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Maria Końska-Chmielecki. Puppets, passion and Polish traditions

Portrait of Maria Końska-Chmielecki with puppets, 2018

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Portrait of Maria Końska-Chmielecki - 2018
Portrait of Maria Końska-Chmielecki
Portrait of Maria Końska-Chmielecki - 2018 © Marta Rożej
Maria Końska as the Mother of God in a nativity play in Kraków - 1961
Maria Końska as the Mother of God in a nativity play in Kraków
Maria Końska as the Mother of God in a nativity play in Kraków - 1961 © Family archive
Group photo of all the children involved in the nativity play in Kraków - 1961
Group photo of all the children involved in the nativity play in Kraków
Group photo of all the children involved in the nativity play in Kraków - 1961 © Family archive
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL) - 1973 © Family archive
Portrait of Maria Końska-Chmielecki
2018
Maria Końska as the Mother of God in a nativity play in Kraków
1961
Group photo of all the children involved in the nativity play in Kraków
1961
Portrait of Maria Końska as a psychology student at the Catholic University of Lublin (KUL)
1973
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791 - In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991 © Family archive
Maria Końska-Chmielecki working on the first script for the nativity play - 1992
Maria Końska-Chmielecki working on the first script for the nativity play
Maria Końska-Chmielecki working on the first script for the nativity play - 1992 © Family archive
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families  - 1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families - 1992 © Family archive
The stage for the first performance of the nativity play at home in Bielefeld - 1992
The stage for the first performance of the nativity play at home in Bielefeld
The stage for the first performance of the nativity play at home in Bielefeld - 1992 © Family archive
Celebrations to mark the Polish national holiday to mark the constitution of 3 May 1791
In the Polish Catholic Mission (Polska Misja Katolicka) Bielefeld-Paderborn, 1991
Maria Końska-Chmielecki working on the first script for the nativity play
1992
St. Nicholas’ Day at home with the Chmielecki family, with other Polish families
1992
The stage for the first performance of the nativity play at home in Bielefeld
1992
The first performance of the nativity play in Polish - 1992
The first performance of the nativity play in Polish
The first performance of the nativity play in Polish - 1992 © Family archive
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas - 1992 © Family archive
Joanna and Dominik recite Christmas poems in German and Polish - 1992
Joanna and Dominik recite Christmas poems in German and Polish
Joanna and Dominik recite Christmas poems in German and Polish - 1992 © Family archive
The official logo of the “Offene Augen” puppet theatre - 1993
The official logo of the “Offene Augen” puppet theatre
The official logo of the “Offene Augen” puppet theatre - 1993 © Design: Maria Końska-Chmielecki
The first performance of the nativity play in Polish
1992
After the nativity play, the Chmielecki family wishes everyone a Happy Christmas
1992
Joanna and Dominik recite Christmas poems in German and Polish
1992
The official logo of the “Offene Augen” puppet theatre
1993
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
Figures for “The Little Prince” by Antoine de Saint-Exupéry
Figures for “The Little Prince” by Antoine de Saint-Exupéry - One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994 © Family archive
A glimpse behind the scenes - 2002
A glimpse behind the scenes
A glimpse behind the scenes - 2002 © Family archive
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak - 1996 © Family archive
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013
The performances and puppet exhibitions attracted large audiences
The performances and puppet exhibitions attracted large audiences - Here to mark the 20th anniversary of the puppet theatre, 2013 © Family archive
Figures for “The Little Prince” by Antoine de Saint-Exupéry
One of the most frequently performed plays by the puppet theatre (in German, Polish and French), 1994
A glimpse behind the scenes
2002
Figures for the Polish fairytale “King Maciuś the First” by Janusz Korczak
1996
The performances and puppet exhibitions attracted large audiences
Here to mark the 20th anniversary of the puppet theatre, 2013
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel - In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999 © Family archive
The stage for “Baker Sarzyński and his Cockerel” - 2000
The stage for “Baker Sarzyński and his Cockerel”
The stage for “Baker Sarzyński and his Cockerel” - 2000 © Family archive
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Rehearsals for “Baker Sarzyński and his Cockerel” - Joanna, Maria and Dominik, 2000 © Family archive
Baker Sarzyński often appeared in person at theatre performances - 2001
Baker Sarzyński often appeared in person at theatre performances
Baker Sarzyński often appeared in person at theatre performances - 2001 © Family archive
Baker Sarzyński (left) presents Maria Końska-Chmielecki with a golden cockerel
In recognition of her play based on the legend from the small town of Kazimierz Dolny, 1999
The stage for “Baker Sarzyński and his Cockerel”
2000
Rehearsals for “Baker Sarzyński and his Cockerel”
Joanna, Maria and Dominik, 2000
