Year (field_media_year)
Period:

  • Left-hand side window in the choir of St.-Johannes-Kirche church in Recklinghausen-Suderwich

    John acclaims Christ as the Son of God after baptising him in the Jordan
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  • ADA, 2011. Premiere: FILE Electronic Language International Festival, São Paulo.

    An analogue interactive installation / kinetic sculpture / post-digital drawing machine, PVC balloon, charcoal, helium, Ø = 300 cm. Copyright: Karina Smigla-Bobinski.
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  • ill. 9: Józef Robakowski: Termogram

    Own technique, 82 x 103.5 cm. Galerie Żak|Branicka, Berlin.
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  • Fig. 22 Polish farmers' journey

    Oil on canvas, 45 x 58.5 cm
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  • ill. 4: untitled, 1997

    untitled, 1997. Various types of wood, 119 x 111 x 28 cm, de Weryha Collection, Hamburg
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  • Fig. 33: “Coming, Becoming, Going” (Kommen, werden, gehen) 21, 1993

    Black ink on paper, 42x29.5 cm, private collection
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  • ill. 8a: RETURN TO SENDER

    Long/ wide shot. Video stage design for performance. Video, tents, stage screen, projector. The Montpellier Dance Festival 2006.
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  • ill. 1b: Newspaper Figures

    Part to the right of 1a.
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  • Ill. 26: Maria, Jesus and John the Baptist

    Copper engraving after a painting by Jacques Stella, 40.3 x 29.1 cm, signed: J. Falck Sculp.
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  • ill. 36: Wooden Panel, 2002

    Wooden Panel, 2002. Spruce, patinated, oak bark, 106 x 106 x 20 cm, de Weryha Collection, Hamburg
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  • Fig. 65: “Ghosts and Houses” (Geister und Häuser) 3, 2015

    Acrylic, coloured pencils on paper, 30x40 cm, private collection
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  • Kaja Renkas: ‘Ryszard Kaja, Posters’

    Kaya for Kai. Poster for the exhibition by Ryszard Kaja.
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  • Ill. 9: In the stables of a noble Pole

    Collotype, from: From Berlin to Gdansk.
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  • Ill. 57: Hieronim Radziejowski

    Copper engraving after a painting by Hendrick Munnichhoven, 31.5 x 22.5 cm, sign.: Je. Falck S.R.M. Sueciae Chalcographus,
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  • ill. 68: Wooden Panel, 2011

    Wooden Panel, 2011. Spruce, lavender, 34 x 34 x 8.5 cm, de Weryha Collection, Hamburg
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  • Fig. 97: “I Don’t See It, so It Isn’t There” (Seh nicht, also ist nicht) 11/12, 2022

    Nie widzę, więc nie ma, Hamburg 2022. Double page 11/12
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  • Emil Orlik (1870-1932): Portrait of Wanda Landowska

    Etching, 23.5 x 18 cm.
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  • Ill. 41: Title copper to Krasicki's rejuvenated old man

    Etching, from: A found story by Ignacy Krasicki, 1785.
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  • Ill. 87e: The letter E

    From the series Libellus novus elementorum latinorum, 20.5 x 15.8 cm, signed lower right: J.F. sculp.
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  • Fig. 3: Illustrations by Janina Kłopocka

    Various graphics by Janina Kłopocka, who also created Rodło emblem.
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