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Maria Końska-Chmielecki. Puppets, passion and Polish traditions

Portrait of Maria Końska-Chmielecki with puppets, 2018

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Portrait of Maria Końska-Chmielecki - 2018
Portrait of Maria Końska-Chmielecki
Portrait of Maria Końska-Chmielecki - 2018 © Marta Rożej
Maria Końska as the Mother of God in a nativity play in Kraków - 1961
Maria Końska as the Mother of God in a nativity play in Kraków
Maria Końska as the Mother of God in a nativity play in Kraków - 1961 © Family archive
Group photo of all the children involved in the nativity play in Kraków - 1961
Group photo of all the children involved in the nativity play in Kraków
Group photo of all the children involved in the nativity play in Kraków - 1961 © Family archive
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973 © Family archive
Portrait of Maria Końska-Chmielecki
2018
Maria Końska as the Mother of God in a nativity play in Kraków
1961
Group photo of all the children involved in the nativity play in Kraków
1961
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
1973
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991 © Family archive
Maria Końska-Chmielecki working on the first script for the nativity play - 1992
Maria Końska-Chmielecki working on the first script for the nativity play
Maria Końska-Chmielecki working on the first script for the nativity play - 1992 © Family archive
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families  - 1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families - 1992 © Family archive
The stage for the first performance of the nativity play at home in Bielefeld - 1992
The stage for the first performance of the nativity play at home in Bielefeld
The stage for the first performance of the nativity play at home in Bielefeld - 1992 © Family archive
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Maria Końska-Chmielecki working on the first script for the nativity play
1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
1992
The stage for the first performance of the nativity play at home in Bielefeld
1992
The first performance of the nativity play in Polish - 1992
The first performance of the nativity play in Polish
The first performance of the nativity play in Polish - 1992 © Family archive
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992 © Family archive
Joanna and Dominik recite Christmas poems in German and Polish - 1992
Joanna and Dominik recite Christmas poems in German and Polish
Joanna and Dominik recite Christmas poems in German and Polish - 1992 © Family archive
The official logo of the “Offene Augen” puppet theatre - 1993
The official logo of the “Offene Augen” puppet theatre
The official logo of the “Offene Augen” puppet theatre - 1993 © Design: Maria Końska-Chmielecki
The first performance of the nativity play in Polish
1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
1992
Joanna and Dominik recite Christmas poems in German and Polish
1992
The official logo of the “Offene Augen” puppet theatre
1993
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
Figures for “The Little Prince” by Antoine de Saint-Exupéry
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994 © Family archive
A glimpse behind the scenes - 2002
A glimpse behind the scenes
A glimpse behind the scenes - 2002 © Family archive
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996 © Family archive
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013
The performances and puppet exhibitions attracted large audiences
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013 © Family archive
Figures for “The Little Prince” by Antoine de Saint-Exupéry
One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
A glimpse behind the scenes
2002
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
1996
The performances and puppet exhibitions attracted large audiences
Here to mark the 20th anniversary of the puppet theatre, 2013
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999 © Family archive
The stage for “Baker Sarzyński and his Cockerel” - 2000
The stage for “Baker Sarzyński and his Cockerel”
The stage for “Baker Sarzyński and his Cockerel” - 2000 © Family archive
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000 © Family archive
Baker Sarzyński often appeared in person at theatre performances - 2001
Baker Sarzyński often appeared in person at theatre performances
Baker Sarzyński often appeared in person at theatre performances - 2001 © Family archive
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
The stage for “Baker Sarzyński and his Cockerel”
2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Joanna, Maria and Dominik, 2000
Baker Sarzyński often appeared in person at theatre performances
2001
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience © Family archive
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish © Familienarchiv
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
“The Little Prince” was performed outside in both German and Polish
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005 © Family archive
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006 © Family archive
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
A treasure trove of over 100 handmade puppets
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
Imaginatively designed vegetables, 2006
A treasure trove of over 100 handmade puppets
Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008
Death, the devil and an angel (from the left)
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008 © Family archive
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010 © Family archive
Handmade puppets - The pupils were allowed to keep them after the performance, 2015
Handmade puppets
Handmade puppets - The pupils were allowed to keep them after the performance, 2015 © Family archive
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005 © Frank Bauermann
Death, the devil and an angel (from the left)
These puppets were used in several different plays, 2008
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The play was very popular among pupils in the all-day schools, 2010
Handmade puppets
The pupils were allowed to keep them after the performance, 2015
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
She helped create the supporting programme for one of his performances, 2005
Third international meeting of Polish theatres from abroad - Rzeszów, 1999
Third international meeting of Polish theatres from abroad
Third international meeting of Polish theatres from abroad - Rzeszów, 1999 © Family archive
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003
International meeting of Polish theatres in the Carpathian foothills
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003 © Family archive
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006
Sixth international meeting of Polish theatres from abroad
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006 © Family archive
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015 © Family archive
Third international meeting of Polish theatres from abroad
Rzeszów, 1999
International meeting of Polish theatres in the Carpathian foothills
Rzeszów, 2003
Sixth international meeting of Polish theatres from abroad
Rzeszów, 2006
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków
Maria Końska-Chmielecki died in 2022
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków © Family archive
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
Maria Końska-Chmielecki died in 2022
She is buried in the family grave in Kraków
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
2018
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Porträt von Maria Końska-Chmielecki mit Puppen, Foto: Marta Rożej
Portrait of Maria Końska-Chmielecki with puppets, 2018