Baker Sarzyński often appeared in person at theatre performances
2001
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover - After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience © Family archive
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf - “The Little Prince” was performed outside in both German and Polish © Familienarchiv
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education - Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
The puppet theatre in the Polish pavilion at Expo 2000 in Hanover
After performances of “Baker Sarzyński and his Cockerel” sweet pastry cockerels were distributed among the audience
Celebrations to mark Poland’s entry into the EU on 1 May 2004 in Düsseldorf
“The Little Prince” was performed outside in both German and Polish
Maria Końska-Chmielecki (centre) is presented with the medal from the commission for national education
Consul Elżbieta Sobótka (3rd from left) invited her to the Polish consulate in Cologne, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
The medal from the commission for national education (Medal Komisji Edukacji Narodowej) - Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005 © Family archive
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim - Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005 © Family archive
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
The children’s poem “At the Vegetable Stall” by Jan Brzechwa - Imaginatively designed vegetables, 2006 © Family archive
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
A treasure trove of over 100 handmade puppets
A treasure trove of over 100 handmade puppets - Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008 © Family archive
The medal from the commission for national education (Medal Komisji Edukacji Narodowej)
Presented by the Minister of Education of the Republic of Poland to Maria Końska-Chmielecki, 2005
Puppets and accessories for the Polish classic “The Locomotive” by Julian Tuwim
Poems were also performed on stage in Germany. The stage was redesigned and expanded for the purpose, 2005
The children’s poem “At the Vegetable Stall” by Jan Brzechwa
Imaginatively designed vegetables, 2006
A treasure trove of over 100 handmade puppets
Around 15 years after the founding of the puppet theatre, they filled almost an entire room, 2008
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008
Death, the devil and an angel (from the left)
Death, the devil and an angel (from the left) - These puppets were used in several different plays, 2008 © Family archive
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The fairytale of “Cobbler Pechdraht” by Janina Porazińska - The play was very popular among pupils in the all-day schools, 2010 © Family archive
Handmade puppets - The pupils were allowed to keep them after the performance, 2015
Handmade puppets
Handmade puppets - The pupils were allowed to keep them after the performance, 2015 © Family archive
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki - She helped create the supporting programme for one of his performances, 2005 © Frank Bauermann
Death, the devil and an angel (from the left)
These puppets were used in several different plays, 2008
The fairytale of “Cobbler Pechdraht” by Janina Porazińska
The play was very popular among pupils in the all-day schools, 2010
Handmade puppets
The pupils were allowed to keep them after the performance, 2015
The Polish rock singer and text writer Stan Borys with Maria Końska-Chmielecki
She helped create the supporting programme for one of his performances, 2005
Third international meeting of Polish theatres from abroad - Rzeszów, 1999
Third international meeting of Polish theatres from abroad
Third international meeting of Polish theatres from abroad - Rzeszów, 1999 © Family archive
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003
International meeting of Polish theatres in the Carpathian foothills
International meeting of Polish theatres in the Carpathian foothills - Rzeszów, 2003 © Family archive
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006
Sixth international meeting of Polish theatres from abroad
Sixth international meeting of Polish theatres from abroad - Rzeszów, 2006 © Family archive
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
International Theatre Festival “Seventh Polish theatre meeting in Vilnius” - With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015 © Family archive
Third international meeting of Polish theatres from abroad
Rzeszów, 1999
International meeting of Polish theatres in the Carpathian foothills
Rzeszów, 2003
Sixth international meeting of Polish theatres from abroad
Rzeszów, 2006
International Theatre Festival “Seventh Polish theatre meeting in Vilnius”
With thanks from the Polish ambassador to Lithuania for the participation in and preparation of the theatre workshops, 2015
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków
Maria Końska-Chmielecki died in 2022
Maria Końska-Chmielecki died in 2022 - She is buried in the family grave in Kraków © Family archive
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre - 2018
Maria Końska-Chmielecki died in 2022
She is buried in the family grave in Kraków
The catalogue to mark the 25th anniversary of the “Offene Augen” puppet theatre
2018
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Porträt von Maria Końska-Chmielecki mit Puppen, Foto: Marta Rożej
Portrait of Maria Końska-Chmielecki with puppets, 2018

