Anna Tatarczyk’s works transport the observer into a world of colour, light, and form that at first sight look like a clear geometric structure. However, a closer look reveals the multi-layered dimensions of her art: she cleverly plays with light and shadow and navigates between two- and three-dimensional space.
Mediathek Sorted
Jurte
Blaues Haus
Neulich bei Ikea
D-XR 6841
Jurte
Blaues Haus
Neulich bei Ikea
D-XR 6841
O.T.
Solar Wind II
Solar Wind III
Carbon blau-grün
O.T.
Solar Wind II
Solar Wind III
Carbon blau-grün
Carbon grün-blau
Schachmatt orange-lila
Schachmatt rosa-blau
Rubikon rosa-blaugrau
Carbon grün-blau
Schachmatt orange-lila
Schachmatt rosa-blau
Rubikon rosa-blaugrau
Rubikon pfirsich-lila
Rubikon rosa-blau
Rubikon grün-blau
Rubikon weiß-grün
Rubikon pfirsich-lila
Rubikon rosa-blau
Rubikon grün-blau
Rubikon weiß-grün
Rubikon – Aqua
Mamma Mia!
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Rubikon – Aqua
Mamma Mia!
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk, Form – Farbe – Licht (Ausstellungsansicht)
Anna Tatarczyk. Playing with light, form, and colour
Although Tatarczyk concentrates on geometric abstractions, her work remains infused with a sense of movement and lightness that is reminiscent of dance. Movement in space – the conscious play with body and space – also dominates her painting. The rhombus, which is shown standing on its tip, appears to rotate, tip and sway rhythmically. Tatarczyk describes her painting as a “planned dance choreography”. She recognises parallels between the regularity of her paintings and the structured sequences of dance. The rhombus moves on the canvas much in the same way a dancer moves through space.
Art as personal development
Tatarczyk’s route to becoming an artist was by no means a direct one. In the country where she was born, Poland, she grew up during a period when artistic freedom was limited. She came to Germany in 1994 to create a new life for herself. There, she discovered her passion for art. After graduating in German studies and philosophy, she decided to enrol at the Academy of Fine Arts (Kunstakademie) in Düsseldorf, where she studied under A.R. Penck and Siegfried Anzinger and found her true calling as an artist. Today, she lives and works in Düsseldorf and Wuppertal.
An individual contribution to concrete art
Tatarczyk’s work cannot easily be assigned to traditional artistic categories. While her art could be described as a mixture between concrete art, op-art and minimalist design, it is more than just a mixture of these currents. “My aim is to paint good pictures”, she says. She doesn’t feel bound to classic labels, but rather strives to create art that is both aesthetically pleasing and intellectually challenging. Her art is a constant investigation of form, colour and light, which leads to a very individual pictorial language.
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