Year (field_media_year)
Period:
  • ill. 6: Princess Elisa Radziwiłł as the goddess Peri

    Painting by Wilhelm Hensel, oil on canvas, Robert Schumann House, Zwickau.
  • ill. 4: untitled, 1997

    untitled, 1997. Various types of wood, 119 x 111 x 28 cm, de Weryha Collection, Hamburg
  • Fig. 34: “Coming, Becoming, Going” (Kommen, werden, gehen) 13, 1993

    Black ink on paper, 42x29.5 cm, private collection
  • ill. 1b: SILVER SALT

    1999. Analogue interactive Installation, photos, plexiglass, earth.
  • ill. 9a: DEEP TREE

    Long shot. A light installation in a public space. Living bamboos, mirror, maxi-slide. Premiere at the City of Sculpture project in Mérida/Yucatán 2008.
  • ill. 3a: Newspaper Figures

    Exhibition Biuro Wystaw Artystycznych in Lublin.
  • ill. 49: untitled, 2005

    untitled, 2005. Various types of wood, 480 x 280 x 45 cm (Detail). de Weryha Collection, Hamburg
  • Fig. 79: “Steps (II)” (Stufen) 9, 2019

    Acrylic on canvas, 40x40 cm, private collection
  • Leszek Zebrowski: ‘Full Colour. Posters by Leszek Zebrowski’

    Poster for his solo exhibition in September.
  • Ill. 11: A visit to Kaufmann Gerdes

    Collotype, from: From Berlin to Gdansk.
  • ill. 80: Wooden Panel, 2013

    Wooden Panel, 2013. Spruce, broken and cut on wooden board, 120 x 118 x 10.5 cm, de Weryha Collection, Hamburg
  • Warm Breath VIII

    2022, Paper collage: sanded inkjet prints, spray paint, soot by fire, 58 x 43 cm
  • Abb. 2: Aleksander Lesser (1814-1884): Knight in armour

    Oil on canvas, 65,5 x 53,5 cm.
  • Ill. 43: Forcible abduction of the King of Poland Stanislaus Augustus in 1771

    Etching, in: Portraits from the new history, 1790.
  • Fig. 1: The Hanging of the Sigismund Bell, 1874

    Jan Matejko: The Hanging of the Sigismund Bell at the Cathedral Tower in Kraków in 1521, 1874 Oil on board, 94 x 189 cm, National Museum of Warsaw/Muzeum Narodowe w Warszawie
  • Singularity

    2019, Installation view studio Düsseldorf
  • Andrzej Wróblewski, Raugh Drawing for „Shooting“ (Rozstrzelanie)

    1949, indian ink on paper, 31,1 x 23,5 cm.
  • 16: Parforce Hunt

    Oil on canvas, 96.5 x 192 cm.
  • The church of Maczków

    A church window. Coloured pencils on paper.
  • Fig. 33: The Indecent Woman, 1904

    Witold Wojtkiewicz: The Indecent Woman (Fallen Woman), 1904. From the “Tragicomic Sketches” cycle, ink, gouache, coloured pencil on paper, 47.5 x 38.7 cm, inv. no. MNK III-r.a-11688, National Museum o...