Year (field_media_year)
Period:

  • Zertifikat
    Zertifikat
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  • ‘In the mountains’

    Watercolour, felt-tip pen on paper, 150 x 120 cm.
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  • Abb. 19: Südlicher Seitenaltar, Blutenburg, 1491

    Südlicher (rechter) Seitenaltar, Schlosskapelle Blutenburg, 1491
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  • Fig. 19: Zdzisław Suchodolski

    Carl Teufel: Zdzisław Suchodolski's atelier, Munich 1889
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  • „Obóz wszystkich świętych“, critical edition

    Introduction, editing and notes: Wacław Lewandowski.
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  • Hildegard Skowasch

    Studied at the Münster Art Academy. She lives and works in Berlin. She is fascinated by the Work in Progress method.
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  • Cloppenburg

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  • "Pojechała mama z tatą" [Mama ist mit dem Vater weggefahren]

    Plakatvorlage zum polnischen Puppentheaterspiel
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  • Fig. 24: Room 8. Portraits (“Silent Rebels” exhibition)

    E. Okuń: “Self-Portrait in Spanish Costume”, 1911; J. Fałat: “Self-Portrait”, 1896; J. Malczewski: “On One String. Self-Portrait”, 1908; J. Malczewski: “The Story of a Song. Portrait of Adam Asnyk”, 1...
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  • Karol Broniatowski vor dem Mahnmal für die Ermordung und Deportation der Juden aus Berlin, 1991

    Karol Broniatowski vor dem Mahnmal für die Ermordung und Deportation der Juden aus Berlin, 1991
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  • Ill. 2: Louis XIII, King of France and Navarre

    Copper engraving. After a painting by Justus van Egmont, 40.4 x 31 cm, sig. d. r.: Falck fecit.
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  • Karin Stanek as “Cory Gun” in West Germany

    Karin Stanek as “Cory Gun” in West Germany, 1980
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  • St. Martin's Church and Collegiate Church of the Holy Cross and St. Bartholomew in Wrocław, 1986

    St. Martin's Church and Collegiate Church of the Holy Cross and St. Bartholomew in Wrocław, 1986.
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  • Zofia Posmysz with her husband Jan Piasecki

    During a sea voyage that was possibly an inspiration for her novel ‘The Passenger’
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  • Fig. 71: “People, Borders, Landscapes” (Menschen, Grenzen, Landschaften) 6, 1988

    Black ink, gouache, chalk on paper, 31x47 cm, private collection
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  • Gravestones of the polish victims of the Second World War in Langenhagen

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  • Fig. 19: On the Steppe, 1874

    Welcome to the Steppe, 1874. Oil on canvas, 87.5 x 170 cm, privately owned
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  • Impressions from cemeteries with graves of victims of the Cap Arkona catastrophe

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  • Dokument Nr. 33

    Nachnahmebeleg über 57,70 RM (sic!).
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  • Editors and typesetters in the “Narodowiec” print shop

    Editors and typesetters in the “Narodowiec” print shop in Bahnhofstraße in Herne, from “Narodowiec”, anniversary edition 1959, see PDF Narodowiec 1972-1959, p. 91
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