Year (field_media_year)
Period:

  • Fig. 8: Sokół, date unknown

    Sokół presentation at a festival, photograph, date unknown
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  • Am Ufer der Seine/Znad brzegów Sekwany, 1904

    Am Ufer der Seine/Znad brzegów Sekwany, 1904. Öl auf Leinwand, 34 x 55,5 cm
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  • I owe you my life (EN)

    The story of Anna and Hermann Scheipers. Civil courage and trust in God under two dictatorships - 29 min
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  • Mensura

    Installation view – Measuring the World , CentralTrak, University of Dallas, Texas, US, 2016
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  • Fig. 2: Close-up of the inscription “Bank Robotników”

    Close-up of the inscription “Bank Robotników e.G.m.b.H.” (Polish Workers’ Bank) in the street Am Kortländer
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  • Rezension in der Zeitung

    "Chansons süß wie Bonbons", Rezension in der Zeitung, 2014
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  • Stanisław Przybyszewski - Radio play by "COSMO Radio po polsku" in English

    In cooperation with "COSMO Radio po polsku" we present radio plays on selected topics of our portal.
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  • Klaus Staeck “Poland is down but not out”

    Klaus Staeck “Poland is down but not out”, poster and portfolio cover page, 1982
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  • Abb. 52: Ausstellung „An der Schwelle der Unendlichkeit“, Sopot 2017

    Bilder der Ausstellung „An der Schwelle der Unendlichkeit“ in der Staatlichen Kunstgalerie Sopot, 2017
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  • ill. 18: Adam Zegadło: Adam and Eve under the tree of knowledge

    Undated, wood, painted in colour, height 87 cm, Kunsthalle Recklinghausen.
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  • Fig. 4: Old Cemetery Bornstraße, ca. 1970s or 1980s

    Old Cemetery, Bornstraße, Wetter/Ruhr, undated (ca. 1970s or 1980s)
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  • Bad Rehburg

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  • Special stamp of the GDR Post Office

    Issue of 18 September 1990, value 30 Pfennig.
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  • Fig. 31: Memorial panel for the doctor Gabriel Florence

    Memorial panel for the doctor Professor Gabriel Florence from Lyon, rose garden at the Bullenhuser Damm memorial site, Hamburg
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  • Hannover-Döhren, Stadtfriedhof Seelhorst

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  • “Warsaw, Przystanek tramwajowy”

    From the series “Urban Spaces”, Inkjet photo print, 100 x 240 cm.
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  • Anna Gawlikowska, 2014

    “Gabrielle II”, linoleum cut, 74 x 72 cm
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  • View of Sępolno settlement street, 1961

    View of Sępolno settlement street, 1961.

  • Ill. 28a: Michel Auder- The Course of Empire

    Fourteen-channel digital video installation, colour and black and white, no sound, 20 minutes. Disused underground station (Culture station).
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  • Fig. 17: “Departure, Exodus” (Fortgang, Exodus) 13, 2000

    Black ink on paper, 30x40 cm, private collection
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