Year (field_media_year)
Period:
  • ill. 16a: reKonstruktion, inside view

    In the Pomona Temple, Belvedere, Potsdam; built in 1800 by Karl Friedrich Schinkel, rebuilt after war destruction in 1992/93, restored in 2009.
  • ill. 1: Katarzyna Kobro: Female nude

    Gypsum, 29 x 23.5 x 29 cm. Museum Jerke, Bochum.
  • Fig. 11 Horse riding in the park

    Before 1880, oil on canvas, 30 x 54 cm
  • Ill. 42: Bolesław Biegas: Bust of Olga Boznańska

    Bronze, 52 x 27 x 18 cm
  • Fig. 25: “The Earth” (Die Erde) 5, 1974

    Black ink on paper, 34x47 cm, private collection
  • Tadeusz Kantor: Informel

    Reverse of the painting.
  • Abb. 3: Nikifor: Stroller (self-portrait)

    Undated. Watercolour on paper, 21 x 17.5 cm, Clemens-Sels-Museum, Neuss.
  • Ill. 17: Proserpina or The Night

    From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 40.2 x 28 cm, sign: Falck f.
  • ill. 27: untitled, 2000

    untitled, 2000. Basswood, 200 x 197 x 55 cm, de Weryha Collection, Hamburg
  • Fig. 57: “From Here to There” (Von hier bis dort) 2, 1996

    Black ink on paper, 30x40 cm, private collection
  • Posters by Mirosław Adamczyk

    Poster for his solo exhibition in January 2009 (honoured as one of the 100 best posters in Germany, Austria and Switzerland).
  • ill. 28: Newspaper figures from 1975

    The exhibition featured works from 1969-1999.
  • Ill. 48: Axel Lillie

    Copper engraving after a painting by David Beck, 31.8 x 22.3 cm, sign. below the text: J. Falck S.R.M. Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae 1651.
  • ill. 59: untitled, 2007

    untitled, 2007. Spruce, charcoaled, 700 x 200 x 10 cm, de Weryha Collection, Hamburg
  • Fig. 89: “Episodes” (Episoden) B, 2000–2017

    Mixed technique on paper, 15x17.5 cm each, private collection
  • Ill. 12a: La Marquesa de Pontejos, after Francisco de Goya

    Private collection, London. Cut flat glass on metal construction, dog: 45 x 20 x 45 cm, shoes: 25 x 10 x 15 cm, digital inkjet print on paper, 27 x 17 cm.
  • Ill. 32: Kneeling in the church

    Collotype, from: From Berlin to Gdansk.
  • Ill. 81: Singing Couple

    1655/57. Copper engraving after a Dutch master (Falck notes Cornelis van Haarlem), 37 x 25.7 cm, signed: J. Falck Polonus f.
  • ill. 90: Wooden Panel, 2016

    Wooden Panel, 2016. Spruce, cut and broken, 107.5 x 107.5 x 14 cm, de Weryha Collection, Hamburg
  • Installation view: Das Ende wird dennoch kommen

    2021, Polnisches Institut Düsseldorf