Life journeys and passions. 
The remarkable story of Maria Końska-Chmielecki
 

In the end, the “Offene Augen” puppet theatre was able to boast of an impressive 30-year history in Bielefeld, becoming a well-known cultural institution in the region. One notable feature of the theatre was that the rod puppets were all made by hand, from the first efforts, which may not have been perfect but which were created with loving care, through to professionally produced figures. After nearly 30 years and more than twelve plays, we had over 110 puppets, which took up more than three wardrobes in our home. The Little Prince lay next to the onion, and the elephant next to an old lady. Even on top of the cupboards, there was storage space for planet B612 or the broom owned by Beppo, Momo’s best friend. The theatre’s repertoire included plays and dramatisations such as:

  • “Nativity Play” by Maria Końska-Chmielecki
  • “The Little Prince” by Antoine de Saint-Exupéry
  • “The Little King Macius” by Janusz Korczak
  • “Momo” by Michael Ende
  • “Baker Sarzyński and his Cockerel” by Maria Końska-Chmielecki
  • “Pantomime in the Book of Genesis“ by Maria Końska-Chmielecki
  • “The Locomotive” by Julian Tuwim
  • “At the Vegetable Stall” by Jan Brzechwa
  • “Cobbler Pechdrath” by Janina Porazińska
  • “Mockingbird” by Julia Duszyńska
  • “The Little Witch Celebrates Christmas” by Lieve Baeten
  • “The Tadpole is not made of Card” by Günter Adrian

Our mother always said that the theatre was her third child and that it needed at least just as much attention and time, “since theatre forms people’s personality, teaches them about the aesthetics of beauty, integration into a group and creativity, gives them a sense of conscious movement in three-dimensional space and teaches perseverance and patience. But above all, it should be fun.”

After completing her diploma in psychology at the Catholic University of Lublin (KUL) in Poland, she worked as a psychologist in Kraków. In 1984, our mother moved to Dortmund, where she got married. After the birth of daughter Joanna and son Dominik, the family was complete. 

A short time later, the family relocated to Bielefeld, where they became actively involved in the Polish Catholic Mission(Polska Misja Katolicka). The idea of organising Polish lessons for children and teenagers from the Polish community was born out of a desire to pass on Polish traditions to the next generation. Our parents belonged to the co-founders of this project, which was launched in 1991/1992 at the Polish Catholic Mission Bielefeld-Paderborn and is still running successfully today.

After founding the puppet theatre, she took up her role as a psychologist again, working for the Arbeiterwohlfahrt (the Workers’ Welfare Association) and as a freelance teacher at various all-day schools and in the Volkshochschule (adult education centre) in Bielefeld. In 2005, Maria Końska-Chmielecki was awarded the medal from the commission for national education (Medal Komisji Edukacji Narodowej) by the Minister of Education of the Republic of Poland in honour of her cultural and artistic achievements.