Karol Broniatowski. Presence and Absence in Sculpture
Mediathek Sorted
Karol Broniatowski's memorial to the deported Jews of Berlin
If we survey his closely intertwined themes, Broniatowski’s work is remarkable, not only in the context of Polish and German sculpture but also in an international context. It reflects and interprets not only neighbouring artistic genres like Performance art, Concept art, Arte Povera, Minimal Art, photography, drawing, urban design, art in public spaces, and fundamental problems related to memorials and memory culture. But it also offers answers to basic problems of sculpture: how to design masses of people in a sculptural form; how to reproduce them in positive as well as negative forms, all the way to a complete lack of form; how to project them on surfaces; how to show the influence of antique art on the Modern; and how to make a work of art interact with the person observing it.
Axel Feuß, June 2016
Further reading:
Karol Broniatowski. Big Man, Exhibition catalogue published by the Neuer Berliner Kunstverein, Berlin 1976
Andrzej Osęka / Wojciech Skrodzki: Polnische Bildhauerkunst der Gegenwart. German edition, Warsaw 1977
Karol Broniatowski, Exhibition catalogue published by the Deplana-Kunsthalle, Berlin 1984
Karol Broniatowski. Prace z lat 1969-1999, Exhibition catalogue published by the Galeria Sztuki Współczesnej Zachęta, Warsaw 1999 (Polish/German)
Tür an Tür. Polen - Deutschland. 1000 Jahre Kunst und Geschichte, edited by Małgorzata Omilanowska, Exhibition catalogue published by the Berliner Festspiele, Berlin, Cologne 2011, pp. 612, 663
Karol Broniatowski. Gouachen, Exhibition catalogue published by the Polish Institute, Berlin 2012