Year (field_media_year)
Period:

  • Left-hand side window in the right side choir

    Joseph explaining the holy scripture to his family
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  • ill. 16a: reKonstruktion, inside view

    In the Pomona Temple, Belvedere, Potsdam; built in 1800 by Karl Friedrich Schinkel, rebuilt after war destruction in 1992/93, restored in 2009.
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  • ill. 8a: Józef Robakowski: Idle Line

    35mm film installation. Galerie Żak|Branicka, Berlin.
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  • Fig. 21 Sledge ride

    Between 1890-1900, oil on wood, 28 x 48 cm
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  • Ill. 51: Poppies

    Post 1920. Oil on paperboard, 46 x 38 cm
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  • ill. 50: Artwork on Architecture, 2005

    Artwork on Architecture, 2005. Robinia, 25 m2, Height 45 cm, Gymnasium Eckhorst, Bargteheide
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  • Fig. 39: “Coming, Becoming, Going” (Kommen, werden, gehen) 30, 1993

    Black ink on paper, 39.5x56.5 cm, private collection
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  • ill. 6: ALIAS

    An interactive video installation. Premiere: 2004 (Winner of the Bremen Promotion Prize for Video Art, 2003).
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  • ill. 16: Paweł Wróbel: City under the sign of mining

    Oil on canvas, 41 x 66 cm, Kunsthalle Recklinghausen.
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  • Ill. 25: The Romans. IV. Monarchy, Emperor Augustus

    From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.5 cm, signed: J. Falck Sculp.
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  • Ill. 22: Jan

    From the Pupils series, C-Print, 52 x 43 cm
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  • ill. 81: Wooden Object, 2014

    Wooden Object, 2014. Poplar, cut and freely arranged, 400 x 400 x 39 cm, de Weryha Collection, Hamburg
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  • Fig. 71: “People, Borders, Landscapes” (Menschen, Grenzen, Landschaften) 6, 1988

    Black ink, gouache, chalk on paper, 31x47 cm, private collection
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  • Sebastian Kubica: ‘The great move’

    Poster to mark the moving of the Pigasus Gallery from Torstraße to Danziger Straße in March 2012.
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  • Ill. 7: A Catholic priest

    Collotype from: From Berlin to Danzig.
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  • Ill. 56: Achacy Przyłęcki

    Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.7 x 21.8 cm, sign: I. Falck sculp. Stockholmiae.
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  • Szymon Kobylarz, Artificial Rainbow

    From the series ‘Art for art's sake’. Acrylic on wood, 125 x 166 cm
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  • Exhibition opening by Helena Bohle-Szacki

    Berlin 1971
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  • Sławomir Elsner at the exhibition at the Museum Wiesbaden

    2021 (Alexej von Jawlensky in the background: Spanierin [Spanish Lady], 1913)

  • Ill. 16a: Demoiselle en Polonoise unie en Buras, after Claude Louis Desrais

    Courtesy lorch+seidel contemporary. In the foreground: cut flat glass on metal construction, dog: 45 x 55 x 30 cm, shoes: 15 x 25 x 10 cm; in the background: digital inkjet print on paper, 37 x 26 cm.
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