Year (field_media_year)
Period:
  • ill. 10a: QUERY

    Detailed view. An on-site, online art project. PVC balloon, helium, Ø = 200 cm high = 400 cm. Premiere: St. Luke’s Church, Munich 2009.
  • Miniatur Elisabeth Sophie, um 1593

    Brandenburgischer Hofminiaturmaler: Bildnis Elisabeth Sophie Markgräfin zu Brandenburg, um 1593. Öl auf Karton, 9 x 7,4 cm, Royal Collection Trust, Inv. Nr. RCIN 420468, Windsor Castle, London
  • Abb. 52: Ausstellung „An der Schwelle der Unendlichkeit“, Sopot 2017

    Bilder der Ausstellung „An der Schwelle der Unendlichkeit“ in der Staatlichen Kunstgalerie Sopot, 2017
  • Lech Wieleba

    On the double bass.
  • Helena mit ihrer Mutter und einem Cousin

    Helena mit ihrer Mutter und einem Cousin, 1930er Jahre.
  • Braunschweig Hochstrasse

  • Ill. 43: Forcible abduction of the King of Poland Stanislaus Augustus in 1771

    Etching, in: Portraits from the new history, 1790.
  • Bronze sculpture by former prisoner Lucien Wercollier in the Hinzert camp

    Erected in 1986, it shows three abstract prisoner figures bending over a brazier
  • Various projectiles

    Various projectiles. Find spot: Meschede.
  • Fig. 61: “Journeys” (Auf Reisen) 23, 2000

    Black ink on paper, 24x30 cm, private collection
  • High-rise building at Plac Grunwaldzki in Wrocław, 1986

    High-rise building at Plac Grunwaldzki in Wrocław, 1986.
  • Ill. 76: The Vision of Saint Peter

    1655/57. Copper engraving after a lost painting by Domenico Fetti (formerly attributed to Johann Liss), 41.8 x 29.1 cm.
  • Untitled

    Brush drawing, ink on paper, 62 x 47 cm, 2016
  • View on the cemetery in Hannover-Südstadt

  • Ill. 19: Damian

    From the Pupils series, C-Print, 52 x 43 cm
  • The gate of the Auschwitz main camp with the lettering "Arbeit macht frei" (Work makes you free)

    The Auschwitz-Birkenau State Museum. Groups of visitors enter the area through the gate of the Auschwitz main camp, Oświęcim 2019.
  • ill. 23: Magazine ‘Jenseits der Oder’ [Beyond the Oder], Issue 6

    Published by the German Society for Cultural and Economic Exchange with Poland. Due to the unresolved border status from the perspective of the FRG, the title of the magazine was a provocation.
  • The “Veto” publishing house in an exhibition

    The “Veto” publishing house in an exhibition of the Berlin Academy of Arts.
  • Dokument Nr. 97/2

    Beglaubigte Übersetzung des Volksschullehrerdiploms von A. Topolnicki.