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Jeremias Falck

“Christ being Mocked with a Crown of Thorns”, ca. 1645. Engraving, 57.1 x 42.6 cm. Based on a painting by Anthonis van Dyck (1599-1641), published by Herman Weyen in Paris. Indicated at the bottom: Ant. van Dijck pinxit, J. Falck fecit.

Mediathek Sorted

Media library
Catalogue of work (in German)
J.C.Block: Jeremias Falck. Sein Leben und seine Werke, Danzig, Leipzig, Wien 1890
Giovanni Francesco Barbieri, called Il Guercino (1591-1666): Livre de Portraiture, 1641
With copper engravings by Jeremias Falck (block 172). Heidelberg University Library
“Verscheyde Nieuwe Tulpen, en andere Bloemen” and “Novae et exquisitae florum icones“
With engravings by Jeremias Falck, Hamburg 1662, (block 64, 65), bound together in one volume, Umeå University Library
ll. 1: Anne Marie Louise d'Orléans
Copper engraving. After a painting by Justus van Egmont (1601-1674), 38.9 x 28 cm, signed lower right: F. sculpsit.
Ill. 2: Louis XIII, King of France and Navarre - Copper engraving. After a painting by Justus van Egmont, 40.4 x 31 cm, sig. d. r.: Falck fecit.
Ill. 2: Louis XIII, King of France and Navarre
Ill. 2: Louis XIII, King of France and Navarre - Copper engraving. After a painting by Justus van Egmont, 40.4 x 31 cm, sig. d. r.: Falck fecit. © British Museum, London
Ill. 3: Anna of Austria - Copper engraving. After a painting by Justus van Egmont, , 40 x 30 cm, sign: Falck fecit.
Ill. 3: Anna of Austria
Ill. 3: Anna of Austria - Copper engraving. After a painting by Justus van Egmont, , 40 x 30 cm, sign: Falck fecit. © British Museum, London
Ill. 4: Louis XIV as a child - Copper engraving. After a painting by Justus van Egmont, 40.1 x 30.3 cm, sign: I. Falck sculpsit
Ill. 4: Louis XIV as a child
Ill. 4: Louis XIV as a child - Copper engraving. After a painting by Justus van Egmont, 40.1 x 30.3 cm, sign: I. Falck sculpsit © British Museum, London, Public Domain
Ill. 5: Ludowika Maria Gonzaga, Queen of Poland, Grand Duchess of Lithuania, Titular Queen of Sweden - Copper engraving. After a painting by Justus van Egmont, not signed by Falck
Ill. 5: Ludowika Maria Gonzaga, Queen of Poland, Grand Duchess of Lithuania, Titular Queen of Sweden
Ill. 5: Ludowika Maria Gonzaga, Queen of Poland, Grand Duchess of Lithuania, Titular Queen of Sweden - Copper engraving. After a painting by Justus van Egmont, not signed by Falck © Austrian National Library, Vienna
Ill. 2: Louis XIII, King of France and Navarre
Copper engraving. After a painting by Justus van Egmont, 40.4 x 31 cm, sig. d. r.: Falck fecit.
Ill. 3: Anna of Austria
Copper engraving. After a painting by Justus van Egmont, , 40 x 30 cm, sign: Falck fecit.
Ill. 4: Louis XIV as a child
Copper engraving. After a painting by Justus van Egmont, 40.1 x 30.3 cm, sign: I. Falck sculpsit
Ill. 5: Ludowika Maria Gonzaga, Queen of Poland, Grand Duchess of Lithuania, Titular Queen of Sweden
Copper engraving. After a painting by Justus van Egmont, not signed by Falck
Ill. 6: Nicolaus Copernicus - Copper engraving after an unknown painting, 30.9 x 19.5 cm, signed: J. Falck sculp.
Ill. 6: Nicolaus Copernicus
Ill. 6: Nicolaus Copernicus - Copper engraving after an unknown painting, 30.9 x 19.5 cm, signed: J. Falck sculp. © Rijksmuseum Amsterdam
Ill. 7: Tycho Brahe - Copper engraving after an unknown work, 30.9 x 19.3 cm, signed below: J Falck f.
Ill. 7: Tycho Brahe
Ill. 7: Tycho Brahe - Copper engraving after an unknown work, 30.9 x 19.3 cm, signed below: J Falck f. © Austrian National Library, Vienna
Ill. 8: Gran Mogor, Akbar the Great of India - Copper engraving after a painting by Claude Vignon, 21.6 x 18 cm, signed: J. Falck
Ill. 8: Gran Mogor, Akbar the Great of India
Ill. 8: Gran Mogor, Akbar the Great of India - Copper engraving after a painting by Claude Vignon, 21.6 x 18 cm, signed: J. Falck © British Museum, London
Ill. 9: Willem Blaeu - Copper engraving after an unknown work, 31.3 x 19.4 cm, signed: J. Falck sulp.
Ill. 9: Willem Blaeu
Ill. 9: Willem Blaeu - Copper engraving after an unknown work, 31.3 x 19.4 cm, signed: J. Falck sulp. © Rijksmuseum Amsterdam
Ill. 6: Nicolaus Copernicus
Copper engraving after an unknown painting, 30.9 x 19.5 cm, signed: J. Falck sculp.
Ill. 7: Tycho Brahe
Copper engraving after an unknown work, 30.9 x 19.3 cm, signed below: J Falck f.
Ill. 8: Gran Mogor, Akbar the Great of India
Copper engraving after a painting by Claude Vignon, 21.6 x 18 cm, signed: J. Falck
Ill. 9: Willem Blaeu
Copper engraving after an unknown work, 31.3 x 19.4 cm, signed: J. Falck sulp.
Ill. 10: Adriaan van den Spiegel - Copper engraving after an unknown model, 31 x 19.7 cm, signed: J. Falck f.
Ill. 10: Adriaan van den Spiegel
Ill. 10: Adriaan van den Spiegel - Copper engraving after an unknown model, 31 x 19.7 cm, signed: J. Falck f. © Rijksmuseum Amsterdam
Ill. 11: Allegory of January - Copper engraving after a painting by Joachim von Sandrart, 34.8 x 25.4 cm, signed: Jer = Falck sculpsit.
Ill. 11: Allegory of January
Ill. 11: Allegory of January - Copper engraving after a painting by Joachim von Sandrart, 34.8 x 25.4 cm, signed: Jer = Falck sculpsit. © Rijksmuseum Amsterdam
Ill. 12: Allegory of March - Copper engraving after a painting by Joachim von Sandrart, 34.8 x 25.2 cm, signed: Jer = Falck sculpsit.
Ill. 12: Allegory of March
Ill. 12: Allegory of March - Copper engraving after a painting by Joachim von Sandrart, 34.8 x 25.2 cm, signed: Jer = Falck sculpsit. © Rijksmuseum Amsterdam
Ill. 13: The Day - Copper engraving after a painting by Joachim von Sandrart, 35.1 x 25.5 cm, signed: Jer = Falck sculpsit.
Ill. 13: The Day
Ill. 13: The Day - Copper engraving after a painting by Joachim von Sandrart, 35.1 x 25.5 cm, signed: Jer = Falck sculpsit. © Rijksmuseum Amsterdam
Ill. 10: Adriaan van den Spiegel
Copper engraving after an unknown model, 31 x 19.7 cm, signed: J. Falck f.
Ill. 11: Allegory of January
Copper engraving after a painting by Joachim von Sandrart, 34.8 x 25.4 cm, signed: Jer = Falck sculpsit.
Ill. 12: Allegory of March
Copper engraving after a painting by Joachim von Sandrart, 34.8 x 25.2 cm, signed: Jer = Falck sculpsit.
Ill. 13: The Day
Copper engraving after a painting by Joachim von Sandrart, 35.1 x 25.5 cm, signed: Jer = Falck sculpsit.
Ill.14: Aurora or The Morning - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 38.7 x 27 cm, signed: J. Falck f.
Ill.14: Aurora or The Morning
Ill.14: Aurora or The Morning - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 38.7 x 27 cm, signed: J. Falck f. © Rijksmuseum Amsterdam
Ill. 15: Venus or the noon - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 40.2 x 28.1 cm, sign: Falck f.
Ill. 15: Venus or the noon
Ill. 15: Venus or the noon - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 40.2 x 28.1 cm, sign: Falck f. © British Museum, London
Ill. 16: Diana or the evening - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown work, 40 x 27.8 cm, signed: J. Falck f.
