Year (field_media_year)
Period:
  • ill. 13: CONE

    A sound installation.Tophane-i Amire Culture and Arts Centre, Istanbul 2013.
  • ill. 15c: Fountain on Franz-Neumann-Platz

    Top view.
  • Ill. 35: Johannes Hevelius

    Copper engraving after a painting by Helmich van Tweenhuysen II, 27 x 16.8 cm, signed: Jerem. Falck sculpsit.
  • ill. 48: untitled, 2005

    untitled, 2005. Poplar, 320 x 320 x 40 cm, Owner: Galeria Szyb Wilson, Kattowitz
  • Fig. 78: “Onwards” (Weiter) 15, 2021

    Acrylic on canvas, 30x30 cm, private collection
  • Ill. 6a: Abb. 6a: The Presentation nach Pietro Longhi

    Private collection USA. Cut flat glass on metal construction, 25 x 40 x 25 cm.
  • Ill. 21:Miss Ledóchowska

    Collotype, from: From Berlin to Gdansk.
  • Ill. 69: Esau sells his Birthright

    Copper engraving after a painting by Matthias Stomer 1655/57, copy from 1663, 32.8 x 39.9 cm, sign.: J. Falck Polonus sculp. A: 1663.
  • ill. 79: Wooden Panel, 2013

    Wooden Panel, 2013. Spruce, 106 x 104 x 10 cm (Detail), de Weryha Collection, Hamburg
  • Warm Breath VII

    2022, Paper collage: sanded inkjet prints, spray paint, soot by fire, 62 x 51 cm
  • Abb. 12: Wojciech Kossak (1856-1942): Self-portrait with palette

    Oil on canvas, 151 x 105 cm.
  • Ill. 53: Sobieski terminates the boring conversation with Leopold on the plain near Vienna in 1683

    Etching, in: Six Prints on the History of Poland, 1796.
  • Ill. 87r: The letter R

    From the series Libellus novus elementorum latinorum, 20.6 x 17.7 cm, signed lower right: J.F. sculp.
  • Fig. 35: Painting by Jürgen Waller, 1987

    Jürgen Waller: 21. April 1945, 5 Uhr morgens, 1987. Oil on canvas, montage, Bullenhuser Damm memorial site, Hamburg
  • Red-hot

    2019, Paper, soot by fire, oil on linen, 60 x 50 cm
  • Memory/Watchwords (1)

    Marta Deskur (*1962 Kraków, lives there). Four-part photo work, each 123 x 200 cm, video 3 min. 12 secs.; Inv. no. 3982 a-d.
  • Ill. 10: Max-Joseph Square in Munich by Night

    Oil on canvas, 75.5 x 61 cm.
  • Ill. 25a: Piotr Uklański mit McDermott & McGough - The Greek Way

    Section in EMST Athens. Installation with 32 silver gelatine prints of photographs by Leni Riefenstahl and seven paintings by McDermott & McGough, dimensions variable.
  • Fig. 32: Funeral March, 1894

    Władysław Podkowiński: Funeral March, 1894. Oil on canvas, 83.5 x 119.5 cm, inv. no. MNK II-b-154, National Museum of Kraków/Muzeum Narodowe w Krakowie