Setting up a German-Polish theatre in Berlin seemed a crazy, unrealistic idea, particularly as a number of similar attempts had already failed, especially in the 1980s when artists from Communist Poland were emigrating to Berlin. All of these initiatives were soon abandoned. But in 2004, a professional theatre was actually established in the German capital, a theatre which to date has celebrated over 40 premières. The Teatr Studio, the only German-Polish theatre in Germany, and the TRANSform drama school associated with it, are the best testimony to the enormous commitment and resolve of their founder Janina Szarek, a director, scriptwriter, drama teacher and, above all, actress, who has performed for the greatest Polish directors, such as Krystian Lupa and Henryk Tomaszewski.
Mediathek Sorted
Film "The Madman and the Nun" - St. Ignacy Witkiewicz, Filmstudio Transform, Director: Janina Szarek
Film "The Madman and the Nun" - St. Ignacy Witkiewicz, Filmstudio Transform, Director: Janina Szarek
Jubileusz 16-lecia Szkoły Aktorskiej TRANSform oraz 14-lecia Teatru Studio
Jubileusz 16-lecia Szkoły Aktorskiej TRANSform oraz 14-lecia Teatru Studio
Janina Szarek (left) in the role of Izabela Łęcka in the stage play “Pan Wokulski”
Janina Szarek in the role of Lidia
Janina Szarek in the role of Lidia in "Małżeństwo Kreczyńskiego"
Janina Szarek in the role of Lavinia in "Androcles and the Lion"
Janina Szarek (left) in the role of Izabela Łęcka in the stage play “Pan Wokulski”
Janina Szarek in the role of Lidia
Janina Szarek in the role of Lidia in "Małżeństwo Kreczyńskiego"
Janina Szarek in the role of Lavinia in "Androcles and the Lion"
Janina Szarek, 1973
Janina Szarek, 1970s
Janina Szarek in Wrocław, 1970s
Janina Szarek in the stage play " Androcles and the Lion"
Janina Szarek, 1973
Janina Szarek, 1970s
Janina Szarek in Wrocław, 1970s
Janina Szarek in the stage play " Androcles and the Lion"
Janina Szarek in Greece, 1978
Janina Szarek in the stage play "Wariat i zakonnica", 1978
Janina Szarek in the early 1980s
Janina Szarek, 1983
Janina Szarek in Greece, 1978
Janina Szarek in the stage play "Wariat i zakonnica", 1978
Janina Szarek in the early 1980s
Janina Szarek, 1983
Janina Szarek, 1980s
Janina Szarek, 1990s
Janina Szarek, 1990s
Janina Szarek during the period at the Werkstatttheater
Janina Szarek, 1980s
Janina Szarek, 1990s
Janina Szarek, 1990s
Janina Szarek during the period at the Werkstatttheater
Janina Szarek and Tadeusz Różewicz
Janina Szarek at the Academy PWST in Kraków
Janina Szarek in Berlin, 1982
Janina Szarek in her apartment in Berlin-Neukölln
Janina Szarek and Tadeusz Różewicz
Janina Szarek at the Academy PWST in Kraków
Janina Szarek in Berlin, 1982
Janina Szarek in her apartment in Berlin-Neukölln
Janina Szarek during her involvement with "Studio – Gruppe 44"
Janina Szarek during her involvement with "Studio – Gruppe 44
Janina Szarek with the poet Bolesław Taborski
Janina Szarek and Olav Münzberg
Janina Szarek during her involvement with "Studio – Gruppe 44"
Janina Szarek during her involvement with "Studio – Gruppe 44
Janina Szarek with the poet Bolesław Taborski
Janina Szarek and Olav Münzberg
Janina Szarek and Olav Münzberg
Janina Szarek
Janina Szarek working with drama students
Janina Szarek in the role of the old woman in the stage play "The Old Woman Broods”
Janina Szarek and Olav Münzberg
Janina Szarek
Janina Szarek working with drama students
Janina Szarek in the role of the old woman in the stage play "The Old Woman Broods”
Janina Szarek, winter portrait
Film "The Madman and the Nun" - St. Ignacy Witkiewicz, Filmstudio Transform, Director: Janina Szarek
Jubileusz 16-lecia Szkoły Aktorskiej TRANSform oraz 14-lecia Teatru Studio
Janina Szarek, winter portrait
Film "The Madman and the Nun" - St. Ignacy Witkiewicz, Filmstudio Transform, Director: Janina Szarek
Jubileusz 16-lecia Szkoły Aktorskiej TRANSform oraz 14-lecia Teatru Studio
Janina Szarek and the Teatr Studio am Salzufer – Tadeusz Różewicz Bühne Berlin
In 1990, Szarek was given the role of the Pole Wanda Winnicka in “Lindenstraße”, the popular series from Westdeutsche Rundfunk. In the same year, she went to London to work as a teacher at the Science School of Acting, a private drama school. She was also performing and she directed plays in the Polish Social and Cultural Centre (Polski Ośrodek Społeczno-Kulturalny). She always kept up her professional contacts in Berlin and returned to the city for good in 1994. Things were better for her here than in the English metropolis. She organised a German-Polish theatre festival for the State Uckermark Theatre in Schwedt an der Oder, acted in a production by Kain Karawahn at the renowned “People’s Theatre” in Rosa-Luxemburg-Platz and was once again a guest lecturer on the drama course at the Konrad Wolf Film University in Babelsberg and at the Ernst Busch School of Dramatic Arts in Berlin. As well as working in the theatre, she also worked as a teacher and director at the Musical – Neukölln state school. From 1995 to 2002, Szarek directed five musicals, which were performed at the Ballhaus Neukölln.
In 1999, Janina Szarek and the essayist, art critic and poet Prof. Olav Münzberg, who would also become her new life partner, founded the Internationale Theater Werkstatt e.V. (ITW) together. At the time, Münzberg was a very well known figure in the cultural world of Berlin as Chair of the Association of German Writers in Berlin and the New Society for Literature. International artists, writers and intellectuals were all involved with the ITW. The main role of the association was to create the conditions for a German-Polish theatre in Berlin. But, at the same time, its role was also to create a place for dialogue, for thought exchange and for cultural mediation from a human perspective and from an artistic perspective. At the end of 1999, the Internationale Theater Werkstatt staged its first premiere in the Polish Cultural Institute in Berlin with the play “Country House” (W małym dworku) by Stanisław Ignacy Witkiewicz and directed by Janina Szarek. The performance was greeted with enthusiastic acclaim by the audience and the media published very positive reviews. Nevertheless, despite their best efforts, they were unable to find sponsors for the German-Polish theatre.