Ill. 16: Diana or the evening
Ill. 16: Diana or the evening - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown work, 40 x 27.8 cm, signed: J. Falck f. © British Museum, London, Public Domain
Ill. 17: Proserpina or The Night - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 40.2 x 28 cm, sign: Falck f.
Ill. 17: Proserpina or The Night
Ill. 17: Proserpina or The Night - From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 40.2 x 28 cm, sign: Falck f. © National Library of Warsaw
Ill.14: Aurora or The Morning
From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 38.7 x 27 cm, signed: J. Falck f.
Ill. 15: Venus or the noon
From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 40.2 x 28.1 cm, sign: Falck f.
Ill. 16: Diana or the evening
From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown work, 40 x 27.8 cm, signed: J. Falck f.
Ill. 17: Proserpina or The Night
From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 40.2 x 28 cm, sign: Falck f.
Ill. 18: Springtime - From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.8 x 28.3 cm, not signed by Falck.
Ill. 18: Springtime
Ill. 18: Springtime - From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.8 x 28.3 cm, not signed by Falck. © British Museum, London
Ill. 19: Summer - From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.9 x 28.4 cm, not signed by Falck.
Ill. 19: Summer
Ill. 19: Summer - From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.9 x 28.4 cm, not signed by Falck. © British Museum, London
Ill. 20: Autumn - From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.8 x 27.9 cm, not signed by Falck.
Ill. 20: Autumn
Ill. 20: Autumn - From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.8 x 27.9 cm, not signed by Falck. © British Museum, London
Ill. 21: Winter - From the series ‘The Four Seasons’. Copperplate engraving after an unknown model, 39.4 x 28.5 cm, sign: Falck f.
Ill. 21: Winter
Ill. 21: Winter - From the series ‘The Four Seasons’. Copperplate engraving after an unknown model, 39.4 x 28.5 cm, sign: Falck f. © British Museum, London
Ill. 18: Springtime
From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.8 x 28.3 cm, not signed by Falck.
Ill. 19: Summer
From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.9 x 28.4 cm, not signed by Falck.
Ill. 20: Autumn
From the series ‘The Four Seasons’. Copper engraving after an unknown model, 39.8 x 27.9 cm, not signed by Falck.
Ill. 21: Winter
From the series ‘The Four Seasons’. Copperplate engraving after an unknown model, 39.4 x 28.5 cm, sign: Falck f.
Ill. 22: The Assyrians. I. Monarchy, King Sanherib - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.4 x 21.8 cm, signed: J. Falck Sculp.
Ill. 22: The Assyrians. I. Monarchy, King Sanherib
Ill. 22: The Assyrians. I. Monarchy, King Sanherib - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.4 x 21.8 cm, signed: J. Falck Sculp. © Rijksmuseum Amsterdam
Ill. 23: The Medes. II Monarchy, King Darius - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.7 cm (trimmed text), signed: J. Falck Fecit
Ill. 23: The Medes. II Monarchy, King Darius
Ill. 23: The Medes. II Monarchy, King Darius - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.7 cm (trimmed text), signed: J. Falck Fecit © Rijksmuseum Amsterdam, Public Domain
Ill. 24: The Greeks. III Monarchy, Alexander the Great, King of Macedonia - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.1 cm, signed: J. Falck Sculp.
Ill. 24: The Greeks. III Monarchy, Alexander the Great, King of Macedonia
Ill. 24: The Greeks. III Monarchy, Alexander the Great, King of Macedonia - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.1 cm, signed: J. Falck Sculp. © Austrian National Library, Vienna
Ill. 25: The Romans. IV. Monarchy, Emperor Augustus - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.5 cm, signed: J. Falck Sculp.
Ill. 25: The Romans. IV. Monarchy, Emperor Augustus
Ill. 25: The Romans. IV. Monarchy, Emperor Augustus - From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.5 cm, signed: J. Falck Sculp. © Austrian National Library, Vienna
Ill. 22: The Assyrians. I. Monarchy, King Sanherib
From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.4 x 21.8 cm, signed: J. Falck Sculp.
Ill. 23: The Medes. II Monarchy, King Darius
From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.7 cm (trimmed text), signed: J. Falck Fecit
Ill. 24: The Greeks. III Monarchy, Alexander the Great, King of Macedonia
From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.1 cm, signed: J. Falck Sculp.
Ill. 25: The Romans. IV. Monarchy, Emperor Augustus
From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’. Copper engraving after a design by Claude Vignon, 31.5 x 21.5 cm, signed: J. Falck Sculp.
Ill. 26: Maria, Jesus and John the Baptist - Copper engraving after a painting by Jacques Stella, 40.3 x 29.1 cm, signed: J. Falck Sculp.
Ill. 26: Maria, Jesus and John the Baptist
Ill. 26: Maria, Jesus and John the Baptist - Copper engraving after a painting by Jacques Stella, 40.3 x 29.1 cm, signed: J. Falck Sculp. © Rijksmuseum Amsterdam
Ill. 27: Christ on the Mount of Olives - Copper engraving after a painting by Guido Reni, 53.9 x 38 cm, signed in the image: J. Falck fet.
Ill. 27: Christ on the Mount of Olives
Ill. 27: Christ on the Mount of Olives - Copper engraving after a painting by Guido Reni, 53.9 x 38 cm, signed in the image: J. Falck fet. © Rijksmuseum Amsterdam
Ill. 28: The Entombment of Christ - Copper engraving after a painting by an unknown master, 55.5 x 37.7 cm, sign: I. Falck sculp.
Ill. 28: The Entombment of Christ
Ill. 28: The Entombment of Christ - Copper engraving after a painting by an unknown master, 55.5 x 37.7 cm, sign: I. Falck sculp. © Rijksmuseum Amsterdam
Ill. 29a: Matthew - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp.
Ill. 29a: Matthew
Ill. 29a: Matthew - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp. © Teylers Museum, Haarlem
Ill. 26: Maria, Jesus and John the Baptist
Copper engraving after a painting by Jacques Stella, 40.3 x 29.1 cm, signed: J. Falck Sculp.
Ill. 27: Christ on the Mount of Olives
Copper engraving after a painting by Guido Reni, 53.9 x 38 cm, signed in the image: J. Falck fet.
Ill. 28: The Entombment of Christ
Copper engraving after a painting by an unknown master, 55.5 x 37.7 cm, sign: I. Falck sculp.
Ill. 29a: Matthew
From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp.
Ill. 29b: Mark - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp.
Ill. 29b: Mark
Ill. 29b: Mark - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp. © Teylers Museum, Haarlem
Ill. 29c: Luke - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sclp.
Ill. 29c: Luke
Ill. 29c: Luke - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sclp. © Teylers Museum, Haarlem
Ill. 29d: John - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp.
Ill. 29d: John
Ill. 29d: John - From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp. © Teylers Museum, Haarlem
Ill. 30: Gate of honour on the occasion of the visit of King Władysław IV. Vasa in Gdansk - Copper engraving after a design by Adolf Boy, 62.9 x 45 cm, sign: Falck Poln. Sculps.
Ill. 30: Gate of honour on the occasion of the visit of King Władysław IV. Vasa in Gdansk
Ill. 30: Gate of honour on the occasion of the visit of King Władysław IV. Vasa in Gdansk - Copper engraving after a design by Adolf Boy, 62.9 x 45 cm, sign: Falck Poln. Sculps. © National Museum of Warsaw
Ill. 29b: Mark
From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp.
Ill. 29c: Luke
From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sclp.
Ill. 29d: John
From the series ‘The Four Evangelists’. Copper engraving after a painting by Pieter van Mol, 7.6 x 6 cm, sign: I. Falk sculp.
Ill. 30: Gate of honour on the occasion of the visit of King Władysław IV. Vasa in Gdansk
Copper engraving after a design by Adolf Boy, 62.9 x 45 cm, sign: Falck Poln. Sculps.
Ill. 31: Gate of honour, design II - Copper engraving after a design by Adolf Boy, 59 x 39.3 cm, sign: Falck incid.
Ill. 31: Gate of honour, design II
Ill. 31: Gate of honour, design II - Copper engraving after a design by Adolf Boy, 59 x 39.3 cm, sign: Falck incid. © National Library of Warsaw
Ill. 32: Title copper for the description of the ‘Porta Honoris’ by Andreas Scato - Copper engraving after an unknown model, 24.8 x 15 cm, signed lower right: J. Falck fecit.
