Digital collection

Agata Madejska, Corridor, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Agata Madejska, Space II, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Agata Madejska, Entrance, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Agata Madejska, 18 Minutes, 2017, aluminium, 200 x 125 x 0,5 cm.

Agata Madejska, Front: Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017

Agata Madejska, Every City Has Its Echo, 2017, giclée print on aluminium, 100 Å~ 130 cm.

Agata Madejska, Front: Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017

Agata Madejska, Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017

Agata Madejska, Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017

Agata Madejska, Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017

Agata Madejska, The Economist I, 2014, giclée print, 150 × 210 cm.

Agata Madejska, The Economist I (detail), 2014, giclée print, 150 × 210 cm.

Agata Madejska, The Economist I, 2014, giclée print, 150 × 210 cm. Installation view, Form Norm Folly, Krefelder Kunstverein, 2014.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Agata Madejska, DeBeers I (detail), 2017, giclée print, 150 × 260 cm.

Agata Madejska, DeBeers I, 2017, giclée print, 150 × 260 cm.

Agata Madejska, DeBeers I, 2017, giclée print, 150 x 260 cm. Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart.

Brygida Helbig with the translator Lothar Quinkenstein.

Brygida Helbig.

Final of the “Nike” Prize for Literature.