Year (field_media_year)
Period:
  • Ill. 23: Half-length portraits of Miss Chrzaszczewska and Father Matthy

    Collotype, from: From Berlin to Gdansk.
  • Death, the devil and an angel (from the left)

    These puppets were used in several different plays, 2008
  • Ill. 55: Duke Konrad of Masovia challenges King Johann Albrecht to a duel

    Etching, in: Six Prints on the history of Poland, 1797.
  • "Mój Amsterdam" [My Amsterdam] - „De Waag”

    Nieuwmarkt, Amsterdam. „Jeden z moich pierwszych szkiców z Amsterdamu” [One of my first sketches from Amsterdam].
  • ll. 1: Anne Marie Louise d'Orléans

    Copper engraving. After a painting by Justus van Egmont (1601-1674), 38.9 x 28 cm, signed lower right: F. sculpsit.
  • Ill. 30: Gate of honour on the occasion of the visit of King Władysław IV. Vasa in Gdansk

    Copper engraving after a design by Adolf Boy, 62.9 x 45 cm, sign: Falck Poln. Sculps.
  • Ill. 64: Wacław Leszczyński

    1650/55. Copper engraving after an unknown painting, 30.5 x 20 cm, sign.: I. Falck Polonus sculp.
  • Ill. 87m: The letter M

    From the series Libellus novus elementorum latinorum, 20.6 x 19.3 cm, signed lower right: J.F. sculp.
  • Ill. 4: In the stable of the Donnemörse post office

    Collotype from: From Berlin to Danzig.
  • The winged altarpiece of Röhlinghausen

    The prophets Isaiah and Jeremiah, 2023
  • Ill. 36: Madame Öhmchen

    Collotype, from: From Berlin to Gdansk.
  • Warsaw - "Castle Square reborn from the ruins".

    Watercolour painting.
  • Ill.14: Aurora or The Morning

    From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 38.7 x 27 cm, signed: J. Falck f.
  • Ill. 44: Robert Count Douglas

    Copper engraving after a painting by David Beck, 32.2 x 22.6 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: I.F. sculp. et excu. cum priv. R.S. Stockholmiae 1651.
  • Ill. 77: Old Lady at her Toilet Table

    1655/57. Copper engraving after a painting by Bernardo Strozzi (formerly attributed to Johann Liss), 37 x 30.4 cm.
  • Bavarian-Polish alliance coat of arms on St George's Gate

    The coats-of-arms of Hedwig Jagiellonica and Georg the Rich of Bavaria-Landshut in the castle at Burghausen.
  • South wall on the left with illustrations of the Mishneh tractate ‘Pirkei Avot’ [Chapters of the Fathers]

    In: „Aus alter und neuer Zeit“.
  • Ill. 17: Chodowiecki portrays the voivode Przebendowska

    Collotype, from: From Berlin to Gdansk.
  • The official logo of the “Offene Augen” puppet theatre

    1993
  • Ill. 49: Boleslaw II compels Polish women to carry small dogs at their breast

    Etching, in: Six Prints on the History of Poland, 1796.