digital collection Media | Porta Polonica

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Ill. 12a: La Marquesa de Pontejos, after Francisco de Goya

Private collection, London. Cut flat glass on metal construction, dog: 45 x 20 x 45 cm, shoes: 25 x 10 x 15 cm, digital inkjet print on paper, 27 x 17 cm.

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Ill. 32: Kneeling in the church

Collotype, from: From Berlin to Gdansk.

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Ill. 81: Singing Couple

1655/57. Copper engraving after a Dutch master (Falck notes Cornelis van Haarlem), 37 x 25.7 cm, signed: J. Falck Polonus f.

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Katalog Marlena Kudlicka: The weight of 8

Galerie ŻAK | BRANICKA, Berlin, 21.6.-14.9.2013 (in English)

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Warsaw market woman

1960

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Installation view: Das Ende wird dennoch kommen

2021, Polnisches Institut Düsseldorf

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Epitaph

St John’s Church, Toruń

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Ill. 2: Playing Morra

Oil on canvas, 80 x 109 cm.

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Exhibition catalogue "Bernardo Belotto 1720-1780"

"Paintings and drawings from the National Museum of Warsaw", 30.4.-30.5.1957, Whitechapel Art Gallery, London.

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Ill. 18: Kendell Geers - Acropolis Redux (The Director’s Cut)

2004. Steel racks and fencing material, dimensions variable, EMST Athens. Fridericianum

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Fig. 19: Greeting the Steppe

Oil on canvas, 87.5 x 170 cm

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Fig. 22: Kołomyjka, 1895

Teodor Axentowicz: Kołomyjka, 1895. Oil on canvas, 85 x 112.5 cm, inv. no. MP 359 MNW, National Museum of Warsaw/Muzeum Narodowe w Warszawie

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Beaks

2015, Glazed ceramics, stone, steel, dimensions variable, Installation view: Rejected Truths

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Scene 4

“Artists should Croak”, premiere, 2nd June 1985 in Nuremberg

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Shooting the video

In the exhibition of the sculptor Danuta Karsten in Herten.

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Fair

Munich, oil on canvas, 46 x 68 cm

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Ill. 41a: Y. Gianikian/A. Ricci Lucchi - Journey to Russia

Watercolour roll, 75.2 × 1000 cm. Neue Galerie

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Fig. 49: Return of the Cossacks

Oil on canvas, 60.5 x 121.5 cm

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Prof. Chris Nowicki

Master of mezzotint

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Untitled

Brush drawing, ink on paper, 22 x 17 cm, 2020

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