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Maria Końska-Chmielecki. Puppets, passion and Polish traditions

Portrait of Maria Końska-Chmielecki with puppets, 2018

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Portrait of Maria Końska-Chmielecki - 2018
Portrait of Maria Końska-Chmielecki
Portrait of Maria Końska-Chmielecki - 2018 © Marta Rożej
Maria Końska as the Mother of God in a nativity play in Kraków - 1961
Maria Końska as the Mother of God in a nativity play in Kraków
Maria Końska as the Mother of God in a nativity play in Kraków - 1961 © Family archive
Group photo of all the children involved in the nativity play in Kraków - 1961
Group photo of all the children involved in the nativity play in Kraków
Group photo of all the children involved in the nativity play in Kraków - 1961 © Family archive
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973 © Family archive
Portrait of Maria Końska-Chmielecki
2018
Maria Końska as the Mother of God in a nativity play in Kraków
1961
Group photo of all the children involved in the nativity play in Kraków
1961
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
1973
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991 © Family archive
Maria Końska-Chmielecki working on the first script for the nativity play - 1992
Maria Końska-Chmielecki working on the first script for the nativity play
Maria Końska-Chmielecki working on the first script for the nativity play - 1992 © Family archive
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families  - 1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families - 1992 © Family archive
The stage for the first performance of the nativity play at home in Bielefeld - 1992
The stage for the first performance of the nativity play at home in Bielefeld
The stage for the first performance of the nativity play at home in Bielefeld - 1992 © Family archive
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Maria Końska-Chmielecki working on the first script for the nativity play
1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
1992
The stage for the first performance of the nativity play at home in Bielefeld
1992
The first performance of the nativity play in Polish - 1992
The first performance of the nativity play in Polish
The first performance of the nativity play in Polish - 1992 © Family archive
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992 © Family archive
Joanna and Dominik recite Christmas poems in German and Polish - 1992
Joanna and Dominik recite Christmas poems in German and Polish
Joanna and Dominik recite Christmas poems in German and Polish - 1992 © Family archive
The official logo of the “Offene Augen” puppet theatre - 1993
The official logo of the “Offene Augen” puppet theatre
The official logo of the “Offene Augen” puppet theatre - 1993 © Design: Maria Końska-Chmielecki
The first performance of the nativity play in Polish
1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
1992
Joanna and Dominik recite Christmas poems in German and Polish
1992
The official logo of the “Offene Augen” puppet theatre
1993
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
Figures for “The Little Prince” by Antoine de Saint-Exupéry
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994 © Family archive
A glimpse behind the scenes - 2002
A glimpse behind the scenes
A glimpse behind the scenes - 2002 © Family archive
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996 © Family archive
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013
The performances and puppet exhibitions attracted large audiences
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013 © Family archive
Figures for “The Little Prince” by Antoine de Saint-Exupéry
One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
A glimpse behind the scenes
2002
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
1996
The performances and puppet exhibitions attracted large audiences
Here to mark the 20th anniversary of the puppet theatre, 2013
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999 © Family archive
The stage for “Baker Sarzyński and his Cockerel” - 2000
The stage for “Baker Sarzyński and his Cockerel”
The stage for “Baker Sarzyński and his Cockerel” - 2000 © Family archive
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000 © Family archive
Baker Sarzyński often appeared in person at theatre performances - 2001
Baker Sarzyński often appeared in person at theatre performances
Baker Sarzyński often appeared in person at theatre performances - 2001 © Family archive
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
The stage for “Baker Sarzyński and his Cockerel”
2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Joanna, Maria and Dominik, 2000
Baker Sarzyński often appeared in person at theatre performances
2001
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience © Family archive
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish © Familienarchiv
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
“The Little Prince” was performed outside in both German and Polish
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005 © Family archive
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006 © Family archive
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
A treasure trove of over 100 handmade puppets
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
Imaginatively designed vegetables, 2006
A treasure trove of over 100 handmade puppets
Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008
Death, the devil and an angel (from the left)
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008 © Family archive
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010 © Family archive
Handmade puppets - The pupils were allowed to keep them after the performance, 2015
Handmade puppets
Handmade puppets - The pupils were allowed to keep them after the performance, 2015 © Family archive
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005 © Frank Bauermann
Death, the devil and an angel (from the left)
These puppets were used in several different plays, 2008
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The play was very popular among pupils in the all-day schools, 2010
Handmade puppets
The pupils were allowed to keep them after the performance, 2015
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
She helped create the supporting programme for one of his performances, 2005
Third international meeting of Polish theatres from abroad - Rzeszów, 1999
Third international meeting of Polish theatres from abroad
Third international meeting of Polish theatres from abroad - Rzeszów, 1999 © Family archive
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003
International meeting of Polish theatres in the Carpathian foothills
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003 © Family archive
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006
Sixth international meeting of Polish theatres from abroad
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006 © Family archive
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015 © Family archive
Third international meeting of Polish theatres from abroad
Rzeszów, 1999
International meeting of Polish theatres in the Carpathian foothills
Rzeszów, 2003
Sixth international meeting of Polish theatres from abroad
Rzeszów, 2006
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków
Maria Końska-Chmielecki died in 2022
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków © Family archive
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
Maria Końska-Chmielecki died in 2022
She is buried in the family grave in Kraków
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
2018
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Porträt von Maria Końska-Chmielecki mit Puppen, Foto: Marta Rożej
Portrait of Maria Końska-Chmielecki with puppets, 2018