Ill. 32: Title copper for the description of the ‘Porta Honoris’ by Andreas Scato
Ill. 32: Title copper for the description of the ‘Porta Honoris’ by Andreas Scato - Copper engraving after an unknown model, 24.8 x 15 cm, signed lower right: J. Falck fecit. © Rijksmuseum Amsterdam
Ill. 33: Title copper: Jerzy Ossoliński kneels before Pope Urban VIII - To the work by Jerzy Ossoliński: Illustrissimi et Excell[entissi]mi. Copper engraving after unknown. Original, 19 x 14,3 cm, not signed.
Ill. 33: Title copper: Jerzy Ossoliński kneels before Pope Urban VIII
Ill. 33: Title copper: Jerzy Ossoliński kneels before Pope Urban VIII - To the work by Jerzy Ossoliński: Illustrissimi et Excell[entissi]mi. Copper engraving after unknown. Original, 19 x 14,3 cm, not signed. © University library, Danzig
Ill. 34: Title copper plate to the work by Johannes Hevelius: Selenographia sive Lunae Descriptio - Copper engraving after a drawing by Adolf Boy, coloured, 31.7 x 18.3 cm, signed: J. Falck Polonus sculp.
Ill. 34: Title copper plate to the work by Johannes Hevelius: Selenographia sive Lunae Descriptio
Ill. 34: Title copper plate to the work by Johannes Hevelius: Selenographia sive Lunae Descriptio - Copper engraving after a drawing by Adolf Boy, coloured, 31.7 x 18.3 cm, signed: J. Falck Polonus sculp. © PAN Biblioteka Gdańska
Ill. 31: Gate of honour, design II
Copper engraving after a design by Adolf Boy, 59 x 39.3 cm, sign: Falck incid.
Ill. 32: Title copper for the description of the ‘Porta Honoris’ by Andreas Scato
Copper engraving after an unknown model, 24.8 x 15 cm, signed lower right: J. Falck fecit.
Ill. 33: Title copper: Jerzy Ossoliński kneels before Pope Urban VIII
To the work by Jerzy Ossoliński: Illustrissimi et Excell[entissi]mi. Copper engraving after unknown. Original, 19 x 14,3 cm, not signed.
Ill. 34: Title copper plate to the work by Johannes Hevelius: Selenographia sive Lunae Descriptio
Copper engraving after a drawing by Adolf Boy, coloured, 31.7 x 18.3 cm, signed: J. Falck Polonus sculp.
Ill. 35: Johannes Hevelius - Copper engraving after a painting by Helmich van Tweenhuysen II, 27 x 16.8 cm, signed: Jerem. Falck sculpsit.
Ill. 35: Johannes Hevelius
Ill. 35: Johannes Hevelius - Copper engraving after a painting by Helmich van Tweenhuysen II, 27 x 16.8 cm, signed: Jerem. Falck sculpsit. © Rijksmuseum Amsterdam
Ill. 36: Frederick William Margrave of Brandenburg - Copper engraving presumably after a painting by Govaert Flinck, 32 x 22 cm, sign: I. Falck Polonus sculp.
Ill. 36: Frederick William Margrave of Brandenburg
Ill. 36: Frederick William Margrave of Brandenburg - Copper engraving presumably after a painting by Govaert Flinck, 32 x 22 cm, sign: I. Falck Polonus sculp. © National Library of Warsaw
Ill. 37: Daniel Dilger - Copper engraving after a painting by Salomon Wegner, 31,3 x 22 cm, sign: I. Falck. sculp. 1648.
Ill. 37: Daniel Dilger
Ill. 37: Daniel Dilger - Copper engraving after a painting by Salomon Wegner, 31,3 x 22 cm, sign: I. Falck. sculp. 1648. © Rijksmuseum Amsterdam
Ill. 38: Christina, Queen of Sweden - Copper engraving after a painting by David Beck, 31.6 x 22.1 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649.
Ill. 38: Christina, Queen of Sweden
Ill. 38: Christina, Queen of Sweden - Copper engraving after a painting by David Beck, 31.6 x 22.1 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649. © Rijksmuseum Amsterdam
Ill. 35: Johannes Hevelius
Copper engraving after a painting by Helmich van Tweenhuysen II, 27 x 16.8 cm, signed: Jerem. Falck sculpsit.
Ill. 36: Frederick William Margrave of Brandenburg
Copper engraving presumably after a painting by Govaert Flinck, 32 x 22 cm, sign: I. Falck Polonus sculp.
Ill. 37: Daniel Dilger
Copper engraving after a painting by Salomon Wegner, 31,3 x 22 cm, sign: I. Falck. sculp. 1648.
Ill. 38: Christina, Queen of Sweden
Copper engraving after a painting by David Beck, 31.6 x 22.1 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649.
Ill. 39: Carl Gustav of Palatinate-Zweibrücken - Later Charles X Gustav of Sweden. Copper engraving after a painting by David Beck, 31.4 x 21.9 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649.
Ill. 39: Carl Gustav of Palatinate-Zweibrücken
Ill. 39: Carl Gustav of Palatinate-Zweibrücken - Later Charles X Gustav of Sweden. Copper engraving after a painting by David Beck, 31.4 x 21.9 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649. © Rijksmuseum Amsterdam
Ill. 40: Magnus Gabriel De la Gardie - Copper engraving after a painting by David Beck, 31 x 21.6 cm, signed: J. Falck sculp. et. excu. cum priv. R.S. Stockholmiae 1649.
Ill. 40: Magnus Gabriel De la Gardie
Ill. 40: Magnus Gabriel De la Gardie - Copper engraving after a painting by David Beck, 31 x 21.6 cm, signed: J. Falck sculp. et. excu. cum priv. R.S. Stockholmiae 1649. © Austrian National Library, Vienna
Ill. 41: Louis de Geer - Copper engraving after a painting by David Beck, 30.9 x 21.5 cm, signed: J. Falck scup. Stockholmiae.
Ill. 41: Louis de Geer
Ill. 41: Louis de Geer - Copper engraving after a painting by David Beck, 30.9 x 21.5 cm, signed: J. Falck scup. Stockholmiae. © Rijksmuseum Amsterdam
Ill. 42: Lennart Torstensson, Count of Ortala - Copper engraving after a painting by David Beck, 31.5 x 21.9 cm, signed: J. Falck sculp. et excu. cum priv. R.S. 1649.
Ill. 42: Lennart Torstensson, Count of Ortala
Ill. 42: Lennart Torstensson, Count of Ortala - Copper engraving after a painting by David Beck, 31.5 x 21.9 cm, signed: J. Falck sculp. et excu. cum priv. R.S. 1649. © Rijksmuseum Amsterdam
Ill. 39: Carl Gustav of Palatinate-Zweibrücken
Later Charles X Gustav of Sweden. Copper engraving after a painting by David Beck, 31.4 x 21.9 cm, signed: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1649.
Ill. 40: Magnus Gabriel De la Gardie
Copper engraving after a painting by David Beck, 31 x 21.6 cm, signed: J. Falck sculp. et. excu. cum priv. R.S. Stockholmiae 1649.
Ill. 41: Louis de Geer
Copper engraving after a painting by David Beck, 30.9 x 21.5 cm, signed: J. Falck scup. Stockholmiae.
Ill. 42: Lennart Torstensson, Count of Ortala
Copper engraving after a painting by David Beck, 31.5 x 21.9 cm, signed: J. Falck sculp. et excu. cum priv. R.S. 1649.
Ill. 43: Gabriel B. Oxenstierna - Copper engraving after a painting by David Beck, 31.4 x 22.1 cm, signed below the text: J. Falck, below: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1650.
Ill. 43: Gabriel B. Oxenstierna
Ill. 43: Gabriel B. Oxenstierna - Copper engraving after a painting by David Beck, 31.4 x 22.1 cm, signed below the text: J. Falck, below: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1650. © Rijksmuseum Amsterdam
Ill. 44: Robert Count Douglas - Copper engraving after a painting by David Beck, 32.2 x 22.6 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: I.F. sculp. et excu. cum priv. R.S. Stockholmiae 1651.
Ill. 44: Robert Count Douglas
Ill. 44: Robert Count Douglas - Copper engraving after a painting by David Beck, 32.2 x 22.6 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: I.F. sculp. et excu. cum priv. R.S. Stockholmiae 1651. © Rijksmuseum Amsterdam
Ill. 45: Friedrich Christoph von Hammerstein - Copper engraving after a painting by David Beck, 31.6 x 22.2 cm, sign: I. Falck sculp. et excud. cum priv. R.S. Stockholmiae 1651.
