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Maria Końska-Chmielecki. Puppets, passion and Polish traditions

Portrait of Maria Końska-Chmielecki with puppets, 2018

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Portrait of Maria Końska-Chmielecki - 2018
Portrait of Maria Końska-Chmielecki
Portrait of Maria Końska-Chmielecki - 2018 © Marta Rożej
Maria Końska as the Mother of God in a nativity play in Kraków - 1961
Maria Końska as the Mother of God in a nativity play in Kraków
Maria Końska as the Mother of God in a nativity play in Kraków - 1961 © Family archive
Group photo of all the children involved in the nativity play in Kraków - 1961
Group photo of all the children involved in the nativity play in Kraków
Group photo of all the children involved in the nativity play in Kraków - 1961 © Family archive
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973 © Family archive
Portrait of Maria Końska-Chmielecki
2018
Maria Końska as the Mother of God in a nativity play in Kraków
1961
Group photo of all the children involved in the nativity play in Kraków
1961
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
1973
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991 © Family archive
Maria Końska-Chmielecki working on the first script for the nativity play - 1992
Maria Końska-Chmielecki working on the first script for the nativity play
Maria Końska-Chmielecki working on the first script for the nativity play - 1992 © Family archive
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families  - 1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families - 1992 © Family archive
The stage for the first performance of the nativity play at home in Bielefeld - 1992
The stage for the first performance of the nativity play at home in Bielefeld
The stage for the first performance of the nativity play at home in Bielefeld - 1992 © Family archive
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Maria Końska-Chmielecki working on the first script for the nativity play
1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
1992
The stage for the first performance of the nativity play at home in Bielefeld
1992
The first performance of the nativity play in Polish - 1992
The first performance of the nativity play in Polish
The first performance of the nativity play in Polish - 1992 © Family archive
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992 © Family archive
Joanna and Dominik recite Christmas poems in German and Polish - 1992
Joanna and Dominik recite Christmas poems in German and Polish
Joanna and Dominik recite Christmas poems in German and Polish - 1992 © Family archive
The official logo of the “Offene Augen” puppet theatre - 1993
The official logo of the “Offene Augen” puppet theatre
The official logo of the “Offene Augen” puppet theatre - 1993 © Design: Maria Końska-Chmielecki
The first performance of the nativity play in Polish
1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
1992
Joanna and Dominik recite Christmas poems in German and Polish
1992
The official logo of the “Offene Augen” puppet theatre
1993
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
Figures for “The Little Prince” by Antoine de Saint-Exupéry
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994 © Family archive
A glimpse behind the scenes - 2002
A glimpse behind the scenes
A glimpse behind the scenes - 2002 © Family archive
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996 © Family archive
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013
The performances and puppet exhibitions attracted large audiences
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013 © Family archive
Figures for “The Little Prince” by Antoine de Saint-Exupéry
One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
A glimpse behind the scenes
2002
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
1996
The performances and puppet exhibitions attracted large audiences
Here to mark the 20th anniversary of the puppet theatre, 2013
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999 © Family archive
The stage for “Baker Sarzyński and his Cockerel” - 2000
The stage for “Baker Sarzyński and his Cockerel”
The stage for “Baker Sarzyński and his Cockerel” - 2000 © Family archive
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000 © Family archive
Baker Sarzyński often appeared in person at theatre performances - 2001
Baker Sarzyński often appeared in person at theatre performances
Baker Sarzyński often appeared in person at theatre performances - 2001 © Family archive
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
The stage for “Baker Sarzyński and his Cockerel”
2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Joanna, Maria and Dominik, 2000
Baker Sarzyński often appeared in person at theatre performances
2001
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience © Family archive
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish © Familienarchiv
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
“The Little Prince” was performed outside in both German and Polish
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005 © Family archive
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006 © Family archive
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
A treasure trove of over 100 handmade puppets
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
Imaginatively designed vegetables, 2006
A treasure trove of over 100 handmade puppets
Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008
Death, the devil and an angel (from the left)
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008 © Family archive
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010 © Family archive
Handmade puppets - The pupils were allowed to keep them after the performance, 2015
Handmade puppets
Handmade puppets - The pupils were allowed to keep them after the performance, 2015 © Family archive
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005 © Frank Bauermann
Death, the devil and an angel (from the left)
These puppets were used in several different plays, 2008
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The play was very popular among pupils in the all-day schools, 2010
Handmade puppets
The pupils were allowed to keep them after the performance, 2015
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
She helped create the supporting programme for one of his performances, 2005
Third international meeting of Polish theatres from abroad - Rzeszów, 1999
Third international meeting of Polish theatres from abroad
Third international meeting of Polish theatres from abroad - Rzeszów, 1999 © Family archive
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003
International meeting of Polish theatres in the Carpathian foothills
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003 © Family archive
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006
Sixth international meeting of Polish theatres from abroad
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006 © Family archive
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015 © Family archive
Third international meeting of Polish theatres from abroad
Rzeszów, 1999
International meeting of Polish theatres in the Carpathian foothills
Rzeszów, 2003
Sixth international meeting of Polish theatres from abroad
Rzeszów, 2006
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków
Maria Końska-Chmielecki died in 2022
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków © Family archive
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
Maria Końska-Chmielecki died in 2022
She is buried in the family grave in Kraków
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
2018
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Porträt von Maria Końska-Chmielecki mit Puppen, Foto: Marta Rożej
Portrait of Maria Końska-Chmielecki with puppets, 2018

Comments on the 15th anniversary of the “Offene Augen” puppet theatre in 2008

 

Andrzej Kaczorowski 
Consul General of the Republic of Poland in Cologne (2006–2009)

In the name of the consulate general of the Republic of Poland in Cologne, my heartfelt congratulations to the “Offene Augen” puppet theatre on its 15th birthday. In the past few years, what began with an idea on 6 December 1992 has become a fixture. The “Offene Augen” puppet theatre is now an educational and cultural institution in Bielefeld, and one that is likely to be a source of envy among many other German cities. 

