Year (field_media_year)
Period:

  • ill. 13a: Untitled

    Paper, nylon string, glue, ca. 66,000 paper cards, each 2 x 7 cm, H = 700 cm, W = 800 cm, D = 800 cm, Atrium im Dominohaus, Reutlingen, Danuta Karsten exhibition: Papier bewegt.
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  • ill. 9/13: The Little Innocent

    Gentlemen, Iet me tell you something. I am totally innocent. I am only a little marshal and someone else is guilty. In: Hitleriada furiosa, sheet 12.
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  • Portrait of the Painter Stanisław Czajkowski

    The Brother of the Artist, Cracow or Munich, oil on canvas, 90,5 x 59,5 cm
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  • Fig. 2: “Here and There” (Hier und dort) 20, 1984

    Black and coloured ink on paper, 31.5x32 cm, private collection
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  • Right-hand side window in the choir of St.-Johannes-Kirche church: John the Baptist is decapitated

    Left in the scene Herodias and Salome
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  • ill. 15b: Inwentaryzacja/Inventory, 2

    Muzeum Ziemi Lubuskiej, Zielona Góra.
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  • ill. 6: Princess Elisa Radziwiłł as the goddess Peri

    Painting by Wilhelm Hensel, oil on canvas, Robert Schumann House, Zwickau.
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  • ill. 4: untitled, 1997

    untitled, 1997. Various types of wood, 119 x 111 x 28 cm, de Weryha Collection, Hamburg
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  • Fig. 34: “Coming, Becoming, Going” (Kommen, werden, gehen) 13, 1993

    Black ink on paper, 42x29.5 cm, private collection
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  • ill. 1b: SILVER SALT

    1999. Analogue interactive Installation, photos, plexiglass, earth.
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  • ill. 1: Works by Jerzy Truszkowski

    Exhibition view. All 1984, acrylic on paper, Museum Jerke, Recklinghausen.
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  • ill. 36: Wooden Panel, 2002

    Wooden Panel, 2002. Spruce, patinated, oak bark, 106 x 106 x 20 cm, de Weryha Collection, Hamburg
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  • Fig. 66: “Ghosts and Houses” (Geister und Häuser) 16, 2015

    Acrylic, coloured pencils on paper, 30x40 cm, private collection
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  • Wiesław Grzegorczyk: Plakate und Entwürfe

    Poster for his solo exhibition in November.
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  • ill. 26: Four red female figures

    Gouache, 110 x 137 cm.
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  • ill. 68: Wooden Panel, 2011

    Wooden Panel, 2011. Spruce, lavender, 34 x 34 x 8.5 cm, de Weryha Collection, Hamburg
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  • Fig. 98: “I Don’t See It, so It Isn’t There” (Seh nicht, also ist nicht) 13/14, 2022

    Nie widzę, więc nie ma, Hamburg 2022. Double page 13/14
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  • Ill. 11a: Lynx, after a sketchbook page by Albrecht Dürer

    Corning Museum of Glass, Corning, NY. Cut flat glass on metal construction, 86 x 50 x 60 cm.
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  • Ill. 30: A woman praying in the Dominican church

    Collotype, from: From Berlin to Gdansk.
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  • Reliquiar, 1624

    Augsburger Meister: Reliquiar mit der rechten Hand des heiligen Stephanus, 1624. Nach 1138 aus dem Nachlass von Bolesław III. Schiefmund im 1803 aufgelösten Klosterschatz Zwiefalten, heute im Besitz d...
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