Year (field_media_year)
Period:

  • Ill. 14a: Lady Walking Her Dog, after Claude Louis Desrais

    Private collection, Switzerland. Cut flat glass on metal construction, 75 x 35 x 65 cm.
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  • Ill. 36: Madame Öhmchen

    Collotype, from: From Berlin to Gdansk.
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  • Ill. 82: The alphabet, title page for the series Libellus novus elementorum latinorum

    With copper engravings (also of the individual letters) after a model by Johann Christian Bierpfaff, 20.8 x 16.2 cm, signed: Jeremias Falck Hamburgi.
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  • Untitled

    Gouache, 140 x 170 cm
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  • “Solidarność” photo exhibition

    Wrocław 1980
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  • Lambent

    2021, Paper, spray paint, graphite, oil on linen, 180 x 135 cm
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  • Ryszard Grzyb, Tygrysia Wołowina [Tiger beef]

    1985, tempera on carton, 122,7 x 129.2 cm
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  • 9: Setting out for the Hunt

    Oil on canvas, 66 x 116.7 cm.
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  • Wilhelm Sasnal: The Table

    Oil on canvas, 150 x 150 cm.
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  • Ill. 6: Arin Rungjang - 246247596248914102516... And then there were none

    Democracy Monument, Neue Neue Galerie. Wood and brass sculpture. Co-produced with the Ministry of Culture of Thailand and MAIIAM, Chiang Mai.
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  • Abb. 10: Grazing horses

    Oil on canvas, 23.2 x 42.6 cm

  • Fig. 13: Cloud, 1902

    Ferdynand Ruszczyc: Cloud, 1902. Oil on canvas, 103.5 x 78 cm, National Museum of Poznań/Muzeum Narodowe w Poznaniu
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  • Mensura

    Installation view – Measuring the World, CentralTrak, University of Dallas, Texas, US, 2016
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  • Relief no. 26/1968, 1968

    Stażewski, Henryk (1894 Warsaw -1988 Warsaw). Oil on hard fibre, 60 x 60 cm; Inv. no. 1681.
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  • Cabin at the forest lake

    Watercolour, felt-tip pen on paper, 150 x 120 cm.

  • „Mein/mój/my Amsterdam” - Construction of the Noord/Zuidlijn metro at Damrak

    Watercolour painting
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  • Ill. 34: Cecilia Vicuña - Quipu

    Dyed wool, dimensions variable. Documenta Hall
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  • Fig. 40: ‘The Poles in Munich’

    Józef Brandt bottom right. In: Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, vol. 3, Munich 1887/88, after page 60
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  • Opening of the exhibition of Ewa Stefanski’s work (also the 100th exhibition in the “PoKuSa” gallery), 2019

    Ewa Stefanski, Dr. Isolde Schmidt (Cultural Office Wiesbaden), Ewa Hartmann, Dr. Michael Grus
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  • Red eyes

    Brush drawing, ink on paper, 22 x 17 cm, 2020
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