Ill. 45: Friedrich Christoph von Hammerstein
Ill. 45: Friedrich Christoph von Hammerstein - Copper engraving after a painting by David Beck, 31.6 x 22.2 cm, sign: I. Falck sculp. et excud. cum priv. R.S. Stockholmiae 1651. © Rijksmuseum Amsterdam
Ill. 46: Gustaf Karlsson Horn Count of Pori - Copper engraving after a painting by David Beck, 32.3 x 22.2 cm, below the text: Je. Falck S.R.M. Sueciae Chalcographus, below: cum priv. R.S. Stockholmiae 1651.
Ill. 46: Gustaf Karlsson Horn Count of Pori
Ill. 46: Gustaf Karlsson Horn Count of Pori - Copper engraving after a painting by David Beck, 32.3 x 22.2 cm, below the text: Je. Falck S.R.M. Sueciae Chalcographus, below: cum priv. R.S. Stockholmiae 1651. © Rijksmuseum Amsterdam
Ill. 43: Gabriel B. Oxenstierna
Copper engraving after a painting by David Beck, 31.4 x 22.1 cm, signed below the text: J. Falck, below: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 1650.
Ill. 44: Robert Count Douglas
Copper engraving after a painting by David Beck, 32.2 x 22.6 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: I.F. sculp. et excu. cum priv. R.S. Stockholmiae 1651.
Ill. 45: Friedrich Christoph von Hammerstein
Copper engraving after a painting by David Beck, 31.6 x 22.2 cm, sign: I. Falck sculp. et excud. cum priv. R.S. Stockholmiae 1651.
Ill. 46: Gustaf Karlsson Horn Count of Pori
Copper engraving after a painting by David Beck, 32.3 x 22.2 cm, below the text: Je. Falck S.R.M. Sueciae Chalcographus, below: cum priv. R.S. Stockholmiae 1651.
Ill. 47: Hans Christoph Count of Königsmarck - Copper engraving after a painting by David Beck or Matthäus Merian, 31.2 x 21.7 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 16...
Ill. 47: Hans Christoph Count of Königsmarck
Ill. 47: Hans Christoph Count of Königsmarck - Copper engraving after a painting by David Beck or Matthäus Merian, 31.2 x 21.7 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 16... © Austrian National Library, Vienna
Ill. 48: Axel Lillie - Copper engraving after a painting by David Beck, 31.8 x 22.3 cm, sign. below the text: J. Falck S.R.M. Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae 1651.
Ill. 48: Axel Lillie
Ill. 48: Axel Lillie - Copper engraving after a painting by David Beck, 31.8 x 22.3 cm, sign. below the text: J. Falck S.R.M. Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae 1651. © Rijksmuseum Amsterdam
Ill. 49: Arvid Wittenberg, Count of Debern and Neuburg - Copper engraving after a painting by David Beck, 31.8 x 22.4 cm, sign. below the text: J. Falck S.R.M. Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae.
Ill. 49: Arvid Wittenberg, Count of Debern and Neuburg
Ill. 49: Arvid Wittenberg, Count of Debern and Neuburg - Copper engraving after a painting by David Beck, 31.8 x 22.4 cm, sign. below the text: J. Falck S.R.M. Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae. © Rijksmuseum Amsterdam
Ill. 50: Axel Oxenstierna of Södermöre - Copper engraving after a painting by David Beck, 32 x 22.5 cm, signed below the text: Je. Falck S.R.M. Sueciae Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae.
Ill. 50: Axel Oxenstierna of Södermöre
Ill. 50: Axel Oxenstierna of Södermöre - Copper engraving after a painting by David Beck, 32 x 22.5 cm, signed below the text: Je. Falck S.R.M. Sueciae Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae. © Rijksmuseum Amsterdam
Ill. 47: Hans Christoph Count of Königsmarck
Copper engraving after a painting by David Beck or Matthäus Merian, 31.2 x 21.7 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae 16...
Ill. 48: Axel Lillie
Copper engraving after a painting by David Beck, 31.8 x 22.3 cm, sign. below the text: J. Falck S.R.M. Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae 1651.
Ill. 49: Arvid Wittenberg, Count of Debern and Neuburg
Copper engraving after a painting by David Beck, 31.8 x 22.4 cm, sign. below the text: J. Falck S.R.M. Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae.
Ill. 50: Axel Oxenstierna of Södermöre
Copper engraving after a painting by David Beck, 32 x 22.5 cm, signed below the text: Je. Falck S.R.M. Sueciae Chalcographus, below: I. F. sculp. et excu. cum priv. R.S. Stockholmiae.
Ill. 51: Christina, Queen of Sweden - Copper engraving after a painting by David Beck, 31 x 22.1 cm, signed lower: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae.
Ill. 51: Christina, Queen of Sweden
Ill. 51: Christina, Queen of Sweden - Copper engraving after a painting by David Beck, 31 x 22.1 cm, signed lower: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae. © Teylers Museum, Haarlem
Ill. 52: Charles X Gustav, King of Sweden - Copper engraving after an unknown painting, 43.8 x 28.6 cm, sign.: 1654 Falck.
Ill. 52: Charles X Gustav, King of Sweden
Ill. 52: Charles X Gustav, King of Sweden - Copper engraving after an unknown painting, 43.8 x 28.6 cm, sign.: 1654 Falck. © Austrian National Library, Vienna
Ill. 53: Carl Gustav Wrangel - Copper engraving after a painting by David Klöcker Ehrenstrahl, 65 x 49 cm, signed: Jeremias Falck.
Ill. 53: Carl Gustav Wrangel
Ill. 53: Carl Gustav Wrangel - Copper engraving after a painting by David Klöcker Ehrenstrahl, 65 x 49 cm, signed: Jeremias Falck. © Cathedral Museum Riga
Ill. 54: Władysław IV. Vasa, King of Poland - Copper engraving after an unknown painting, 31.2 x 21 cm, sign.: I. Falck. Polonus sculp.
Ill. 54: Władysław IV. Vasa, King of Poland
Ill. 54: Władysław IV. Vasa, King of Poland - Copper engraving after an unknown painting, 31.2 x 21 cm, sign.: I. Falck. Polonus sculp. © Austrian National Library, Vienna
Ill. 51: Christina, Queen of Sweden
Copper engraving after a painting by David Beck, 31 x 22.1 cm, signed lower: J. Falck sculp. et excu. cum priv. R.S. Stockholmiae.
Ill. 52: Charles X Gustav, King of Sweden
Copper engraving after an unknown painting, 43.8 x 28.6 cm, sign.: 1654 Falck.
Ill. 53: Carl Gustav Wrangel
Copper engraving after a painting by David Klöcker Ehrenstrahl, 65 x 49 cm, signed: Jeremias Falck.
Ill. 54: Władysław IV. Vasa, King of Poland
Copper engraving after an unknown painting, 31.2 x 21 cm, sign.: I. Falck. Polonus sculp.
Ill. 55: Maciej Łubieński - Copper engraving after an unknown painting (Falck notes: Dankers), 31.8 x 22 cm, sign: I. Falck Polonus sculp.
Ill. 55: Maciej Łubieński
Ill. 55: Maciej Łubieński - Copper engraving after an unknown painting (Falck notes: Dankers), 31.8 x 22 cm, sign: I. Falck Polonus sculp. © National Library of Warsaw
Ill. 56: Achacy Przyłęcki - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.7 x 21.8 cm, sign: I. Falck sculp. Stockholmiae.
Ill. 56: Achacy Przyłęcki
Ill. 56: Achacy Przyłęcki - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.7 x 21.8 cm, sign: I. Falck sculp. Stockholmiae. © National Library of Warsaw
Ill. 57: Hieronim Radziejowski - Copper engraving after a painting by Hendrick Munnichhoven, 31.5 x 22.5 cm, sign.: Je. Falck S.R.M. Sueciae Chalcographus,
Ill. 57: Hieronim Radziejowski
Ill. 57: Hieronim Radziejowski - Copper engraving after a painting by Hendrick Munnichhoven, 31.5 x 22.5 cm, sign.: Je. Falck S.R.M. Sueciae Chalcographus, © National Library of Warsaw
Ill. 58: Jerzy Sebastian Lubomirski - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.5 x 22.5 cm, sign.: I. Falck sculp.
