Year (field_media_year)
Period:

  • Umerziehung II

    Pinselzeichnung, Tusche auf Papier, 47 x 62 cm, 2019
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  • ill. 11: Light Breath

    250 sewn sheets of PVC, each 50 x 50 x 110 cm, Zollverein Colliery, Essen (European Capital of Culture Ruhr).
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  • ill. 9/11: The Three Germanic Gods

    In: Hitleriada furiosa, sheet 10.
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  • Jan Długosz and St. Kasimir

    Oil on paperboard, 47,5 x 60,5 cm
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  • The winged altarpiece of Röhlinghausen

    A large piece of hard coal and a receptacle with a reliquary of St Barbara in the new altar base, 2023
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  • Central window in the choir of St.-Johannes-Kirche church in Recklinghausen-Suderwich

    Crucifixion of Christ
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  • ill. 14b: Our Garden, 2

    On the occasion of the art project "Blossoming Landscapes", Zempow/Brandenburg 2008; in the farm garden at the Buchfinkenhof.
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  • Abb. 4: Elisa's mother Princess Luise Radziwiłł

    Painting by Élisabeth Vigée-Lebrun, oil on canvas, 80.5 x 64 cm, private collection.
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  • ill. 2: untitled, 1997

    untitled, 1997. Alder, 104 x 20 x 15 cm, de Weryha Collection, Hamburg
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  • Fig. 32: “Coming, Becoming, Going” (Kommen, werden, gehen) 28, 1993

    Black ink on paper, 70x50 cm, private collection
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  • Wilanów Palace from the park

    Undated, oil on canvas, 84 x 108 cm, National Museum in Warsaw/Muzeum Narodowe w Warszawie.
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  • ill. 28: Agnieszka Polska: How the Work Is Done

    Video, ca. 6 minutes. Galerie Żak|Branicka, Berlin.
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  • ill. 34: Wooden Panel, 2002

    Wooden Panel, 2002. Maple, charcoaled, 100 x 100 x 9 cm, Królikowski-Collection, Dąbrówka Wielka/Poland
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  • Fig. 64: “Ghosts and Houses” (Geister und Häuser) 13, 2015

    Acrylic, coloured pencils on paper, 30x40 cm, private collection
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  • The collector couple Joanna and Mariusz Bednarski talk about Polish poster art

    Pigasus Polish Poster Gallery in Berlin, September.

  • ill. 24: Foot in Bendern

    Courtyard of the LGT Bank in Bendern/Liechtenstein, bronze, height: 515 cm.
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  • ill. 66: Wooden Panel, 2010

    Wooden Panel, 2010. Spruce, charcoaled, wood stems, 25.5 x 25.5 x 8 cm, de Weryha Collection, Hamburg
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  • Fig. 96: “I Don’t See It, so It Isn’t There” (Seh nicht, also ist nicht) 7/8, 2022

    Nie widzę, więc nie ma, Hamburg 2022. Double page 7/8
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  • Ill. 10a: Large Kitchen Still Life, after Michel Bouillon

    Private collection. Cut flat glass on metal construction, 94 x 58 x 44 cm.
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  • Ill. 28: Lunch with the prince primate

    Collotype, from: From Berlin to Gdansk.
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