Year (field_media_year)
Period:

  • ill. 11: untitled, 1998

    untitled, 1998. Basswood, 175 x 75 x 18 cm, de Weryha Collection, Hamburg
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  • Fig. 41: “It Teeters” (Es taumelt) 4, 1995

    Black ink on paper, 29.5x42 cm, private collection
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  • ill. 11a: ADA

    Long shot. Analogue interactive installation / kinetic sculpture / post-digital drawing machine, PVC balloon, charcoal, helium, Ø = 300 cm.
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  • ill. 7: III. Presentation of Big Man

    Performance "Knocking Game" in the Plastyka Cathedral, Warsaw.
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  • Ill. 30: Gate of honour on the occasion of the visit of King Władysław IV. Vasa in Gdansk

    Copper engraving after a design by Adolf Boy, 62.9 x 45 cm, sign: Falck Poln. Sculps.
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  • ill. 43: Wooden Panel, 2003

    Wooden Panel, 2003. Spruce, charcoaled, Various types of wood, nails, 150 x 150 x 9 cm, de Weryha Collection, Hamburg
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  • Fig. 73: “People, Borders, Landscapes” (Menschen, Grenzen, Landschaften) 5, 1987

    Black ink, pencil, acrylic on tinted paper, 30x44 cm, private collection
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  • Ill. 3a: The Young Ones after Francisco de Goya

    Private collection. Cut flat glass on metal construction, 65 x 25 x 35 cm.
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  • Ill. 16: Praying woman with rosary

    Collotype, from: From Berlin to Gdansk.
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  • Ill. 64: Wacław Leszczyński

    1650/55. Copper engraving after an unknown painting, 30.5 x 20 cm, sign.: I. Falck Polonus sculp.
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  • ill. 74: Wooden Panel, 2013

    Wooden Panel, 2013. Spruce, 106 x 102 x 23 cm, Centre for Polish Sculpture, Orońsko/ Centrum Rzeźby Polskiej w Orońsku
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  • Installation view: Warm Breath

    Berlin, 2023
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  • Abb. 7: Aleksander Gierymski (1850-1901): In the artist's studio

    Oil on wood, 32 x 24,5 cm.
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  • Ill. 48: The piast and his wife are hosting two unknown travellers

    Etching, in: Six Prints on the History of Poland, 1796.
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  • Ill. 87m: The letter M

    From the series Libellus novus elementorum latinorum, 20.6 x 19.3 cm, signed lower right: J.F. sculp.
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  • Fig. 9: Brösigke’sches Haus, um 1821

    Unknown: Brösigke’sches Haus (Palais Klebelsberg) in Marienbad, ca. 1821, coloured lithograph, 44.9 x 65.1 cm, Klassik Stiftung Weimar
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  • Allure

    2019, Paper, spray paint, graphite, oil on linen, 70 x 60 cm
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  • The Most Memorable Days in the Year 1830, a memorial tablet in 12 tableaux

    Verlag Johann Andreas Endter, Nürnberg, 1830, engraving, coloured, 30.3 x 43.5 cm
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  • Ill. 5: The Landing Stage at Solec (Sketch)

    Oil on canvas, 19 x 27.5 cm.
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  • „Mój Amsterdam” - Prins Hendrikkade

    Spontaneous impressions from the "Schreierstoren".
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