Archiwum Stowarzyszenia Rodu Kłopockich im. Janiny Kłopockiej Twórczyni Znaku Rodła
The life of the outstanding artist, Janina Kłopocka, the creator of the graphic emblem of the Union of Poles in Germany, the so-called “Rodło“ sign, is a typical example of the knotty fate of Poles in the 20th century. Her life was an extremely strenuous and ambitious struggle to take up a profession offering her opportunities for creative design. On the one hand she struggled to overcome cultural boundaries, was strongly committed to her fatherland and her people in which she suffered many painful experiences and periods of extreme peril. But Kłopocka’s life also contained moments of disappointment with the political situation in Poland and the restrictions to Polish sovereignty after 1945. Despite serving time in a Stalinist prison she never forsook her country, but was determined to find a way back into her artistic work. Her legacy has somewhat fallen into oblivion but it deserves to be recalled and publicised.
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Janina Kłopocka on a school trip in Berlin
Pupils of the Scherings' Lyceum
Recording in the classroom
"Living pictures" from Polish history
Janina Kłopocka on a school trip in Berlin
Pupils of the Scherings' Lyceum
Recording in the classroom
"Living pictures" from Polish history
As a teenager
As A-level student
As a student
Excursion of the Polish Singing Association "Harmonia" in Berlin
As a teenager
As A-level student
As a student
Excursion of the Polish Singing Association "Harmonia" in Berlin
As a young woman
The Rodło sign, designed by Janina Kłopocka
The Rodło sign stylises the course of the Vistula, the city of Kraków and the "Truths of the Poles"
The Rodło sign on the magazine "Young Pole in Germany"
As a young woman
The Rodło sign, designed by Janina Kłopocka
The Rodło sign stylises the course of the Vistula, the city of Kraków and the "Truths of the Poles"
The Rodło sign on the magazine "Young Pole in Germany"
Work as a graphic designer for "Młody Polak w Niemczech"
Cover of the "Młody Polak w Niemczech" 1936, No. 5
The Cover of "Młody Polak w Niemczech" 1937, 1.
Cover of the "Młody Polak w Niemczech" 1937, no. 3
Work as a graphic designer for "Młody Polak w Niemczech"
Cover of the "Młody Polak w Niemczech" 1936, No. 5
The Cover of "Młody Polak w Niemczech" 1937, 1.
Cover of the "Młody Polak w Niemczech" 1937, no. 3
Cover of the "Młody Polak w Niemczech" 1937, no. 10.
‘Mother with child’ ["Matka z dzieckiem"]
Congress of Poles in Germany in Berlin on 6 March
Cover of the "Młody Polak w Niemczech" 1939, No. 4
Cover of the "Młody Polak w Niemczech" 1937, no. 10.
‘Mother with child’ ["Matka z dzieckiem"]
Congress of Poles in Germany in Berlin on 6 March
Cover of the "Młody Polak w Niemczech" 1939, No. 4
After she was released from prison.
Janina Kłopocka on the balcony of her Warsaw apartment
With her friend Felicja Wacyk
Janina Kłopocka with her niece Maria Kłopocka
After she was released from prison.
Janina Kłopocka on the balcony of her Warsaw apartment
With her friend Felicja Wacyk
Janina Kłopocka with her niece Maria Kłopocka
At the exhibition by Janina Kłopocka
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy” [The Polish Ritual Year]
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy”
The coat of arms of the village of Zakrzewo
At the exhibition by Janina Kłopocka
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy” [The Polish Ritual Year]
The official unveiling of the restored cycle of frescoes “Polski Rok Obrzędowy”
The coat of arms of the village of Zakrzewo
A Jubilee medal based on a design by Janina Kłopocka
A postcard based on a design by Janina Kłopocka
Janina Kłopocka's coffin, covered with the Polish flag and bearing the "Rodło" sign
Funeral service on 5 March
A Jubilee medal based on a design by Janina Kłopocka
A postcard based on a design by Janina Kłopocka
Janina Kłopocka's coffin, covered with the Polish flag and bearing the "Rodło" sign
Funeral service on 5 March
Edmund Osmańczyk holds the eulogy.
Envelope with two special cancellations on the occasion of a conference in Olesno
Gedenktafel in Warschau
Gedenktafel in Warschau
Edmund Osmańczyk holds the eulogy.
Envelope with two special cancellations on the occasion of a conference in Olesno
Gedenktafel in Warschau
Gedenktafel in Warschau
Gedenktafel in Warschau
Janina Kłopocka - Hörspiel von "COSMO Radio po polsku" auf Deutsch
Gedenktafel in Warschau
Janina Kłopocka - Hörspiel von "COSMO Radio po polsku" auf Deutsch
Janina Kłopocka. The creator of the “Rodło” emblem
Archiwum Stowarzyszenia Rodu Kłopockich im. Janiny Kłopockiej Twórczyni Znaku Rodła
After finishing her time at the grammar school she had to find a steady job as soon as possible in order to help her mother support the family. In Berlin she signed up for a one-year banking course arranged by the local chamber of trade. But a job in a bank was not to be her future career. Instead she received a grant from the government to take up a course in art. In 1923/1924 she studied painting under Professor Ludwig Bartning at the United State Schools for Free and Applied Art in Berlin. During this time she began to specialise in drawing and her first graphic works were published in German and Austrian periodicals. She continually sought to perfect her craft and technical skills.
In 1929 she received a grant from the Federation for the Protection of the Western Areas (Związek Obrony Kresów Zachodnich) to study at the School of Fine Arts (Szkoła Sztuk Pięknych), in Warsaw (it was later renamed the Academy of Pictorial Arts (Akademia Sztuk Pięknych). Her teachers at the school were well known and highly regarded. She studied graphics under Professor Władysław Skoczylas, and drawing under Professor Mieczysław Kotarbiński. In the mid 1930s she began to take an interest in murals, ceramics and mosaics. She was also actively involved in student and artistic life in Warsaw.
Her cooperation with the Union of Poles in Germany began in 1930 with designs for the title pages of periodicals, as well as for posters and events. She then accepted the offer of a regular job with the periodicals “Polak w Niemczech” (The Pole in Germany) and “Młody Polak w Niemczech” (The Young Pole in Germany). During this time she gave up drawing to concentrate on other graphic skills, especially woodcuts. Her favourite motifs were nature, folklore and the world of fairy tales.
In 1932 the head of the Union of Poles in Germany commissioned her to produce the emblem for the Union, the so-called “Rodło” sign. The result revealed her utter professionalism that was to mark her work in the coming years. Kłopocka conducted a huge number of discussions with officials from the Union and consulted countless publications before presenting a large number of designs. The “Rodło” sign is based on the course of the River Vistula, the Queen of Polish rivers. On account of its direct simplicity, its clear statement and its modern form it soon became the distinctive symbol of Poles in Germany. Today it is still used by the Union of Poles in Germany and by the so-called “Rodło” family.
Janina Kłopocka on the balcony of her Warsaw apartment at 12 Chmielna street.
From 1930–1939, “Młody Polak w Niemczech” (“The Young Pole in Germany”) was published as a supplement to the official press organ of the Union of Poles in Germany.