Kraków and the "Truths of the Poles"
The Rodło sign on the magazine "Young Pole in Germany"
Work as a graphic designer for "Młody Polak w Niemczech"
Cover of the "Młody Polak w Niemczech" 1936, No. 5
The Cover of "Młody Polak w Niemczech" 1937, 1.
Cover of the "Młody Polak w Niemczech" 1937, no. 3
Work as a graphic designer for "Młody Polak w Niemczech"
Cover of the "Młody Polak w Niemczech" 1936, No. 5
The Cover of "Młody Polak w Niemczech" 1937, 1.
Cover of the "Młody Polak w Niemczech" 1937, no. 3
Cover of the "Młody Polak w Niemczech" 1937, no. 10.
‘Mother with child’ ["Matka z dzieckiem"]
Congress of Poles in Germany in Berlin on 6 March
Cover of the "Młody Polak w Niemczech" 1939, No. 4
Cover of the "Młody Polak w Niemczech" 1937, no. 10.
‘Mother with child’ ["Matka z dzieckiem"]
Congress of Poles in Germany in Berlin on 6 March
Cover of the "Młody Polak w Niemczech" 1939, No. 4
After she was released from prison.
Janina Kłopocka on the balcony of her Warsaw apartment
With her friend Felicja Wacyk
Janina Kłopocka with her niece Maria Kłopocka
After she was released from prison.
Janina Kłopocka on the balcony of her Warsaw apartment
With her friend Felicja Wacyk
Janina Kłopocka with her niece Maria Kłopocka
At the exhibition by Janina Kłopocka
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy” [The Polish Ritual Year]
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy”
The coat of arms of the village of Zakrzewo
At the exhibition by Janina Kłopocka
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy” [The Polish Ritual Year]
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy”
The coat of arms of the village of Zakrzewo
A Jubilee medal based on a design by Janina Kłopocka
A postcard based on a design by Janina Kłopocka
Janina Kłopocka's coffin, covered with the Polish flag and bearing the "Rodło" sign
Funeral service on 5 March
A Jubilee medal based on a design by Janina Kłopocka
A postcard based on a design by Janina Kłopocka
Janina Kłopocka's coffin, covered with the Polish flag and bearing the "Rodło" sign
Funeral service on 5 March
Edmund Osmańczyk holds the eulogy.
Envelope with two special cancellations on the occasion of a conference in Olesno
Gedenktafel in Warschau
Gedenktafel in Warschau
Edmund Osmańczyk holds the eulogy.
Envelope with two special cancellations on the occasion of a conference in Olesno
Gedenktafel in Warschau
Gedenktafel in Warschau
Gedenktafel in Warschau
Janina Kłopocka - Hörspiel von "COSMO Radio po polsku" auf Deutsch
Gedenktafel in Warschau
Janina Kłopocka - Hörspiel von "COSMO Radio po polsku" auf Deutsch
Janina Kłopocka. The creator of the “Rodło” emblem
Archiwum Stowarzyszenia Rodu Kłopockich im. Janiny Kłopockiej Twórczyni Znaku Rodła
In 1975 Janina Kłopocka recalled the events surrounding her creation of the famous emblem in the following words:
“I remember the first meeting in the boardroom of the Berlin headquarters of the Union of Poles in Germany in Potsdamer Straße. Dr Jan Kaczmarek was very concerned about the completely new situation facing the Poles in Germany following Hitler’s seizure of power. The general anxiety demanded decisive measures. (…) Dr Kaczmarek decided that we must have our own national emblem. (…) When I asked him what this emblem should look like I received no answer. (…) But Dr Kaczmarek remarked that it had to be a typically Polish sign, familiar to Poles and their country. After a short period of consideration he added that it had to be so simple and so direct that any child could recognise it easily and draw it on a wall or in sand.”
There followed many days of hard work and after completing several versions Kłopocka decided to use the River Vistula as her motif.
She later recalled the Vistula as – yes, a line, a little bit bent. I drew it in several versions and somehow succeeded but that was just the beginning. I had to extend it in some way and add something else to the Vistula, something that would confirm that we were Poles. Maybe a part of Warsaw? (…) Dr Kaczmarek took a long look at my design before smiling and saying, no, no that would just be the icing on the cake. Warsaw is the capital, the political centre of Poland. The Germans would quickly recognise it and forbid us to use such an emblem (…) I recalled the beginnings. The Vistula, that’s also Kraków and Kraków is in turn the Wawel Castle, the cloth halls, the Mariacki Church, i.e. the cradle of the state and Polish culture. Agreed, but how should that be presented? Nobody, neither an adult nor a child would be able to copy such well-known sites”.
Several days later:
Just as previously with Warsaw, I now wanted to mark in Kraków with a small diagonal line but learnt that it would be too rash to use such a emblem because it would remind people of the sword of Bolesław Krzywousty (Bolesław III, Wrymouth) and thus of the war with Germany. So that idea came to nothing and I decided to do without the half line and make another design. The final one (…). It’s a unique emblem. An emblem that has played an extraordinary role in the life of 1,500,000 Poles in Germany, Poles who remained true to the land of their fathers and were ready to place themselves at its service. – At the start the Germans did not understand what the emblem represented. Some of them even thought that it was half a swastika. Others who realise that it referred to the Vistula spoke of us as the Vistula brothers.
Janina Kłopocka on the balcony of her Warsaw apartment at 12 Chmielna street.
From 1930–1939, “Młody Polak w Niemczech” (“The Young Pole in Germany”) was published as a supplement to the official press organ of the Union of Poles in Germany.