Year (field_media_year)
Period:

  • Ill. 59: Łukasz Opaliński (the Elder, 1581-1654)

    Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 32.2 x 23.2 cm, sign: I. Falck sculp.
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  • Paweł Książek, Silent Utopia 15

    From the series ‘Silent Utopia’. Oil on canvas, 160 x 120 cm
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  • Berlin Wall

    September 1989
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  • Fig. 98: “I Don’t See It, so It Isn’t There” (Seh nicht, also ist nicht) 13/14, 2022

    Nie widzę, więc nie ma, Hamburg 2022. Double page 13/14
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  • Abb. 2: Aleksander Lesser (1814-1884): Knight in armour

    Oil on canvas, 65,5 x 53,5 cm.
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  • Ill. 43: Forcible abduction of the King of Poland Stanislaus Augustus in 1771

    Etching, in: Portraits from the new history, 1790.
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  • Ill. 87g: The letter G

    From the series Libellus novus elementorum latinorum, 20.5 x 15.7 cm, signed lower right: J.F. sculp.
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  • Untitled

    Gouache, 140 x 170 cm
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  • Reliquiar, 1624

    Augsburger Meister: Reliquiar mit der rechten Hand des heiligen Stephanus, 1624. Nach 1138 aus dem Nachlass von Bolesław III. Schiefmund im 1803 aufgelösten Klosterschatz Zwiefalten, heute im Besitz d...
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  • Cloud under Stress I

    2020, Inkjet print, soot by fire, 33 x 41 cm
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  • Andrzej Wróblewski, Raugh Drawing for „Shooting“ (Rozstrzelanie)

    1949, indian ink on paper, 31,1 x 23,5 cm.
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  • 16: Parforce Hunt

    Oil on canvas, 96.5 x 192 cm.
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  • Memory/Watchwords (4)

    Marta Deskur (*1962 Kraków, lives there). Four-part photo work, each 123 x 200 cm, video 3 min. 12 secs.; Inv. no. 3982 a-d.
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  • Ill. 13: The Louvre by Night I

    Oil on canvas, 120.5 x 76.5 cm.
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  • „Mein,/mój/my Amsterdam” - Picturesque sailing ships on the shores of Amsterdam Noord

    Watercolour painting.
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  • Ill. 28a: Michel Auder- The Course of Empire

    Fourteen-channel digital video installation, colour and black and white, no sound, 20 minutes. Disused underground station (Culture station).
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  • Fig. 29: Zaporozhian Camp

    Oil on canvas, 72,5 x 113 cm
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  • Fig. 33: The Indecent Woman, 1904

    Witold Wojtkiewicz: The Indecent Woman (Fallen Woman), 1904. From the “Tragicomic Sketches” cycle, ink, gouache, coloured pencil on paper, 47.5 x 38.7 cm, inv. no. MNK III-r.a-11688, National Museum o...
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  • Vermessung des Lichts

    2014, Paper, spray paint, graphite, oil on linen
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  • ill. 8a: Untitled

    Interior: 32 transparent sheets, hand drawing with paint stick, each 280 x 120 cm. Galerie im Schloss Borbeck, Essen, exhibition Danuta Karsten. Room installation.
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