Ill. 58: Jerzy Sebastian Lubomirski
Ill. 58: Jerzy Sebastian Lubomirski - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.5 x 22.5 cm, sign.: I. Falck sculp. © National Library of Warsaw
Ill. 55: Maciej Łubieński
Copper engraving after an unknown painting (Falck notes: Dankers), 31.8 x 22 cm, sign: I. Falck Polonus sculp.
Ill. 56: Achacy Przyłęcki
Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.7 x 21.8 cm, sign: I. Falck sculp. Stockholmiae.
Ill. 57: Hieronim Radziejowski
Copper engraving after a painting by Hendrick Munnichhoven, 31.5 x 22.5 cm, sign.: Je. Falck S.R.M. Sueciae Chalcographus,
Ill. 58: Jerzy Sebastian Lubomirski
Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.5 x 22.5 cm, sign.: I. Falck sculp.
Ill. 59: Łukasz Opaliński (the Elder, 1581-1654) - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 32.2 x 23.2 cm, sign: I. Falck sculp.
Ill. 59: Łukasz Opaliński (the Elder, 1581-1654)
Ill. 59: Łukasz Opaliński (the Elder, 1581-1654) - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 32.2 x 23.2 cm, sign: I. Falck sculp. © National Library of Warsaw
Ill. 60: Bogusław Radziwiłł - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 32.3 x 23.5 cm, sign.: I Falck sculp.
Ill. 60: Bogusław Radziwiłł
Ill. 60: Bogusław Radziwiłł - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 32.3 x 23.5 cm, sign.: I Falck sculp. © Rijksmuseum Amsterdam
Ill. 61: Piotr Gembicki - Copper engraving after an unknown painting, 31.7 x 21.3 cm, sign: I. Falck Polonus sculp.
Ill. 61: Piotr Gembicki
Ill. 61: Piotr Gembicki - Copper engraving after an unknown painting, 31.7 x 21.3 cm, sign: I. Falck Polonus sculp. © National Library of Warsaw
Ill. 62: Andrzej Leszczyński - Copper engraving after an unknown painting, 31 x 20.3 cm, sign.: I. Falck Polonus sculp.
Ill. 62: Andrzej Leszczyński
Ill. 62: Andrzej Leszczyński - Copper engraving after an unknown painting, 31 x 20.3 cm, sign.: I. Falck Polonus sculp. © National Library of Warsaw
Ill. 59: Łukasz Opaliński (the Elder, 1581-1654)
Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 32.2 x 23.2 cm, sign: I. Falck sculp.
Ill. 60: Bogusław Radziwiłł
Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 32.3 x 23.5 cm, sign.: I Falck sculp.
Ill. 61: Piotr Gembicki
Copper engraving after an unknown painting, 31.7 x 21.3 cm, sign: I. Falck Polonus sculp.
Ill. 62: Andrzej Leszczyński
Copper engraving after an unknown painting, 31 x 20.3 cm, sign.: I. Falck Polonus sculp.
Ill. 63: Bogusław Leszczyński, 1650/55 - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 30 x 23.1 cm, sign.: I. Falck sculp.
Ill. 63: Bogusław Leszczyński, 1650/55
Ill. 63: Bogusław Leszczyński, 1650/55 - Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 30 x 23.1 cm, sign.: I. Falck sculp. © National Library of Warsaw
Ill. 64: Wacław Leszczyński - 1650/55. Copper engraving after an unknown painting, 30.5 x 20 cm, sign.: I. Falck Polonus sculp.
Ill. 64: Wacław Leszczyński
Ill. 64: Wacław Leszczyński - 1650/55. Copper engraving after an unknown painting, 30.5 x 20 cm, sign.: I. Falck Polonus sculp. © National Library of Warsaw
Ill. 65: Jerzy Ossoliński - 1650/55. Copper engraving after a painting by Bartholomew (Bartłomiej) Strobel, 30.7 x 20.1 cm, sign.: I. Falck Polonus sculp.
Ill. 65: Jerzy Ossoliński
Ill. 65: Jerzy Ossoliński - 1650/55. Copper engraving after a painting by Bartholomew (Bartłomiej) Strobel, 30.7 x 20.1 cm, sign.: I. Falck Polonus sculp. © National Library of Warsaw
Ill. 66: Jerzy Tyszkiewicz - 1650/55. Copper engraving after an unknown painting, 32 x 22.5 cm, sign: I. Falck sculp.
Ill. 66: Jerzy Tyszkiewicz
Ill. 66: Jerzy Tyszkiewicz - 1650/55. Copper engraving after an unknown painting, 32 x 22.5 cm, sign: I. Falck sculp. © National Library of Warsaw
Ill. 63: Bogusław Leszczyński, 1650/55
Copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 30 x 23.1 cm, sign.: I. Falck sculp.
Ill. 64: Wacław Leszczyński
1650/55. Copper engraving after an unknown painting, 30.5 x 20 cm, sign.: I. Falck Polonus sculp.
Ill. 65: Jerzy Ossoliński
1650/55. Copper engraving after a painting by Bartholomew (Bartłomiej) Strobel, 30.7 x 20.1 cm, sign.: I. Falck Polonus sculp.
Ill. 66: Jerzy Tyszkiewicz
1650/55. Copper engraving after an unknown painting, 32 x 22.5 cm, sign: I. Falck sculp.
Ill. 67: Helmich van Tweenhuysen II. - 1650/55. copper engraving after an unknown painting, 31.7 x 21.7 cm, sign.: Jeremias Falck.
Ill. 67: Helmich van Tweenhuysen II.
Ill. 67: Helmich van Tweenhuysen II. - 1650/55. copper engraving after an unknown painting, 31.7 x 21.7 cm, sign.: Jeremias Falck. © Teylers Museum, Haarlem
Ill. 68: Frederick III, King of Denmark and Norway - Copper engraving after an unknown painting, 43.5 x 28.5 cm, sign.: Ie. Falck.
Ill. 68: Frederick III, King of Denmark and Norway
Ill. 68: Frederick III, King of Denmark and Norway - Copper engraving after an unknown painting, 43.5 x 28.5 cm, sign.: Ie. Falck. © Austrian National Library, Vienna
Ill. 69: Esau sells his Birthright - Copper engraving after a painting by Matthias Stomer 1655/57, copy from 1663, 32.8 x 39.9 cm, sign.: J. Falck Polonus sculp. A: 1663.
Ill. 69: Esau sells his Birthright
Ill. 69: Esau sells his Birthright - Copper engraving after a painting by Matthias Stomer 1655/57, copy from 1663, 32.8 x 39.9 cm, sign.: J. Falck Polonus sculp. A: 1663. © British Museum, London
Ill. 70: The Adoration of the Shepherds - 1655/57. Copper engraving after a lost painting by Lorenzo Lotto (Falck noted Paolo Veronese), 32.7 x 38.3 cm, trimmed.
Ill. 70: The Adoration of the Shepherds
Ill. 70: The Adoration of the Shepherds - 1655/57. Copper engraving after a lost painting by Lorenzo Lotto (Falck noted Paolo Veronese), 32.7 x 38.3 cm, trimmed. © National Library of Warsaw
Ill. 67: Helmich van Tweenhuysen II.
1650/55. copper engraving after an unknown painting, 31.7 x 21.7 cm, sign.: Jeremias Falck.
Ill. 68: Frederick III, King of Denmark and Norway
Copper engraving after an unknown painting, 43.5 x 28.5 cm, sign.: Ie. Falck.
Ill. 69: Esau sells his Birthright
Copper engraving after a painting by Matthias Stomer 1655/57, copy from 1663, 32.8 x 39.9 cm, sign.: J. Falck Polonus sculp. A: 1663.
Ill. 70: The Adoration of the Shepherds
1655/57. Copper engraving after a lost painting by Lorenzo Lotto (Falck noted Paolo Veronese), 32.7 x 38.3 cm, trimmed.
Ill. 71: Christ in the Temple - Copperplate engraving after a painting by Andrea Schiavone, 29.2 x 38.2 cm.
Ill. 71: Christ in the Temple
Ill. 71: Christ in the Temple - Copperplate engraving after a painting by Andrea Schiavone, 29.2 x 38.2 cm. © Teylers Museum, Haarlem
Ill. 72: The Virgin Mary with the Infant Jesus and St Anne - Copperplate engraving after a painting by Andrea del Sarto, 40 x 29.2 cm.
