Year (field_media_year)
Period:

  • ill. 28: Wooden Panel, 2001

    Wooden Panel, 2001. Various types of wood, partially charcoaled, nails, 412 x 220 x 17 cm, de Weryha Collection, Hamburg
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  • Fig. 17: “Departure, Exodus” (Fortgang, Exodus) 13, 2000

    Black ink on paper, 30x40 cm, private collection
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  • Exhibition view “Extreme Tension. Art between Politics and Society. Collection of the Nationalgalerie 1945–2000”

    Neue Nationalgalerie, 18/11/2023–28/9/2025
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  • The Neustädter Markt and Sakramentinerinnen Church

    Undated, oil on canvas, 84 x 106 cm, National Museum in Warsaw/Muzeum Narodowe w Warszawie.
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  • ill. 26: Natalia Stachon: Parade of Remains

    Exhibition view. 2014, Coloured ropes, steel, stainless steel, rubber, Gallery Żak|Branicka, Berlin.
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  • Ill. 11: Allegory of January

    Copper engraving after a painting by Joachim von Sandrart, 34.8 x 25.4 cm, signed: Jer = Falck sculpsit.
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  • ill. 6: ALIAS

    An interactive video installation. Premiere: 2004 (Winner of the Bremen Promotion Prize for Video Art, 2003).
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  • ill. 16: Paweł Wróbel: City under the sign of mining

    Oil on canvas, 41 x 66 cm, Kunsthalle Recklinghausen.
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  • Ill. 24: The Greeks. III Monarchy, Alexander the Great, King of Macedonia

    From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.1 cm, signed: J. Falck Sculp.
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  • Ill. 21: Hanna

    From the Pupils series, C-Print, 52 x 43 cm
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  • ill. 72b: Bergedorf Memorial, 2012

    Bergedorf Memorial, 2012. To the memory of the forced labourers of the Nazi rule in Bergedorf, on the initiative of the AG Gedenken, Schleusengraben-Promenade am Kampdeich in Hamburg-Bergedorf, concre...
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  • Fig. 62: “Meetings on the Road (II)” (Begegnungen unterwegs) 29, 2000

    Pencil, coloured pencils, black ink on paper, 12x12 cm, private collection
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  • Sebastian Kubica: ‘The great move’

    Poster to mark the moving of the Pigasus Gallery from Torstraße to Danziger Straße in March 2012.
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  • Ill. 7: A Catholic priest

    Collotype from: From Berlin to Danzig.
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  • Ill. 55: Maciej Łubieński

    Copper engraving after an unknown painting (Falck notes: Dankers), 31.8 x 22 cm, sign: I. Falck Polonus sculp.
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  • Szymon Kobylarz, Showcase Museum

    From the series ‘Art for art's sake’. Acrylic on wood, 125 x 166 cm
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  • “Metropolis” exhibition in the Martin-Gropius-Bau

    Berlin 1991
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  • Fig. 94: “I Don’t See It, so It Isn’t There” (Seh nicht, also ist nicht) 3/4, 2022

    Nie widzę, więc nie ma, Hamburg 2022. Double page 3/4
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  • Ill. 16a: Demoiselle en Polonoise unie en Buras, after Claude Louis Desrais

    Courtesy lorch+seidel contemporary. In the foreground: cut flat glass on metal construction, dog: 45 x 55 x 30 cm, shoes: 15 x 25 x 10 cm; in the background: digital inkjet print on paper, 37 x 26 cm.
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  • Ill. 39: Three Polish Figures

    Etching.
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