In countless projects, “Offene Augen” encourages cultural exchange between Germany and Poland and works constantly to intensify it. In numerous theatre groups for children and young adults, participants not only playfully learn how to treat each other, but also to respect their own culture and the culture of the country next door. For many people, the theatre opens their eyes not only to culture, but also to their fellow human beings. They come into contact with Polish history, Polish traditions and not least with the Polish language. These experiences are the best advertisement for Poland. For me, the work of the theatre is a matter of the heart.

My deepest respect and thanks therefore go to the “Offene Augen” puppet theatre, and to Ms Maria Chmielecki in particular, for broadening the friendship between Germany and Poland – in the past, in the present and no doubt also in the future. I look forward to further projects by the theatre and wish you every success for the future.

 

Eberhard David 
Mayor of the city of Bielefeld (1999–2009)

On behalf of the city of Bielefeld, I extend my heartfelt congratulations to the “Offene Augen” puppet theatre. From the very start, the theatre’s mission has been not only to bring the joy of puppet theatre to the citizens of Bielefeld, and in so doing to contribute to the cultural diversity of our city, but also to promote cultural exchange between two neighbours: Poland and Germany.

The “Offene Augen” puppet theatre has brought German plays to Polish audiences and vice-versa. As “cultural ambassadors”, the members of the theatre have travelled many paths and have become acquainted with people, cities and countries. To this extent, the theatre and its plays have always been an ambassador for Bielefeld. The “Offene Augen” puppet theatre has also been involved in our project linking the twin cities of Bielefeld and Rzeszów, for example by participating in an international theatre festival in our Polish partner city and forging many friendships there.

My heartfelt thanks go to the “Offene Augen” puppet theatre for its 15 years of dedicated cultural work in Bielefeld and far beyond our city’s borders. The theatre has been and still remains not only a precious asset in the cultural life of Bielefeld, but has also helped foster the cultural relations promoted by our city.

I therefore wish the “Offene Augen” puppet theatre and all those who work on, in front of or behind the stage many more successful years and an ever enthusiastic audience.

 

Brigitte Brand 
Head of the Department of Culture in Bielefeld (to date)

I welcome the opportunity to offer my heartfelt congratulations to Maria Końska-Chmielecki and her family, which in her own words also includes her puppet theatre, on the theatre’s birthday. When I first watched a performance by the theatre, Ms Maria Końska-Chmielecki did not play with puppets at all, but with children in a school. 

This flexibility and creativity, and above all the warm-heartedness and palpable enjoyment of her work, are what make the “Offene Augen” puppet theatre special. In a lyrical, comical way, with figures created with loving care, the Teatr Lalki i Aktora “Otwarte Oczy” not only runs projects in many schools in Bielefeld, but also in other parts of the city and even in more than one language in France and Poland. Perhaps it is because of the Końska-Chmielecki family’s own bi-cultural experience that the theatre also strikes a particular chord with children with a migration background.

Experiencing culture, particularly the theatre, really does open children’s eyes, especially when they are actively involved. These experiences equip them with new ways of responding to their everyday experiences and make an important contribution to the development of their social skills. Quite aside from the joy that Ms Końska-Chmielecki’s puppet theatre brings to so many children, it is a valuable asset for the children of our city in this respect, too.

Thank you, “Offene Augen” puppet theatre, for all your good work, and I wish you many successful years ahead!

 

Angelika Dopheide 
Honorary member of the presidium of the Arbeiterwohlfahrt Kreisverband Bielefeld e.V. / Mayor of Bielefeld (1994–1999)

Congratulations! The Arbeiterwohlfahrt Kreisverband Bielefeld e.V. offers its heartfelt congratulations to the “Offene Augen” theatre on its 15th birthday. It is thanks to Ms Chmielecki’s dedicated hard work that it has been possible to realise theatre projects in various all-day schools in Bielefeld. The world of theatre was introduced into the schools and the children had the opportunity to experience being on stage for the first time. 

The carefully selected plays offered the young actors new perspectives. The Little Prince carried them off to far away planets and introduced them to different characters. At the vegetable stall, the children turned into onions, leeks and peppers. In “Der kleine König Macius” (“The Little King Macius”), the children learned that ruling a country isn’t an easy task, and that the person on the throne has to deal with many different demands which cannot all be met at the same time. The locomotive took the children on a journey to different regions. The plays were performed in the schools for the other pupils and the parents. 

Ms Chmielecki also organised performances for larger audiences. For example, the children at the public full-time primary school in Stieghorst performed the Little Prince on stage at the Wackelpeter children’s culture festival. This enabled many citizens of Bielefeld to share the joy of working in the theatre. Our heartfelt thanks go to Ms Chmielecki for her outstanding collaborative work. We already look forward to many more exciting projects with the children.

 

 

Further reading:

Kaluza, Andrzej: Offene Augen. Polnisches Puppentheater made in Bielefeld, in: Polnische Spuren in Deutschland. Ein Lesebuchlexikon, ed. by: Dieter Bingen, Andrzej Kaluza, Basil Kerski, Peter Oliver Loew, Bonn 2018, p. 273 (Polish edition: Otwarte Oczy. Polski teatr lalek “made in Bielefeld”, in: Polskie ślady w Niemczech. Kalejdoskop, Bonn 2022, p. 259).

 

Instagram: 

Maria Końska-Chmielecki – https://www.instagram.com/ptoffeneaugen/