Ill. 72: The Virgin Mary with the Infant Jesus and St Anne
Ill. 72: The Virgin Mary with the Infant Jesus and St Anne - Copperplate engraving after a painting by Andrea del Sarto, 40 x 29.2 cm. © Teylers Museum, Haarlem
Ill. 73: The Veneration of the Holy Family - 1655/57. Copperplate engraving after a painting by Bonifazio Veronese (Falck notes Jacopo Palma il Vecchio), 29.3 x 40.7 cm.
Ill. 73: The Veneration of the Holy Family
Ill. 73: The Veneration of the Holy Family - 1655/57. Copperplate engraving after a painting by Bonifazio Veronese (Falck notes Jacopo Palma il Vecchio), 29.3 x 40.7 cm. © Rijksmuseum Amsterdam
Ill. 74: The Carrying of the Cross - 1655/57. Copper engraving after a painting by Jacopo Bassano (Falck notes Paolo Veronese), 41.6 x 29.2 cm.
Ill. 74: The Carrying of the Cross
Ill. 74: The Carrying of the Cross - 1655/57. Copper engraving after a painting by Jacopo Bassano (Falck notes Paolo Veronese), 41.6 x 29.2 cm. © Teylers Museum, Haarlem
Ill. 71: Christ in the Temple
Copperplate engraving after a painting by Andrea Schiavone, 29.2 x 38.2 cm.
Ill. 72: The Virgin Mary with the Infant Jesus and St Anne
Copperplate engraving after a painting by Andrea del Sarto, 40 x 29.2 cm.
Ill. 73: The Veneration of the Holy Family
1655/57. Copperplate engraving after a painting by Bonifazio Veronese (Falck notes Jacopo Palma il Vecchio), 29.3 x 40.7 cm.
Ill. 74: The Carrying of the Cross
1655/57. Copper engraving after a painting by Jacopo Bassano (Falck notes Paolo Veronese), 41.6 x 29.2 cm.
Ill. 75: The Ecstasy of Saint Paul - 1655/57. Copper engraving after a painting by Johann Liss, not signed.
Ill. 75: The Ecstasy of Saint Paul
Ill. 75: The Ecstasy of Saint Paul - 1655/57. Copper engraving after a painting by Johann Liss, not signed. © Rijksmuseum Amsterdam
Ill. 76: The Vision of Saint Peter - 1655/57. Copper engraving after a lost painting by Domenico Fetti (formerly attributed to Johann Liss), 41.8 x 29.1 cm.
Ill. 76: The Vision of Saint Peter
Ill. 76: The Vision of Saint Peter - 1655/57. Copper engraving after a lost painting by Domenico Fetti (formerly attributed to Johann Liss), 41.8 x 29.1 cm. © National Gallery of Art, Washington, DC
Ill. 77: Old Lady at her Toilet Table - 1655/57. Copper engraving after a painting by Bernardo Strozzi (formerly attributed to Johann Liss), 37 x 30.4 cm.
Ill. 77: Old Lady at her Toilet Table
Ill. 77: Old Lady at her Toilet Table - 1655/57. Copper engraving after a painting by Bernardo Strozzi (formerly attributed to Johann Liss), 37 x 30.4 cm. © National Gallery of Art, Washington, DC
Ill. 78: The Concert - 1655/57. Copper engraving after a painting by Giorgione (Falck noted Guercino), 29.3 x 39.8 cm.
Ill. 78: The Concert
Ill. 78: The Concert - 1655/57. Copper engraving after a painting by Giorgione (Falck noted Guercino), 29.3 x 39.8 cm. © Teylers Museum, Haarlem
Ill. 75: The Ecstasy of Saint Paul
1655/57. Copper engraving after a painting by Johann Liss, not signed.
Ill. 76: The Vision of Saint Peter
1655/57. Copper engraving after a lost painting by Domenico Fetti (formerly attributed to Johann Liss), 41.8 x 29.1 cm.
Ill. 77: Old Lady at her Toilet Table
1655/57. Copper engraving after a painting by Bernardo Strozzi (formerly attributed to Johann Liss), 37 x 30.4 cm.
Ill. 78: The Concert
1655/57. Copper engraving after a painting by Giorgione (Falck noted Guercino), 29.3 x 39.8 cm.
Ill. 79: The Prodigal Son with the Harlots - 1655/57. Copper engraving after a painting by Johann Liss, 28.3 x 39 cm, not signed by Falck.
Ill. 79: The Prodigal Son with the Harlots
Ill. 79: The Prodigal Son with the Harlots - 1655/57. Copper engraving after a painting by Johann Liss, 28.3 x 39 cm, not signed by Falck. © Rijksmuseum Amsterdam
Ill. 80: Queen Semiramis receives news of the uprising in Babylon - 1655/57. Copper engraving after a painting by Guercino, 29.3 x 38.9 cm.
Ill. 80: Queen Semiramis receives news of the uprising in Babylon
Ill. 80: Queen Semiramis receives news of the uprising in Babylon - 1655/57. Copper engraving after a painting by Guercino, 29.3 x 38.9 cm. © Teylers Museum, Haarlem
Ill. 81: Singing Couple - 1655/57. Copper engraving after a Dutch master (Falck notes Cornelis van Haarlem), 37 x 25.7 cm, signed: J. Falck Polonus f.
Ill. 81: Singing Couple
Ill. 81: Singing Couple - 1655/57. Copper engraving after a Dutch master (Falck notes Cornelis van Haarlem), 37 x 25.7 cm, signed: J. Falck Polonus f. © Engraving cabinet, Staatliche Kunstsammlungen Dresden, Deutsche Fotothek
Ill. 82: John the Baptist preaching a Sermon - Copper engraving after a painting by Abraham Bloemaert (1564-1651), 50.1 x 62 cm, signed: J. Falck Polonus sculp.
Ill. 82: John the Baptist preaching a Sermon
Ill. 82: John the Baptist preaching a Sermon - Copper engraving after a painting by Abraham Bloemaert (1564-1651), 50.1 x 62 cm, signed: J. Falck Polonus sculp. © Rijksmuseum Amsterdam
Ill. 79: The Prodigal Son with the Harlots
1655/57. Copper engraving after a painting by Johann Liss, 28.3 x 39 cm, not signed by Falck.
Ill. 80: Queen Semiramis receives news of the uprising in Babylon
1655/57. Copper engraving after a painting by Guercino, 29.3 x 38.9 cm.
Ill. 81: Singing Couple
1655/57. Copper engraving after a Dutch master (Falck notes Cornelis van Haarlem), 37 x 25.7 cm, signed: J. Falck Polonus f.
Ill. 82: John the Baptist preaching a Sermon
Copper engraving after a painting by Abraham Bloemaert (1564-1651), 50.1 x 62 cm, signed: J. Falck Polonus sculp.
Ill. 83: Konstantin Ferber, Mayor of Gdansk - 1658/63. Copper engraving after a painting by Adolf Boy, 26.2 x 18.7 cm, signed: J. Falck sculp. Hamburgi
Ill. 83: Konstantin Ferber, Mayor of Gdansk
Ill. 83: Konstantin Ferber, Mayor of Gdansk - 1658/63. Copper engraving after a painting by Adolf Boy, 26.2 x 18.7 cm, signed: J. Falck sculp. Hamburgi © National Library of Warsaw
Ill. 84: Johannes Müller - Copper engraving after a painting by the Hamburg painter Gerd Dittmers, 34.4 x 24.8 cm, signed: J. Falck sculp.
Ill. 84: Johannes Müller
Ill. 84: Johannes Müller - Copper engraving after a painting by the Hamburg painter Gerd Dittmers, 34.4 x 24.8 cm, signed: J. Falck sculp. © National Library of Warsaw
Ill. 85: Johann Ulrich von Wallich - Copper engraving after a painting by the Hamburg painter Gerd Dittmers, 23.2 x 17.1 cm, signed lower right: J. Falck sc.
Ill. 85: Johann Ulrich von Wallich
Ill. 85: Johann Ulrich von Wallich - Copper engraving after a painting by the Hamburg painter Gerd Dittmers, 23.2 x 17.1 cm, signed lower right: J. Falck sc. © Rijksmuseum Amsterdam
Ill. 86: Title copper for Johannes Hevelius: Machina coelestis - Copper engraving after a design by Adolf Boy, signed: J. Falck sculpsit.