Cultural exchange and creative expression. 
The puppet theatre’s mission
 

One particularly noticeable feature of the puppet theatre was the fact that some performances were given in both German and Polish. Keeping the Polish traditions alive was always important for our parents, since we were born and grew up in Germany.

Two of our mother’s main goals were to familiarise us children with both cultures and to increase our understanding of German-Polish relations, as well as to foster creative expression in the community. She hoped that the cultural exchange would raise awareness of the differences between the two cultures as well as their shared features. This type of connection not only helps enrich a culture, but also strengthens interpersonal relationships. Promoting creative expression in the community can also help break down barriers and create a space for cultural diversity that benefits society as a whole.

In her speech in 2018 to mark the 25th anniversary of the founding of the theatre, which by chance coincided with the 100th anniversary of Polish independence, Maria Końska-Chmielecki reflected on the importance of theatre:

“When I think of the theatre, I always regard it as being a different way of reading a book. The impressions that are created on stage are precise representations and movements of the actors, which have been carefully worked through in advance by the director or choreographer. However, a book that we hold in our hands invites us to assume the role of director, choreographer and actor ourselves. While we read a book, we create everything ourselves, albeit only in our minds and hearts. The story is created just for us, just for me alone, here and now.

In the theatre, we experience the book and its story together and express our feelings by applauding. The question therefore arises: is the book alone the source of our inspiration? I have worked in the theatre since I was a child. In my view, both forms are interconnected in a particular way; they influence each other and enrich our soul, our senses and our intellect. We humans are very creative beings. We represent the world as we understand it and be it through painting, theatre or music, art is created. As Pablo Picasso once said: ‘Art washes the dust of everyday life from the soul.’ 

This year, the ‘Offene Augen’ puppet theatre celebrates its 25th anniversary. Over the past 25 years, the theatre has participated in various different cultural projects and theatre workshops for children, teenagers and adults. The puppet theatre has given performances in three languages: Polish, German and English. We have taken our plays to Poland, France and Lithuania, as well as to nine German federal states. For me, the most interesting aspect of the puppet theatre’s work has been the theatre workshops with school pupils. Some of them continued to work with the theatre for years afterwards, and you could watch these young people’s personalities evolve as they performed the plays.

I am proud to say that it was a wonderful period, during which we ‘read books together on stage’. 2018 is not just a special year for the puppet theatre, which celebrates its 25th anniversary, but also for Poland, the country where I was born and where I grew up. Poland is celebrating its 100th year of independence. My best wishes, therefore, to Poland and to my puppet theatre!”