Year (field_media_year)
Period:

  • The memorial on the day of the ceremonial opening

    The glass wall with the names of those who were murdered is the dominant element of the memorial. It forms an L shape which extends from the end of the urn field at the cemetery wall to the south-west...
    Show medium Show article

  • Abb. 14: Andrzej Nowacki: 20.01.08, 2008

    20.01.08, Relief auf Hartfaser, Acryl, 100 x 100 cm, 2008
    Show medium Show article

  • ‘Two in the forest’

    Watercolour, felt-tip pen on paper, 150 x 120 cm.
    Show medium Show article

  • Fig. 15: Memorial panel for H. Wasserman

    Memorial panel for H. Wasserman from Poland, rose garden at the Bullenhuser Damm memorial site, Hamburg
    Show medium Show article

  • ill. 16: Art after the Shoah

    The Flight of a Mother, 1945; The Lovers, ca. 1949; In our world there is no room for Jews, 1947; Angel carrying a lost soul in the Stetl, 1946
    Show medium Show article

  • Ill. 6: On the suburban moat in Gdansk

    Collotype, from: From Berlin to Gdansk.
    Show medium Show article

  • Małgorzata Warlikowska, 2013

    “Marilyn jako Trophies”, screen print on porcelain
    Show medium Show article

  • Jüdischer Friedhof Hannover-Bothfeld

    Show medium Show article

  • The Nile and Elephant Island

    Egypt, watercolour painting.
    Show medium Show article

  • Fig. 23: “Meetings on the Road (II)” (Begegnungen unterwegs) 6, 1998

    Black ink on paper, 29x39 cm, private collection
    Show medium Show article

  • Telegram published by Towarzystwo Czytelni Ludowych, 1932

    Telegram bearing a portrait of Karol Marcinkowski, published by Towarzystwo Czytelni Ludowych, colour print, 1932.
    Show medium Show article

  • Ill. 38: Christina, Queen of Sweden

    Copper engraving after a painting by David Beck, 31.6 x 22.1 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649.
    Show medium Show article

  • Aus der Sammlung von Jacek Głaszcz

    Eine sizilianische Marionette
    Show medium Show article

  • Agata Madejska, Loser's Loss, Winner's Gain, 2018

    Agata Madejska, Loser's Loss, Winner's Gain, 2018, coated aluminium, 200 x 25 x 200 cm. Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.
    Show medium Show article

  • Ill. 43: Interior of the Artist’s Studio in Kraków

    Oil on paperboard, 50.5 x 73 cm
    Show medium Show article

  • Programm zu einem Konzert von Wilhelmina Wnuczek im Saal der Sing-Akademie zu Berlin, 1897

    Programm zu einem Konzert von Wilhelmina Wnuczek im Saal der Sing-Akademie zu Berlin mit dem Berliner Philharmonischen Orchester unter der Leitung von Albert Eibenschütz, 1897
    Show medium Show article

  • 10. German soldiers supervise forced laborers

    Working on lathes in the workshop
    Show medium Show article

  • Living studio in Berlin-Grunewald

    Living studio in Berlin-Grunewald, 2019
    Show medium Show article

  • On the site of the former Osterfeld colliery in 2018

    Patrick Barteit on the site of the former Osterfeld colliery, Osterfeld 2018
    Show medium Show article

  • Liste 2

    Show medium Show article
Porta Polonica