Year (field_media_year)
Period:

  • Wrocław, market square

    “Pasażerowie” photographic exhibition by Tomasz Kiżny, 2000
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  • Fig. 99: “I Don’t See It, so It Isn’t There” (Seh nicht, also ist nicht) 15/16, 2022

    Nie widzę, więc nie ma, Hamburg 2022. Double page 15/16
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  • Jerke Museum (2)

    Museum building sites
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  • ill. 15: Ryszard Waśko: Dark into Light 2

    Acrylic on wood, 160 x 110 cm.
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  • Fig. 28 Alfred Wierusz-Kowalski's studio in Munich

    1889-1890, photograph
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  • Ill. 59: Portrait of Julia Rylska

    Writer and translator. Oil on cardboard, 69.5 x 48.5 cm
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  • ill. 40: Wooden Cube, 2003

    Wooden Cube, 2003. Various types of wood, 230 x 230 x 230 cm, de Weryha Collection, Hamburg
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  • Fig. 28: Exhibition view

    From left: Sławomir Elsner, Der Turm der blauen Pferde, 2016 (after Marc); Liebespaar, 2021 (after Mueller), Museum Wiesbaden 2021
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  • Elements

    2020, Paper, spray paint, bleach, graphite, oil on linen, 190 x 210 cm
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  • ill. 11a: ADA

    Long shot. Analogue interactive installation / kinetic sculpture / post-digital drawing machine, PVC balloon, charcoal, helium, Ø = 300 cm.
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  • ill. 6: II. Presentation of Big Man

    Bronze, wooden board, 103 x 103 x 10 cm.
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  • Ill. 29d: John

    From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp.
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  • Ill. 30: Antoni

    From the Scouts and Guides series, C-Print, 45 x 33 cm
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  • ill. 72a: Bergedorf Memorial, 2012

    Bergedorf Memorial, 2012. To the memory of the forced labourers of the Nazi rule in Bergedorf, on the initiative of the AG Gedenken, Schleusengraben-Promenade am Kampdeich in Hamburg-Bergedorf, concre...
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  • Fig. 21: Musicians in Bronowice, 1891

    Włodzimierz Tetmajer: Musicians in Bronowice. Before the Inn, 1891. Oil on canvas, 106 x 182 cm, inv. no. MP 5500 MNW, National Museum of Warsaw/Muzeum Narodowe w Warszawie
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  • Beak 15 Red-crested pochard

    2015, Glazed ceramics, stone, steel, 25 x 25 x 40 cm
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  • Ill. 3a: The Young Ones after Francisco de Goya

    Private collection. Cut flat glass on metal construction, 65 x 25 x 35 cm.
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  • Ill. 15: People praying in the Dominican Church

    Collotype, from: From Berlin to Gdansk.
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  • Ill. 63: Bogusław Leszczyński, 1650/55

    Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 30 x 23.1 cm, sign.: I. Falck sculp.
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  • ‘Instead of Sculpture - Sequences 1968-71’

    View from Zofia Kulik's exhibition at the ŻAK Gallery | BRANICKA 2014, Berlin
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