Sweet legends. 
The origins of “Baker Sarzyński and his Cockerel”
 

In 2000, a unique creative joint project was born when our mother was asked by one of the most famous bakers in Poland to create a play based on the legend of his home town, Kazimierz Dolny. The result was “Bäcker Sarzyński und sein Hahn” (Baker Sarzyński and his Cockerel), which was written and directed by Maria Końska-Chmielecki. 

The story takes us to the picturesque town of Kazimierz Dolny on the Vistula river, not far from the city of Lublin in eastern Poland. There is a legend here concerning a black cockerel, which used to be the symbol of the town. One day, however, the black cockerel tragically fell victim to the crafty devil. According to the legend, the brave citizens of Kazimierz Dolny then drove the devil away. To make sure that such dark events would never occur again, they adorned the next cockerel with coloured feathers. The impressive, colourfully decorated cockerel so inspired the inhabitants of the town that they decided to create a replica of it in sweet pastry. A competition was set up between the bakers to find out who could create the most attractive replica of the colourful cockerel. The winner was Cezary Sarzyński with his beautiful sweet pastry bird.

Anyone who has ever been to Kazimierz Dolny knows that no visit is complete without trying the famous cockerels made of sweet yeast dough at the Sarzyński bakery. With this play, we and Baker Sarzyński travelled far and wide, with performances in places such as Barbizon and Paris in France, in numerous Polish towns and cities, and in Germany at the Expo 2000 in Hanover. In the Polish pavilion, cockerels made of bread dough were distributed among the audience after performances of “Baker Sarzyński and his Cockerel”. The “Offene Augen” puppet theatre had already long ago made a name for itself beyond Bielefeld, and with this play, it won over the hearts of audiences in other countries, too.

 

Cultural integration through creative ideas. 
The legacy of the puppet theatre
 

The “Offene Augen” puppet theatre was a travelling stage. Over the years, the theatre had participated in numerous events and festivals in Europe, including in Vilnius (Lithuania) and in Bielefeld’s partner city of Rzeszów (Poland), as well as in Mainz at the festivities to celebrate the constitution of the federal state parliament in Rhineland Palatinate. Our mother showed the same degree of enthusiasm and commitment when it came to organising regular events in Bielefeld, inviting people to come and attend them. As the years went by, the puppet theatre built up an impressive list of collaborations in Bielefeld, including with schools in the city, local communities, clubs and associations, the cultural administration office, and the adult education centre. The theatre offered regular theatre workshops for adults and children and worked with various different cultural institutions, including the Theaterlabor and the Mobiles Theater in Bielefeld. Rehearsals often took place in the Haus der offenen Tür (HOT) in Bielefeld-Schildesche. There were also collaborative projects with the culture office for North Rhine-Westphalia in Wuppertal and the central library in Bielefeld. The theatre received financial support from various sponsors, including the Consulate General of the Republic of Poland in Cologne, the Polish community (Wspólnota Polska) in Warsaw and the cultural administration office in Bielefeld. Thanks to the high level of commitment on both sides, the collaboration between the puppet theatre and the Arbeiterwohlfahrt in Bielefeld that generated inspiring and long-lasting cultural ideas succeeded in continuing for over 13 years.

In 2022, the curtain fell on “Offene Augen” for the final time. Our dear mother, Maria Końska-Chmielecki, the theatre’s founder and director, died after a long illness. She left a legacy of nearly 30 years of dedicated work in the arts, creative projects and international collaborations. This article was written by her two children in memory of this very special woman.

 

Joanna M. Chmielecki and Dominik Chmielecki, August 2024