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  • Janina Kłopocka with her niece Maria Kłopocka

    In the exhibition by Janina Kłopocka in Opole on the occasion of the celebrations to mark the 50th anniversary of the founding of the Union of Poles in Germany.
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  • Fig. 22: Kołomyjka, 1895

    Teodor Axentowicz: Kołomyjka, 1895. Oil on canvas, 85 x 112.5 cm, inv. no. MP 359 MNW, National Museum of Warsaw/Muzeum Narodowe w Warszawie
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  • Beaks

    2015, Glazed ceramics, stone, steel, dimensions variable, Installation view: Rejected Truths
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  • Who conquers the World

    Kulik, Zofia (*1947 Breslau/Wrocław, lives in Łomianki-Dąbrowa). Multipart black and white photograph, 302.5 x 656.5 cm; Inv. no. 3276.
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  • A stained glass painting in the Landshut town hall.

    Window in the main staircase. They depict George the Rich and Hedwig of Poland.
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  • The fascinating beauty of the Canale Grande

    Watercolour painting.
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  • Prof. Chris Nowicki

    Master of mezzotint
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  • Ohne Titel

    Pinselzeichnung, Tusche auf Papier, 22 x 17 cm, 2020
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  • ill. 14a: 100 Kilometres

    Strips of synthetic material, metal, W = 1250 cm, H = 1300 cm, D = 3000 cm. Kunstkirche Christ-König, Bochum, Danuta Karsten exhibition: 100 Kilometres.
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  • ill. 9/15: Jacobus Belsen (1870-1937): How Herr Hitler takes the word “legal” into his mouth

    In: Der wahre Jakob, 53rd, no. 5, Berlin 27.2.1932, Rear page.
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  • Head of an Arab

    Munich
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  • Fig. 4: “Divided Landscape, Created Landscape” (Geteilte Landschaft, gestaltete Landschaft) 19, 1983

    Black ink, gouache on paper, 25x32 cm, private collection
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  • Left-hand side window in the left side choir

    Presentation of Mary in the temple
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  • ill. 16a: reKonstruktion, inside view

    In the Pomona Temple, Belvedere, Potsdam; built in 1800 by Karl Friedrich Schinkel, rebuilt after war destruction in 1992/93, restored in 2009.
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  • ill. 1: Katarzyna Kobro: Female nude

    Gypsum, 29 x 23.5 x 29 cm. Museum Jerke, Bochum.
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  • ill. 6: untitled, 1997

    untitled, 1997. Maple, 463 x 125 x 15 cm, de Weryha Collection, Hamburg
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  • Fig. 36: “Coming, Becoming, Going” (Kommen, werden, gehen) 15, 1993

    Black ink on paper, 42x29.5 cm, private collection
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  • Tadeusz Kantor: Informel

    Reverse of the painting.
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  • Abb. 3: Nikifor: Stroller (self-portrait)

    Undated. Watercolour on paper, 21 x 17.5 cm, Clemens-Sels-Museum, Neuss.
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  • ill. 38: Wooden pillar, 2003

    Wooden pillar, 2003. Bark, wood, 285 x 100 x 100 cm, de Weryha Collection, Hamburg
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