Ill. 86: Title copper for Johannes Hevelius: Machina coelestis
Ill. 86: Title copper for Johannes Hevelius: Machina coelestis - Copper engraving after a design by Adolf Boy, signed: J. Falck sculpsit. © PAN Gdansk Library
Ill. 83: Konstantin Ferber, Mayor of Gdansk
1658/63. Copper engraving after a painting by Adolf Boy, 26.2 x 18.7 cm, signed: J. Falck sculp. Hamburgi
Ill. 84: Johannes Müller
Copper engraving after a painting by the Hamburg painter Gerd Dittmers, 34.4 x 24.8 cm, signed: J. Falck sculp.
Ill. 85: Johann Ulrich von Wallich
Copper engraving after a painting by the Hamburg painter Gerd Dittmers, 23.2 x 17.1 cm, signed lower right: J. Falck sc.
Ill. 86: Title copper for Johannes Hevelius: Machina coelestis
Copper engraving after a design by Adolf Boy, signed: J. Falck sculpsit.
Ill. 82: The alphabet, title page for the series Libellus novus elementorum latinorum - With copper engravings (also of the individual letters) after a model by Johann Christian Bierpfaff, 20.8 x 16.2 cm, signed: Jeremias Falck Hamburgi.
Ill. 82: The alphabet, title page for the series Libellus novus elementorum latinorum
Ill. 82: The alphabet, title page for the series Libellus novus elementorum latinorum - With copper engravings (also of the individual letters) after a model by Johann Christian Bierpfaff, 20.8 x 16.2 cm, signed: Jeremias Falck Hamburgi. © Rijksmuseum Amsterdam
Ill. 87a: The letter A - From the series Libellus novus elementorum latinorum, 20.8 x 21.4 cm, signed below: J.F. sculp.
Ill. 87a: The letter A
Ill. 87a: The letter A - From the series Libellus novus elementorum latinorum, 20.8 x 21.4 cm, signed below: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87b: The letter B - From the series Libellus novus elementorum latinorum, 20.6 x 14.3 cm, signed lower right: J.F. sculp.
Ill. 87b: The letter B
Ill. 87b: The letter B - From the series Libellus novus elementorum latinorum, 20.6 x 14.3 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87c: The letter C - From the series Libellus novus elementorum latinorum, 20.6 x 15.6 cm, signed lower right: J.F. sculp.
Ill. 87c: The letter C
Ill. 87c: The letter C - From the series Libellus novus elementorum latinorum, 20.6 x 15.6 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 82: The alphabet, title page for the series Libellus novus elementorum latinorum
With copper engravings (also of the individual letters) after a model by Johann Christian Bierpfaff, 20.8 x 16.2 cm, signed: Jeremias Falck Hamburgi.
Ill. 87a: The letter A
From the series Libellus novus elementorum latinorum, 20.8 x 21.4 cm, signed below: J.F. sculp.
Ill. 87b: The letter B
From the series Libellus novus elementorum latinorum, 20.6 x 14.3 cm, signed lower right: J.F. sculp.
Ill. 87c: The letter C
From the series Libellus novus elementorum latinorum, 20.6 x 15.6 cm, signed lower right: J.F. sculp.
Ill. 87d: The letter D - From the series Libellus novus elementorum latinorum, 20.6 x 17.5 cm, signed lower right: J.F. sculp.
Ill. 87d: The letter D
Ill. 87d: The letter D - From the series Libellus novus elementorum latinorum, 20.6 x 17.5 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87e: The letter E - From the series Libellus novus elementorum latinorum, 20.5 x 15.8 cm, signed lower right: J.F. sculp.
Ill. 87e: The letter E
Ill. 87e: The letter E - From the series Libellus novus elementorum latinorum, 20.5 x 15.8 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87f: The letter F - From the series Libellus novus elementorum latinorum, 20.5 x 15.7 cm, signed lower right: J.F. sculp.
Ill. 87f: The letter F
Ill. 87f: The letter F - From the series Libellus novus elementorum latinorum, 20.5 x 15.7 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87g: The letter G - From the series Libellus novus elementorum latinorum, 20.5 x 15.7 cm, signed lower right: J.F. sculp.
Ill. 87g: The letter G
Ill. 87g: The letter G - From the series Libellus novus elementorum latinorum, 20.5 x 15.7 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87d: The letter D
From the series Libellus novus elementorum latinorum, 20.6 x 17.5 cm, signed lower right: J.F. sculp.
Ill. 87e: The letter E
From the series Libellus novus elementorum latinorum, 20.5 x 15.8 cm, signed lower right: J.F. sculp.
Ill. 87f: The letter F
From the series Libellus novus elementorum latinorum, 20.5 x 15.7 cm, signed lower right: J.F. sculp.
Ill. 87g: The letter G
From the series Libellus novus elementorum latinorum, 20.5 x 15.7 cm, signed lower right: J.F. sculp.
Ill. 87h: The letter H - From the series Libellus novus elementorum latinorum, 20.6 x 17.4 cm, signed lower right: J.F. sculp.
Ill. 87h: The letter H
Ill. 87h: The letter H - From the series Libellus novus elementorum latinorum, 20.6 x 17.4 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87i: The letter I - From the series Libellus novus elementorum latinorum, 20.1 x 13 cm, signed lower right: J.F. sculp.
Ill. 87i: The letter I
Ill. 87i: The letter I - From the series Libellus novus elementorum latinorum, 20.1 x 13 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87k: The letter K - From the series Libellus novus elementorum latinorum, 20.8 x 19 cm, signed lower right: J.F. sculp.
Ill. 87k: The letter K
Ill. 87k: The letter K - From the series Libellus novus elementorum latinorum, 20.8 x 19 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87l: The letter L - From the series Libellus novus elementorum latinorum, 20.5 x 17 cm, signed lower right: J.F. sculp.
Ill. 87l: The letter L
Ill. 87l: The letter L - From the series Libellus novus elementorum latinorum, 20.5 x 17 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87h: The letter H
From the series Libellus novus elementorum latinorum, 20.6 x 17.4 cm, signed lower right: J.F. sculp.
Ill. 87i: The letter I
From the series Libellus novus elementorum latinorum, 20.1 x 13 cm, signed lower right: J.F. sculp.
Ill. 87k: The letter K
From the series Libellus novus elementorum latinorum, 20.8 x 19 cm, signed lower right: J.F. sculp.
Ill. 87l: The letter L
From the series Libellus novus elementorum latinorum, 20.5 x 17 cm, signed lower right: J.F. sculp.
Ill. 87m: The letter M - From the series Libellus novus elementorum latinorum, 20.6 x 19.3 cm, signed lower right: J.F. sculp.
Ill. 87m: The letter M
Ill. 87m: The letter M - From the series Libellus novus elementorum latinorum, 20.6 x 19.3 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87n: The letter N - From the series Libellus novus elementorum latinorum, 20.8 x 17.7 cm, signed lower right: J.F. sculp.
Ill. 87n: The letter N
Ill. 87n: The letter N - From the series Libellus novus elementorum latinorum, 20.8 x 17.7 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87o: The letter O - From the series Libellus novus elementorum latinorum, 20.5 x 16 cm, signed lower right: J.F. sculp.
Ill. 87o: The letter O
Ill. 87o: The letter O - From the series Libellus novus elementorum latinorum, 20.5 x 16 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87p: The letter P - From the series Libellus novus elementorum latinorum, 20.4 x 13.5 cm, signed lower right: J.F. sculp.
Ill. 87p: The letter P
Ill. 87p: The letter P - From the series Libellus novus elementorum latinorum, 20.4 x 13.5 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87m: The letter M
From the series Libellus novus elementorum latinorum, 20.6 x 19.3 cm, signed lower right: J.F. sculp.
Ill. 87n: The letter N
From the series Libellus novus elementorum latinorum, 20.8 x 17.7 cm, signed lower right: J.F. sculp.
Ill. 87o: The letter O
From the series Libellus novus elementorum latinorum, 20.5 x 16 cm, signed lower right: J.F. sculp.
Ill. 87p: The letter P
From the series Libellus novus elementorum latinorum, 20.4 x 13.5 cm, signed lower right: J.F. sculp.
Ill. 87q: The letter Q - From the series Libellus novus elementorum latinorum, 20.5 x 18.1 cm, signed lower right: J.F. sculp.
Ill. 87q: The letter Q
Ill. 87q: The letter Q - From the series Libellus novus elementorum latinorum, 20.5 x 18.1 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87r: The letter R - From the series Libellus novus elementorum latinorum, 20.6 x 17.7 cm, signed lower right: J.F. sculp.
