Year (field_media_year)
Period:
  • Presentation of the Knights Cross of the Order of Merit of the Republic of Poland to Hermann Scheipers

    Speech of the General Consul of the Republic of Poland in Cologne Jan Sobczak, 26th February 2013 in Ochtrup.
  • The memorial on the day of the ceremonial opening

    The glass wall with the names of those who were murdered is the dominant element of the memorial. It forms an L shape which extends from the end of the urn field at the cemetery wall to the south-west...
  • Abb. 14: Andrzej Nowacki: 20.01.08, 2008

    20.01.08, Relief auf Hartfaser, Acryl, 100 x 100 cm, 2008
  • ‘Two in the forest’

    Watercolour, felt-tip pen on paper, 150 x 120 cm.
  • Fig. 15: Memorial panel for H. Wasserman

    Memorial panel for H. Wasserman from Poland, rose garden at the Bullenhuser Damm memorial site, Hamburg
  • ill. 16: Art after the Shoah

    The Flight of a Mother, 1945; The Lovers, ca. 1949; In our world there is no room for Jews, 1947; Angel carrying a lost soul in the Stetl, 1946
  • Ill. 6: On the suburban moat in Gdansk

    Collotype, from: From Berlin to Gdansk.
  • Małgorzata Warlikowska, 2013

    “Marilyn jako Trophies”, screen print on porcelain
  • Jüdischer Friedhof Hannover-Bothfeld

  • The Nile and Elephant Island

    Egypt, watercolour painting.
  • Fig. 23: “Meetings on the Road (II)” (Begegnungen unterwegs) 6, 1998

    Black ink on paper, 29x39 cm, private collection
  • Telegram published by Towarzystwo Czytelni Ludowych, 1932

    Telegram bearing a portrait of Karol Marcinkowski, published by Towarzystwo Czytelni Ludowych, colour print, 1932.
  • Ill. 38: Christina, Queen of Sweden

    Copper engraving after a painting by David Beck, 31.6 x 22.1 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649.
  • Aus der Sammlung von Jacek Głaszcz

    Eine sizilianische Marionette
  • Agata Madejska, Loser's Loss, Winner's Gain, 2018

    Agata Madejska, Loser's Loss, Winner's Gain, 2018, coated aluminium, 200 x 25 x 200 cm. Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.
  • Ill. 43: Interior of the Artist’s Studio in Kraków

    Oil on paperboard, 50.5 x 73 cm
  • Programm zu einem Konzert von Wilhelmina Wnuczek im Saal der Sing-Akademie zu Berlin, 1897

    Programm zu einem Konzert von Wilhelmina Wnuczek im Saal der Sing-Akademie zu Berlin mit dem Berliner Philharmonischen Orchester unter der Leitung von Albert Eibenschütz, 1897
  • 10. German soldiers supervise forced laborers

    Working on lathes in the workshop
  • Living studio in Berlin-Grunewald

    Living studio in Berlin-Grunewald, 2019
  • On the site of the former Osterfeld colliery in 2018

    Patrick Barteit on the site of the former Osterfeld colliery, Osterfeld 2018