Ill. 87r: The letter R
Ill. 87r: The letter R - From the series Libellus novus elementorum latinorum, 20.6 x 17.7 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87s: The letter S - From the series Libellus novus elementorum latinorum, 20.5 x 14.6 cm, signed lower right: J.F. sculp.
Ill. 87s: The letter S
Ill. 87s: The letter S - From the series Libellus novus elementorum latinorum, 20.5 x 14.6 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87t: The letter T - From the series Libellus novus elementorum latinorum, 20.8 x 20 cm, signed lower right: J.F. sculp.
Ill. 87t: The letter T
Ill. 87t: The letter T - From the series Libellus novus elementorum latinorum, 20.8 x 20 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87q: The letter Q
From the series Libellus novus elementorum latinorum, 20.5 x 18.1 cm, signed lower right: J.F. sculp.
Ill. 87r: The letter R
From the series Libellus novus elementorum latinorum, 20.6 x 17.7 cm, signed lower right: J.F. sculp.
Ill. 87s: The letter S
From the series Libellus novus elementorum latinorum, 20.5 x 14.6 cm, signed lower right: J.F. sculp.
Ill. 87t: The letter T
From the series Libellus novus elementorum latinorum, 20.8 x 20 cm, signed lower right: J.F. sculp.
Ill. 87v: The letter V - From the series Libellus novus elementorum latinorum, 20.9 x 17.9 cm, signed lower right: J.F. sculp.
Ill. 87v: The letter V
Ill. 87v: The letter V - From the series Libellus novus elementorum latinorum, 20.9 x 17.9 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87w: The letter W - From the series Libellus novus elementorum latinorum, 20.7 x 21.5 cm, signed lower right: J.F. sculp.
Ill. 87w: The letter W
Ill. 87w: The letter W - From the series Libellus novus elementorum latinorum, 20.7 x 21.5 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87x: The letter X - From the series Libellus novus elementorum latinorum, 21 x 19.5 cm, signed lower right: J.F. sculp.
Ill. 87x: The letter X
Ill. 87x: The letter X - From the series Libellus novus elementorum latinorum, 21 x 19.5 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87y: The letter Y - From the series Libellus novus elementorum latinorum, 21 x 17.5 cm, signed lower right: J.F. sculp.
Ill. 87y: The letter Y
Ill. 87y: The letter Y - From the series Libellus novus elementorum latinorum, 21 x 17.5 cm, signed lower right: J.F. sculp. © Rijksmuseum Amsterdam
Ill. 87v: The letter V
From the series Libellus novus elementorum latinorum, 20.9 x 17.9 cm, signed lower right: J.F. sculp.
Ill. 87w: The letter W
From the series Libellus novus elementorum latinorum, 20.7 x 21.5 cm, signed lower right: J.F. sculp.
Ill. 87x: The letter X
From the series Libellus novus elementorum latinorum, 21 x 19.5 cm, signed lower right: J.F. sculp.
Ill. 87y: The letter Y
From the series Libellus novus elementorum latinorum, 21 x 17.5 cm, signed lower right: J.F. sculp.
Ill. 87z: The letter Z - From the series Libellus novus elementorum latinorum, 18.5 x 18 cm.
Ill. 87z: The letter Z
Ill. 87z: The letter Z - From the series Libellus novus elementorum latinorum, 18.5 x 18 cm. © Rijksmuseum Amsterdam
Ill. 87z: The letter Z
From the series Libellus novus elementorum latinorum, 18.5 x 18 cm.
More
“Christ being Mocked with a Crown of Thorns”, ca. 1645
“Christ being Mocked with a Crown of Thorns”, ca. 1645. Engraving, 57.1 x 42.6 cm. Based on a painting by Anthonis van Dyck (1599-1641), published by Herman Weyen in Paris. Indicated at the bottom: Ant. van Dijck pinxit, J. Falck fecit.

According to the Danzig City Councillor and author of a catalogue of works published in 1890 in Danzig, Julius C. Block, Jeremias Falck was “born in a German city, a German artist […] But merit should primarily go to our eastern neighbours, the Poles, for finding Falck’s work through the most diligent and continuous research and publicity. It must have been this that caused them to think that Falck was a Polish artist. That said he did sign his own works with the name “Polonus”, and others however with “Gedanensins”, as well as with “Sueciae Calcographus” on some engravings he completed in Stockholm” (PDF, p. 12 f.) As a rule the German variation of his name, Jeremias, (in Polish Jeremiasz) is used. But of course, Block was well aware that Falck was not a member of the Lutheran faith but committed to the reformed faith. This does not mean that we can exclude any German origins: it simply makes them less likely. In 1646 and 1649 he was inscribed as a godfather into the baptismal register of the reformed Church of St Peter and Paul in Danzig, the main church of the local Calvinists. In 1650 he was married there to Anna, the daughter of a merchant by the name of Arnold Mercator. And in 1671 he was laid to rest beneath a grave plate in the church. (PDF, p. 7 f., 12).[1]

From the mid-16th century the reformed confession spread from Switzerland into a huge number of countries in Europe due to the reformed Protestant influence of Ulrich Zwingli (1484-1531) and Johannes Calvin (1509-1564). The first reformed parishes in Danzig were set up by a few hundred citizens from the Netherlands who hade fled between 1567 and 1570 from the religious persecution by the Spanish Vice-Regent in the Netherlands, Fernando Herzog von Alba (1507-1582), and settled as foreigners outside the city, amongst others in Neugarten. In 1587 there were as many as 14 Calvinist preachers active in Danzig churches. From 1600 onwards the Dutch began to celebrate Holy Communion in the Church of the Holy Trinity under a chaplain from St. Peters Church. The Prussian reformed parish settled here during this time. .[2]  The ancestors of Jeremias can be traced back to a certain Franz Falck, who died in Thorn in 1590.[3]

In 1646 and 1649 Jeremias became a godfather of children who simultaneously had Dutch godparents. A note in the baptismal register in St Peters Church, dated 18 September 1646, mentions that he was the godfather of a child belonging to his brother Hans. Further godparents were Anna Hondius, the daughter of a Dutch engraver Willem Hondius (1597-1652/58), who had been living in Danzig since 1636, and Anna Mercator (1620-1672), the daughter of the merchant Arnold Mercator († 1641) and great-granddaughter of the famous cartographer from Flanders, Gerhard Mercator (1512-1594). Jeremias was presumably trained by Willem Hondius. On 25 February he replaced Arndt Mercator as the godfather of the son of Peter and Elizabeth Bex, (PDF, p. 7). In the following year, on 9 June 1650 he married Anna Mercator (PDF, p. 8). When we consider that communion was taken at all these family religious occasions and that this was not possible in an interdenominational fashion, it seems obvious that Falck also came from a Dutch family. Indeed Hans Falck, by profession a cutler, is registered as living “in Neugarten“ (PDF, p. 7). Later generations of the Falcks remained true to the reformed faith and the church of St Peter and Paul. One of these was the parish wigmaker and provost of the poor, Johann Daniel Falk the Elder (1737-1808), who married a woman from a Huguenot family from the French reformed community. Another was their son, the lay theologian, writer and composer of hymns, Johannes Daniel Falk (1768-1826). Both of them clearly felt a bond with the German middle and upper-class residents of Danzig.[4]

 

[1] For the date of Falck’s death Block quotes the gravestone book of the church of St Peter and St Paul in Danzig: “1677. On 7 February after cleaning the grave of Herr Hans Minckhaus, Jeremias Falck was buried there in the choir and by the altar, stone ‘Nr. 4’.” That said, in 1953 the genealogist Oskar Leistikow discovered that Falck had already died before the marriage of his daughter Susanna Maria in 1676 in the Market Church in Hanover. It has been shown that if you look again at the gravestone book of the church of St Peter in Danzig, that they year can be interpreted in two ways. Hence we must assume that the year in which he died must have been 1671.

[2] Erwin Pritzel: Geschichte der Reformierten Gemeinde zu St. Petri-Pauli in Danzig 1570-1940, Danzig 1940. pp. 9-16

[3] Johannes Demandt: Johannes Daniel Falk. Sein Weg von Danzig über Halle nach Weimar (1768-1799) = Arbeiten zur Geschichte des Pietismus, 36, Göttingen 1999, p. 17, note 7 (further reading is also given there)

[4] Ibid., pp. 17-19